| Composition |
Attributes |
| Aria: 'Aus Liebe will mein Heiland sterben' (Part II, No.58) from Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
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| Aria: Aus Liebe will mein Heiland sterben (No.58) from Matthäuspassion, BWV 244 (Bach, Johann Sebastian) for 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras |
parts |
| Fuga canonica in Epidiapente from Musikalisches Opfer, BWV 1079 (Bach, Johann Sebastian) for flute, 2 violins and harpsichord |
— |
| Partita in A minor, BWV 1013 (Bach, Johann Sebastian) for flute |
— |
| Giulio Cesare in Egitto, HWV 17 (Handel, George Frideric) for 2 sopranos, 4 altos, 2 basses and orchestra |
selections |
| Aria (Cesare): "Presti omai" from Giulio Cesare in Egitto, HWV 17 (Handel, George Frideric) for 2 sopranos, 4 altos, 2 basses and orchestra |
parts |
| Duetto: To Thee, Thou Glorious Son of Worth (Act II, Sc.5, No.51) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra |
— |
| Duetto: To Thee, Thou Glorious Son of Worth (Act II, Sc.5, No.51) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra |
parts |
| Act II from Rodelinda, regina de' Longobardi, HWV 19 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
— |
| Act II. Aria (Bertarido): Scacciata dal suo nido from Rodelinda, regina de' Longobardi, HWV 19 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
parts |
Ouverture-Suite, TWV 55:e10 (Telemann, Georg Philipp) for oboe, strings and continuo
flute, strings and continuo |
— |
| Les Fêtes d'Hébé, RCT 41 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
selections |
| Tambourin en Rondeau (Act III, Scene 7) from Les Fêtes d'Hébé, RCT 41 (Rameau, Jean-Philippe) for voices, mixed chorus and orchestra |
parts |
| Schweigt stille, plaudert nicht, BWV 211 (Bach, Johann Sebastian) for soprano, tenor, bass and orchestra |
selections |
| Aria: 'Ei! wie schmeckt der Coffee süße' (No.4) from Schweigt stille, plaudert nicht, BWV 211 (Bach, Johann Sebastian) for soprano, tenor, bass and orchestra |
parts |
| Aria: 'Ätzet dieses Angedenken' (No.9) from Vereinigte Zwietracht der wechselnden Saiten, BWV 207 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Aria: 'Ätzet dieses Angedenken' (No.9) from Vereinigte Zwietracht der wechselnden Saiten, BWV 207 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Aria: 'Saget mir, beliebte Felder' (No.3) from Gedenke, Herr, wie es uns gehet, BWV 217 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Aria: 'Saget mir, beliebte Felder' (No.3) from Gedenke, Herr, wie es uns gehet, BWV 217 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Aria: 'Ächzen und erbärmlich Weinen' (No.5) from Meine Seufzer, meine Tränen, BWV 13 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Aria: 'Ächzen und erbärmlich Weinen' (No.5) from Meine Seufzer, meine Tränen, BWV 13 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Aria: 'Das Blut, so meine Schuld durchstreicht' (No.4) from Jesu, der du meine Seele, BWV 78 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Aria: 'Das Blut, so meine Schuld durchstreicht' (No.4) from Jesu, der du meine Seele, BWV 78 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Aria: 'Laß, o Welt, mich aus Verachtung' (No.5) from Liebster Immanuel, Herzog der Frommen, BWV 123 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
— |
| Aria: 'Lass, o Welt, mich aus Verachtung' (No.5) from Liebster Immanuel, Herzog der Frommen, BWV 123 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
parts |
| Sinfonia (No.1) from Ich steh mit einem Fuß im Grabe, BWV 156 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
— |
| Sinfonia (No.1) from Ich steh mit einem Fuß im Grabe, BWV 156 (Bach, Johann Sebastian) for alto, tenor, bass, mixed chorus and orchestra |
