| Composition |
Score attributes |
| Johannespassion, BWV 245 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Mass in E-flat major, D.950 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| Der fliegende Holländer, WWV 63 (Wagner, Richard) for voices, mixed chorus and orchestra |
vocal score |
| Iphigénie en Aulide, Wq.40 (Gluck, Christoph Willibald) for voices, mixed chorus and orchestra |
vocal score |
| Le désert (David, Félicien) for voices, mixed chorus and orchestra |
vocal score |
| 2nd version from Psalm 13, S.13 (Liszt, Franz) for tenor, mixed chorus and orchestra |
vocal score |
| Nature and Love, TH 72 (Tchaikovsky, Pyotr) for 2 sopranos, alto, mixed chorus and piano |
— |
| Preciosa, Op. 78 (Weber, Carl Maria von) for voice, mixed chorus and orchestra |
vocal score |
| 4 Songs, Op. 17 (Brahms, Johannes) for female chorus, 2 horns and harp or female chorus, 2 horns and piano |
selections |
| Adventlied, Op. 71 (Schumann, Robert) for soprano, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| Der Widerspenstigen Zähmung (Goetz, Hermann) for voices, mixed chorus and orchestra |
vocal score |
| Saint Ludmila, Op. 71 (Dvořák, Antonín) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
vocal score |
| Christus am Ölberge, Op. 85 (Beethoven, Ludwig van) for soprano, tenor, bass, mixed chorus and orchestra |
vocal score |
| Laß, o Herr, mich (No.1) from 3 Hymns, Op. 96 (Mendelssohn, Felix) for alto, mixed chorus and orchestra |
vocal score |
| Bleib bei uns, denn es will Abend werden, BWV 6 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| L'étoile du nord (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
vocal score |
| Gottes Zeit ist die allerbeste Zeit, BWV 106 (Bach, Johann Sebastian) for alto, bass, mixed chorus and orchestra |
vocal score |
| Final Version (BWV 80) from Ein feste Burg ist unser Gott, BWV 80 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| La Rédemption, CG 32 (Gounod, Charles) for voices, mixed chorus and orchestra |
vocal score |
| Aus der Tiefe, Op. 30 (Henschel, George) for soprano, tenor, bass, mixed chorus and orchestra |
vocal score |
| Bon Soir (Carulli, Gustavo) for soprano, alto, tenor, bass and piano |
— |
| The Spectre's Bride, Op. 69 (Dvořák, Antonín) for soprano, tenor, bass, mixed chorus and orchestra |
vocal score |
| Gute Nacht (No.1) from 4 Gesänge, Op. 20 (Goetz, Hermann) for male chorus or 2 tenors and 2 basses |
— |
| Oktoberlied (No.2) from 4 Gesänge, Op. 20 (Goetz, Hermann) for male chorus or 2 tenors and 2 basses |
— |
| Waldszene (No.3) from 4 Gesänge, Op. 20 (Goetz, Hermann) for male chorus or 2 tenors and 2 basses |
— |
| Trinklied (No.4) from 4 Gesänge, Op. 20 (Goetz, Hermann) for male chorus or 2 tenors and 2 basses |
— |
| 12 Canonische Gesänge, Op. 163 (Reinecke, Carl) for 2 voices and piano or female chorus and piano |
— |
| Arrangement of Abendlied zu Gott, Hob.XXVc:9 (Haydn, Joseph) for mixed chorus and organ |
— |
| Das Lied von der Glocke, Op. 25 (Romberg, Andreas) for voices, mixed chorus and orchestra |
vocal score |
| Adonis-Feier (Jensen, Adolf) for voices, mixed chorus and piano |
— |
| 12 Sacred Songs for Tenor (Randegger, Alberto) |
— |
| Final version, B.134 from The Heirs of the White Mountain, Op. 30 (Dvořák, Antonín) for mixed chorus and orchestra |
vocal score |
| Mit Thränen säen (No.5) from Israel's Siegesgesang, Op. 151 (Hiller, Ferdinand) for soprano, mixed chorus and orchestra |
vocal score |
| 12 Canons, Op. 50 (Hauptmann, Moritz) for 2 sopranos and alto or 3 sopranos or female chorus or childrens chorus |
— |
| Es liegt so abendstill der See, Op. 11 (Goetz, Hermann) for tenor, male chorus and orchestra or soprano, male chorus and orchestra |
vocal score |