| Composition |
Attributes |
| Harpsichord Concerto in G major, I-MC 1-A-14a (Anonymous) for harpsichord and strings |
— |
| Doppo i nembi, e le procelle from L'Eraclea, R.IV.B.5.5 (Albinoni, Tomaso) for |
— |
| Canzoncina popolare a Santa Cecilia (Franco, Cesare) for voice and organ |
vocal score |
| Questo silentio ombroso, H.616 (Scarlatti, Alessandro) for soprano, alto and continuo |
— |
Pietoso Nume arcier (Bononcini, Giovanni) for continuo and 2 sopranos
2 altos and continuo |
selections |
| Overture from Il geloso in cimento (Anfossi, Pasquale) for 7 voices and orchestra |
— |
| Serenata spirituale and Il trionfo di S. Agata vergine e martire from Li divertimenti poetici (Scalera Stellini, Maria Antonia) for |
— |
Musica universale armonico pratica (Basili, Andrea) for harpsichord
organ |
— |
| Concerto a cinque in G major (Vitali, Tomaso Antonio) for strings and continuo |
— |
| Concerto a cinque in G major (Vitali, Tomaso Antonio) for strings and continuo |
parts |
| Keyboard Sonata in B-Flat major, P-Ln M.M.508 (De Lima Velho, Afonso Vito) for keyboard |
— |
| La concordia del Tempo colla Fama (Carcani, Giuseppe) for 7 voices, mixed chorus and orchestra |
parts |
| Vanne a colei che adori, S-Skma SO R (Anonymous) for alto and strings |
— |
| Tu che mmalora dice (Leo, Leonardo) for soprano, bass, 2 violins and continuo |
— |