| Composition |
Attributes |
| Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
selections |
| L'Agrippina (Porpora, Nicola Antonio) for voices and orchestra |
selections |
| L'Agrippina (Porpora, Nicola Antonio) for voices and orchestra |
selections |
Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
selections |
Chorus: 'Giusto Re, La Persia adora' from Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
parts |
Aria: 'Perche tarde e mai la morte' from Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
parts |
Aria: 'Per pieta, bell'idol mio' from Artaserse (Vinci, Leonardo) for 6 voices and orchestra
voices, mixed chorus and orchestra |
parts |
| Flute Sonata in C major (Graf, Friedrich Hartmann) for flute and continuo |
— |
| Flute Sonata in C major (Graf, Friedrich Hartmann) for flute and continuo |
parts |
| Flute Sonata in C major (Graf, Friedrich Hartmann) for flute and continuo |
parts |
| I. Adagio from Flute Sonata in D major (Hasse, Johann Adolph) for flute and continuo |
— |
| II. Allegro from Flute Sonata in D major (Hasse, Johann Adolph) for flute and continuo |
— |
| III. Allegro from Flute Sonata in D major (Hasse, Johann Adolph) for flute and continuo |
— |
| Ad arma fideles (Förster, Kaspar) for 2 sopranos, bass, organ and continuo |
— |
| Ah peccatores graves (Förster, Kaspar) for 2 sopranos, alto, 2 tenors, bass, 2 violins, 2 violas and continuo |
— |
| Cleofide (Hasse, Johann Adolph) for 6 voices and orchestra |
selections |
| 1738 Dresden Version from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
— |
| Aria: Vo disperato (Act III, Sc.6) from Tito Vespasiano (Hasse, Johann Adolph) for 6 voices, mixed chorus and orchestra |
parts |
| Aria of Larinda: Accanto al mio bel foco from Larinda e Vanesio (Hasse, Johann Adolph) for alto and orchestra |
— |
| Larinda e Vanesio (Hasse, Johann Adolph) for alto and orchestra |
parts |
| A te bella cagion (Ariosti, Attilio) for soprano and continuo |
— |
| Ouverture à 5 in F major, TWV 44:10 (Telemann, Georg Philipp) for 2 oboes, bassoon and 2 horns |
— |
| Al voler del bene amato (Ariosti, Attilio) for soprano and continuo |
— |
| Belle stille che grondate (Ariosti, Attilio) for soprano and continuo |
— |
| Che mi giova esser Regina (Ariosti, Attilio) for soprano and continuo |
— |
| Che si puo far (Ariosti, Attilio) for soprano and continuo |
— |
| Insoffribile tormento (Ariosti, Attilio) for soprano and continuo |
— |
| Il bel ciglio d’Irene, T.204.01 (Albinoni, Tomaso) for soprano and continuo |
— |
| Già dal mar sorgea l’alba, T.204.02 (Albinoni, Tomaso) for soprano and continuo |
— |
| Altro non bramo, S.20 (Marcello, Benedetto) for alto, strings and continuo |
— |
| Altro non bramo, S.20 (Marcello, Benedetto) for alto, strings and continuo |
parts |
| Ogni di più molesto dunque Tirsi ti fai (Broschi, Carlo) for soprano, strings and continuo |
— |
| Recitative: Ogni di più molesto dunque Tirsi ti fai from Ogni di più molesto dunque Tirsi ti fai (Broschi, Carlo) for soprano, strings and continuo |
parts |
| Aria: Non sperar non lusingarti from Ogni di più molesto dunque Tirsi ti fai (Broschi, Carlo) for soprano, strings and continuo |
parts |
| Passaggier che dell'onde paventa (Porpora, Nicola Antonio) for soprano and continuo |
— |
| 't Was in de blijde mei (Tinel, Jef) for male chorus |
— |
| Del pigro Lete ecco le sponde (Leo, Leonardo) for alto, strings and continuo |
— |
| Del pigro Lete ecco le sponde (Leo, Leonardo) for alto, strings and continuo |
parts |
| Artaserse (Leo, Leonardo) for voices and orchestra |
selections |
| Artaserse (Leo, Leonardo) for voices and orchestra |
parts |
| Anche in mezzo a perigliosa (Vivaldi, Antonio) for soprano, strings and continuo |
— |
Ah nò che non si può, S.3 (Porpora, Nicola Antonio) for soprano and continuo
alto and continuo |
— |
| Ad onta del timore, S.6 (Marcello, Benedetto) for soprano and continuo |
— |
| Col tuo bel nome amato (Hasse, Johann Adolph) for soprano, flute and continuo |
— |
| Come piuma dal vento agitata (Pistocchi, Francesco Antonio) for soprano and continuo |
— |
| Per un volto di gigli e di rose (Pistocchi, Francesco Antonio) for soprano and continuo |
— |
| Pria mancare o bella Clori (Pistocchi, Francesco Antonio) for soprano and continuo |
— |
| All'estremo di vita (Sarro, Domenico Natale) for soprano and continuo |
— |
| Acheronte errini horribili (Alveri, Giovanni Battista) for soprano and continuo |
— |
| Broschi Arias from Artaserse (Various) for 6 voices and orchestra |
— |
| Pange lingua in D major (Fago, Francesco Nicola) for soprano, alto, tenor, bass and continuo |
— |
| Chi d'amor non vuol le pene (Anonymous) for voice and continuo |
— |
| O sentite, che disgrazia (Rossi, Giovanni Carlo) for 2 voices and continuo |
— |
| Sta in trono mio core (Tenaglia, Antonio Francesco) for soprano and continuo |
— |
| L'accorto nocchiero (Agricola, Johann Friedrich) for soprano and orchestra |
— |
| L'accorto nocchiero (Agricola, Johann Friedrich) for soprano and orchestra |
parts |
| Ah ch'io sento in lontananza, S.8 (Marcello, Benedetto) for alto and continuo |
— |
| Fior che ride in un bel viso (Lulier, Giovanni Lorenzo) for soprano and continuo |
— |
| Russian Orthodox Service, Op. 40, No. 2 (Chesnokov, Pavel) for alto and male chorus |
— |