Composition: 12 Impressions for Harmonium, Op. 102 (Karg-Elert, Sigfrid)
| Title | 12 Impressions for Harmonium |
| Alternative title | Impressionen. 12 Stücke für Harmonium aller Systeme. |
| Creators | Sigfrid Karg-Elert (composer) |
| Opus | Op.102 |
| Instrumentation | harmonium |
| Number of movements | 12 |
| Keys | — |
| Composed | — |
| First published | 1914 |
| Dedication | Herrn Fritz Ohrmann zu eigen |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Pieces |
| Period | Romantic |
| View on IMSLP |  |
| Code |  |
Sections
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Blasse Blume (Fleur pâle – Flowret pale) | — | A minor | — |
| Was der Ferge erzählte (Ce que le batelier raconte – The Ferryman's Story) | — | E major | — |
| Savoyard | — | — | — |
| Klösterliche Melodie (Air monastique – Monastic Melody) | — | — | — |
| Eine Sonnensekunde (Une seconde de soleil – A solar Second) (quasi E flat major) | — | E flat major | — |
| * * * | — | G major | — |
| Vorüber (Passé - Gone) | — | C minor | — |
| Vergessene Strophe (Strophe oubliée – A forgotten Stanza) | — | A flat major | — |
| Ziehende Wasserkreise (Cercles d'eau ondulants – Expanding Water-Circles) | — | — | — |
| Fernsicht vor dem Regen (Vue avant la pluie – Vistabefore the Rain) | — | D major | — |
| Die Nachtmahr (L'Alpe à la nuit - Night-mare) | — | — | — |
| Farben der Frühe (Couleurs du matin – Morning Tints) | — | A minor | — |
Arrangements
(No arrangements)
Scores
Recordings/Performances
| Details | Performers | Files |
|---|---|---|
| view | Michael Behrendt (harmonium) | 1. Blasse Blume · file 2. Was der Ferge erzählt · file 3. Savoyard · file 4. Klösterliche Melodie · file 5. Eine Sonnensekunde · file 6. (Ohne Bezeichnung) · file 7. Vorüber... · file 8. Vergessene Strophe · file 9. Ziehende Wasserkreise · file 10. Fernsicht vor dem Regen · file 11. Die Nachtmahr · file 12. Farben der Frühe · file |
©2025 David P. Anderson