| Composition |
Attributes |
| Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
selections, vocal score |
| Il trovatore (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
selections, vocal score |
| Guillaume Tell (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
vocal score |
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
vocal score |
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) for voices, mixed chorus and orchestra |
selections, vocal score |
| Fra Diavolo (Auber, Daniel François Esprit) for voices, mixed chorus and orchestra |
vocal score |
| Cours de contrepoint et de fugue (Cherubini, Luigi) for |
— |
| La fille du régiment (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
vocal score |
| Un ballo in maschera (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
vocal score |
| Un ballo in maschera (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
selections, vocal score |
| Le pardon de Ploërmel (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
vocal score |
| Les Huguenots (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
vocal score |
| Semiramide (Rossini, Gioacchino) for voices, mixed chorus and orchestra |
vocal score |
| Le médecin malgré lui, CG 3 (Gounod, Charles) for voices, mixed chorus and orchestra |
vocal score |
| Three-Act version from Mireille, CG 8 (Gounod, Charles) for voices, mixed chorus and orchestra |
vocal score |
| Lucrezia Borgia (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
vocal score |
| Martha (Flotow, Friedrich von) for voices, mixed chorus and orchestra |
vocal score |
| Don Pasquale (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
vocal score |
| La favorite (Donizetti, Gaetano) for voices, mixed chorus and orchestra |
vocal score |
| Aria: Ah se tu dormi from Giulietta e Romeo (Vaccai, Nicola) for voices, mixed chorus and orchestra |
vocal score |
| Rose wie bist du reizend (Act I, No.8) from Zemire und Azor, WoO 52 (Spohr, Louis) for voices, mixed chorus and orchestra |
vocal score |
| Le domino noir (Auber, Daniel François Esprit) for voices, mixed chorus and orchestra |
vocal score |
| Mentre ti lascio, K.513 (Mozart, Wolfgang Amadeus) for bass and orchestra |
vocal score |
| Per pietà, non ricercate, K.420 (Mozart, Wolfgang Amadeus) for tenor and orchestra |
vocal score |
| Ch'io mi scordi di te?, K.505 (Mozart, Wolfgang Amadeus) for soprano, piano and strings |
vocal score |
| The Bohemian Girl (Balfe, Michael William) for voices, mixed chorus and orchestra |
vocal score |
| The Bohemian Girl (Balfe, Michael William) for voices, mixed chorus and orchestra |
vocal score |
| Act II: Introduction and Prayer - Se fino al cielo ascendere from La Vestale (Mercadante, Saverio) for voices, mixed chorus and orchestra |
vocal score |
| Act II: Dormi, dormi, bel bambino - Adunati cola adesso from La prigione di Edimburgo (Ricci, Federico) for voices, mixed chorus and orchestra |
vocal score |
| The Siege of Rochelle (Balfe, Michael William) for voices, mixed chorus and orchestra |
vocal score |
Non più! Tutto ascoltai, K.490 (Mozart, Wolfgang Amadeus) for 2 sopranos and orchestra
soprano, tenor and orchestra |
vocal score |
| Scena and Cavatina: Se m'abbandoni, bella speranza from Nitocri (Mercadante, Saverio) for voices, mixed chorus and orchestra |
vocal score |
| Allgemeine Musiklehre (Marx, Adolf Bernhard) for |
— |
| The Lily of Killarney (Benedict, Julius) for voices, mixed chorus and orchestra |
vocal score |
| Il ratto di Proserpina (Winter, Peter von) for voices, mixed chorus and orchestra |
selections, vocal score |
| Vergiss mein nicht (Schneider, Georg Laurenz) for voice and piano |
— |