Title | A Comparison of Sampled and Synthesized Pianos |
Alternative title | A Comparison of Sampled and Synthesized Pianos for Computer-Generated MIDI-Based Performance |
Creators | Richard Kram (composer) |
Opus | |
Instrumentation | electronic sounds |
Number of movements | — |
Keys | — |
Composed | — |
First published | — |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Performance practice |
Language | English |
Period | Romantic |
View on IMSLP | ![]() |
Code | ![]() |
(No sections)
(No arrangements)
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | — | — | — | Complete Book · view |
view | Complete | — | — | — | Chopin Op. 64. No. 1 - MIDI Score · view |
Details | Type | Arranged for | Files |
---|---|---|---|
view | Synthesized | Chopin Op. 64, No. 1 (MIDI File used in Chopin Comparisons) | MIDI Performance · file |
view | Synthesized | Chopin Op. 64. No.1 - Virtual Performances using MIDI file and Indicated Libraries | VSL Imperial, Close Mic pos, Mozart Saal Reverb · file VSL Imperial, Player Mic pos, Mozart Saal Reverb · file VSL Imperial, Distant Mic pos, Mozart Saal Reverb · file Ivory II Grands, Bösendorfer 290, Performer mic pos, Bösendorfer Hall Reverb w/Ambiance · file Ivory II Grands, Bösendorfer 290, Audience mic pos, Bösendorfer Hall Reverb w/Ambiance · file Ivory II Grands, German D, Performer mic pos, Bösendorfer Hall Reverb w/Ambiance · file Ivory II Grands, German D, Audience mic pos, Bösendorfer Hall Reverb w/Ambiance · file Ivory II Grands, Yamaha C7, Performer mic pos, Bösendorfer Hall Reverb w/Ambiance · file Ivory II Grands, Yamaha C7, Audience mic pos, Bösendorfer Hall Reverb w/Ambiance · file QL Bösendorfer 290, Close Mic, Piano Hall 1, w/ Ambience · file QL Bösendorfer 290, Player Mic, Piano Hall 1, w/ Ambience · file QL Bösendorfer 290, Room Mic, Piano Hall 1, w/ Ambience · file QL Bechstein 280, Close Mic, Piano Hall 1, w/ Ambience · file QL Bechstein 280, Player Mic, Piano Hall 1, w/ Ambience (MIDI KV -5) · file QL Bechstein 280, Close (50%), Player (75%), Room (25%)Piano Hall 1, w/ Ambience · file QL Steinway D, Close Mic, Piano Hall 1, w/ Ambience · file QL Steinway D, Player Mic, Piano Hall 1, w/ Ambience · file QL Steinway D, Room Mic, Piano Hall 1, w/ Ambience (MIDI KV -5) · file QL Yamaha C7, Close Mic, Piano Hall 1, w/ Ambience · file QL Yamaha C7, Player Mic, Piano Hall 1, w/ Ambience · file QL Yamaha C7, Room Mic, Piano Hall 1, w/ Ambience · file NI Alicia Keys, Artist Mic, Hall Medium Setting w/Ambience · file NI Alicia Keys, Audience Mic, Hall Medium Setting w/Ambience · file NI Komplete Upright, Close mic, Concert Hall 50% · file NI Komplete Upright, Near mic, Concert Hall 50% · file NI Komplete Berlin Concert Grand, Close mic, Concert Hall 50% · file NI Komplete Berlin Concert Grand, Near mic, Concert Hall 50% · file NI Komplete Berlin Concert Grand, Medium mic, Concert Hall 50% · file NI Komplete Berlin Concert Grand, Far mic, Concert Hall 50% · file NI Komplete NY Concert Grand, Close mic, Concert Hall 50% · file NI Komplete NY Concert Grand, Near mic, Concert Hall 50% · file NI Komplete Vienna Concert Grand, Close mic, Concert Hall 50% · file NI Komplete Vienna Concert Grand, Near mic, Concert Hall 50% · file NI Kontakt Factory Lib, August Förster Grand, Concert Hall A · file NI Kontakt Factory Lib, Concert Grand, Concert Hall A · file Garritan Personal Orchestra, Steinway w/ East West Spaces NY Piano Hall 3.4s · file Garritan Jazz & Big Band, Jazz Steinway w/ East West Spaces NY Piano Hall 3.4s · file 8DIO 1928 Steinway Scoring Piano, Close Mic, Hard Articulation, Church CLS1 Reverb · file 8DIO 1969 Steinway - 6 Mic mix - Hall Reverb · file 8DIO 1969 Steinway - Keyboard Mic - Hall Reverb · file 8DIO 1969 Steinway - 6 Mic Mix (mostly Room & Overheads) - Hall Reverb · file Spitfire Orchestra Grand, Close Mic, with Spaces NY Piano Reverb 3.4s · file |
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