Composition: A Comparison of Sampled and Synthesized Pianos (Kram, Richard)

Title A Comparison of Sampled and Synthesized Pianos
Alternative title A Comparison of Sampled and Synthesized Pianos for Computer-Generated MIDI-Based Performance
Creators Richard Kram (composer)
Opus
Instrumentation electronic sounds
Number of movements
Keys
Composed
First published
Dedication
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Metronome markings
Time signatures
Average duration (sec)
Number of measures
Composition types Performance practice
Language English
Period Romantic
View on IMSLP
Code

Sections

(No sections)

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(No arrangements)

Scores

Details Section Type Publisher Date File
view Complete Complete Book · view
view Complete Chopin Op. 64. No. 1 - MIDI Score · view

Recordings/Performances

DetailsTypeArranged forFiles
view Synthesized Chopin Op. 64, No. 1 (MIDI File used in Chopin Comparisons) MIDI Performance · file
view Synthesized Chopin Op. 64. No.1 - Virtual Performances using MIDI file and Indicated Libraries VSL Imperial, Close Mic pos, Mozart Saal Reverb · file
VSL Imperial, Player Mic pos, Mozart Saal Reverb · file
VSL Imperial, Distant Mic pos, Mozart Saal Reverb · file
Ivory II Grands, Bösendorfer 290, Performer mic pos,
Bösendorfer Hall Reverb w/Ambiance · file
Ivory II Grands, Bösendorfer 290, Audience mic pos,
Bösendorfer Hall Reverb w/Ambiance · file
Ivory II Grands, German D, Performer mic pos,
Bösendorfer Hall Reverb w/Ambiance · file
Ivory II Grands, German D, Audience mic pos,
Bösendorfer Hall Reverb w/Ambiance · file
Ivory II Grands, Yamaha C7, Performer mic pos,
Bösendorfer Hall Reverb w/Ambiance · file
Ivory II Grands, Yamaha C7, Audience mic pos,
Bösendorfer Hall Reverb w/Ambiance · file
QL Bösendorfer 290, Close Mic, Piano Hall 1, w/ Ambience · file
QL Bösendorfer 290, Player Mic, Piano Hall 1, w/ Ambience · file
QL Bösendorfer 290, Room Mic, Piano Hall 1, w/ Ambience · file
QL Bechstein 280, Close Mic, Piano Hall 1, w/ Ambience · file
QL Bechstein 280, Player Mic, Piano Hall 1, w/ Ambience (MIDI KV -5) · file
QL Bechstein 280, Close (50%), Player (75%),
Room (25%)Piano Hall 1, w/ Ambience · file
QL Steinway D, Close Mic, Piano Hall 1, w/ Ambience · file
QL Steinway D, Player Mic, Piano Hall 1, w/ Ambience · file
QL Steinway D, Room Mic, Piano Hall 1, w/ Ambience (MIDI KV -5) · file
QL Yamaha C7, Close Mic, Piano Hall 1, w/ Ambience · file
QL Yamaha C7, Player Mic, Piano Hall 1, w/ Ambience · file
QL Yamaha C7, Room Mic, Piano Hall 1, w/ Ambience · file
NI Alicia Keys, Artist Mic, Hall Medium Setting w/Ambience · file
NI Alicia Keys, Audience Mic, Hall Medium Setting w/Ambience · file
NI Komplete Upright, Close mic, Concert Hall 50% · file
NI Komplete Upright, Near mic, Concert Hall 50% · file
NI Komplete Berlin Concert Grand, Close mic, Concert Hall 50% · file
NI Komplete Berlin Concert Grand, Near mic, Concert Hall 50% · file
NI Komplete Berlin Concert Grand, Medium mic, Concert Hall 50% · file
NI Komplete Berlin Concert Grand, Far mic, Concert Hall 50% · file
NI Komplete NY Concert Grand, Close mic, Concert Hall 50% · file
NI Komplete NY Concert Grand, Near mic, Concert Hall 50% · file
NI Komplete Vienna Concert Grand, Close mic, Concert Hall 50% · file
NI Komplete Vienna Concert Grand, Near mic, Concert Hall 50% · file
NI Kontakt Factory Lib, August Förster Grand, Concert Hall A · file
NI Kontakt Factory Lib, Concert Grand, Concert Hall A · file
Garritan Personal Orchestra, Steinway w/ East West Spaces NY Piano Hall 3.4s · file
Garritan Jazz & Big Band, Jazz Steinway w/ East West Spaces NY Piano Hall 3.4s · file
8DIO 1928 Steinway Scoring Piano, Close Mic, Hard Articulation, Church CLS1 Reverb · file
8DIO 1969 Steinway - 6 Mic mix - Hall Reverb · file
8DIO 1969 Steinway - Keyboard Mic - Hall Reverb · file
8DIO 1969 Steinway - 6 Mic Mix (mostly Room & Overheads) - Hall Reverb · file
Spitfire Orchestra Grand, Close Mic, with Spaces NY Piano Reverb 3.4s · file
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