A Comparison of Sampled and Synthesized Pianos (Kram, Richard)

Title	A Comparison of Sampled and Synthesized Pianos
Alternative title	A Comparison of Sampled and Synthesized Pianos for Computer-Generated MIDI-Based Performance
Creators	Richard Kram, composer
Opus	—
Instrumentation	electronic sounds
Number of movements	—
Keys	—
Composed	—
First published	—
Dedication	—
Tempo markings	—
Metronome markings	—
Time signatures	—
Average duration (sec)	—
Number of measures	—
Composition types	Performance practice
Language	English
Period	Romantic
	View
Code

Sections

—

Arrangements

—

Scores

Details	Section	Type	Publisher	Date	File (click to view)
View	Complete	—	—	—	Complete Book
View	Complete	—	—	—	Chopin Op. 64. No. 1 - MIDI Score

Recordings/Performances

Details	Type	Arranged for	Files (click to listen)
View	MIDI	Chopin Op. 64, No. 1 (MIDI File used in Chopin Comparisons)	MIDI Performance
View	Synthesized	Chopin Op. 64. No.1 - Virtual Performances using MIDI file and Indicated Libraries	VSL Imperial, Close Mic pos, Mozart Saal Reverb VSL Imperial, Player Mic pos, Mozart Saal Reverb VSL Imperial, Distant Mic pos, Mozart Saal Reverb Ivory II Grands, Bösendorfer 290, Performer mic pos, Bösendorfer Hall Reverb w/Ambiance Ivory II Grands, Bösendorfer 290, Audience mic pos, Bösendorfer Hall Reverb w/Ambiance Ivory II Grands, German D, Performer mic pos, Bösendorfer Hall Reverb w/Ambiance Ivory II Grands, German D, Audience mic pos, Bösendorfer Hall Reverb w/Ambiance Ivory II Grands, Yamaha C7, Performer mic pos, Bösendorfer Hall Reverb w/Ambiance Ivory II Grands, Yamaha C7, Audience mic pos, Bösendorfer Hall Reverb w/Ambiance QL Bösendorfer 290, Close Mic, Piano Hall 1, w/ Ambience QL Bösendorfer 290, Player Mic, Piano Hall 1, w/ Ambience QL Bösendorfer 290, Room Mic, Piano Hall 1, w/ Ambience QL Bechstein 280, Close Mic, Piano Hall 1, w/ Ambience QL Bechstein 280, Player Mic, Piano Hall 1, w/ Ambience (MIDI KV -5) QL Bechstein 280, Close (50%), Player (75%), Room (25%)Piano Hall 1, w/ Ambience QL Steinway D, Close Mic, Piano Hall 1, w/ Ambience QL Steinway D, Player Mic, Piano Hall 1, w/ Ambience QL Steinway D, Room Mic, Piano Hall 1, w/ Ambience (MIDI KV -5) QL Yamaha C7, Close Mic, Piano Hall 1, w/ Ambience QL Yamaha C7, Player Mic, Piano Hall 1, w/ Ambience QL Yamaha C7, Room Mic, Piano Hall 1, w/ Ambience NI Alicia Keys, Artist Mic, Hall Medium Setting w/Ambience NI Alicia Keys, Audience Mic, Hall Medium Setting w/Ambience NI Komplete Upright, Close mic, Concert Hall 50% NI Komplete Upright, Near mic, Concert Hall 50% NI Komplete Berlin Concert Grand, Close mic, Concert Hall 50% NI Komplete Berlin Concert Grand, Near mic, Concert Hall 50% NI Komplete Berlin Concert Grand, Medium mic, Concert Hall 50% NI Komplete Berlin Concert Grand, Far mic, Concert Hall 50% NI Komplete NY Concert Grand, Close mic, Concert Hall 50% NI Komplete NY Concert Grand, Near mic, Concert Hall 50% NI Komplete Vienna Concert Grand, Close mic, Concert Hall 50% NI Komplete Vienna Concert Grand, Near mic, Concert Hall 50% NI Kontakt Factory Lib, August Förster Grand, Concert Hall A NI Kontakt Factory Lib, Concert Grand, Concert Hall A Garritan Personal Orchestra, Steinway w/ East West Spaces NY Piano Hall 3.4s Garritan Jazz & Big Band, Jazz Steinway w/ East West Spaces NY Piano Hall 3.4s 8DIO 1928 Steinway Scoring Piano, Close Mic, Hard Articulation, Church CLS1 Reverb 8DIO 1969 Steinway - 6 Mic mix - Hall Reverb 8DIO 1969 Steinway - Keyboard Mic - Hall Reverb 8DIO 1969 Steinway - 6 Mic Mix (mostly Room & Overheads) - Hall Reverb Spitfire Orchestra Grand, Close Mic, with Spaces NY Piano Reverb 3.4s

Composition quality
How much do you like this composition?

Log in to rate
Average	—

Technical difficulty
If you play this composition: how difficult is it for you?

Log in to rate
Average	—

Reviews

—

People who liked this also liked:

(Coming soon)