parts |
| Recorder Sonata in G minor, HWV 360 (Handel, George Frideric) for recorder and continuo |
— |
| Ouverture in A minor, GWV 478 (Graupner, Christoph) for flute, strings and continuo |
— |
| Ouverture in A minor, GWV 478 (Graupner, Christoph) for flute, strings and continuo |
parts |
Concerto for 2 Flutes in C major, GWV 305 (Graupner, Christoph) for 2 flutes, strings and continuo
2 flutes, bassoon, strings and continuo |
— |
| Concerto for Flute and Viola d'amore in D minor, GWV 725 (Graupner, Christoph) for flute, viola damore, strings and continuo |
— |
| Concerto for Flute and Viola d'amore in D minor, GWV 725 (Graupner, Christoph) for flute, viola damore, strings and continuo |
parts |
| Aria with Chorus: Jesu, ewger Hoher-Priester (No.3) from Gott sei uns gnädig, GWV 1109/41 (Graupner, Christoph) for soprano, alto, tenor, bass and orchestra |
— |
Flute Sonata in G major, GWV 708 (Graupner, Christoph) for flute and harpsichord
violin and harpsichord |
— |
| Trio Sonata in B minor, GWV 219 (Graupner, Christoph) for flute, violin and continuo |
— |
| Flute Sonata in C major, BWV 1033 (Bach, Johann Sebastian) for flute and continuo |
— |
Weg mit Sodoms gift'gen Früchten, TWV 1:1534 (Telemann, Georg Philipp) for soprano, oboe and continuo
soprano, flute and continuo
soprano, violin and continuo |
— |
The Caledonian Pocket Companion (Oswald, James) for flute
violin |
— |
The Delightful Pocket Companion for the Flute (Bremner, Robert) for flute
2 flutes
3 flutes |
selections |
The Delightful Pocket Companion for the Flute (Bremner, Robert) for flute
2 flutes
3 flutes |
selections |
| Concerto for Flute and Oboe in E minor (Stölzel, Gottfried Heinrich) for flute, oboe, strings and continuo |
— |
| Sinfonia from Memet (Sammartini, Giovanni Battista) for voices and orchestra |
— |
| Concerto for Flute and Violin, TWV 52:e3 (Telemann, Georg Philipp) for flute, violin, strings and continuo |
— |
| Concerto for Flute and Violin, TWV 52:e3 (Telemann, Georg Philipp) for flute, violin, strings and continuo |
parts |
Sonata à 4, TWV 43:d3 (Telemann, Georg Philipp) for flute, bassoon, violin and continuo
flute, violin, cello and continuo
2 violins, cello and continuo
bassoon, 2 violins and continuo |
— |
| Trio Sonata, TWV 42:a7 (Telemann, Georg Philipp) for flute, viol and continuo |
— |
| The Fairies (Smith, John Christopher) for voices and orchestra |
— |
| Les Boréades, RCT 31 (Rameau, Jean-Philippe) for voices and orchestra |
selections |
| Entrée de Polimnie (Act IV, Sc.4) from Les Boréades, RCT 31 (Rameau, Jean-Philippe) for voices and orchestra |
parts |
| Stabat Mater (Platti, Giovanni Benedetto) for bass, recorder, oboe, 2 violas and organ |
— |
Cloe (No.6) from 6 English Cantatas, Book 1 (Pepusch, John Christopher) for soprano and continuo
soprano, cello and continuo
soprano, violin and continuo
soprano, recorder and continuo
soprano and orchestra |
— |
| Violin Sonata in E minor, RV 17a (Vivaldi, Antonio) for violin and continuo |
— |
| The Broom of Cowdenknows, W.LH 2 (Bach, Johann Christian) for voice, 2 flutes, 2 violins and continuo |
— |
| Flute Sonata in B minor, QV 1:168 (Quantz, Johann Joachim) for flute and continuo |
— |
Passacalle (Falconieri, Andrea) for 2 violins, cello and continuo
3 viols and continuo |
— |
L'Austria (Falconieri, Andrea) for 2 violins, cello and continuo
3 viols and continuo |
— |
| Agnus Dei, ZWV 38 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra |
— |
| Agnus Dei, ZWV 38 (Zelenka, Jan Dismas) for soprano, mixed chorus and orchestra |
parts |
| Aria: A te basti, o degno amante (Act IV) from I due dittatori (Caldara, Antonio) for 8 voices and orchestra |
— |
| Aria: A te basti, o degno amante (Act IV) from I due dittatori (Caldara, Antonio) for 8 voices and orchestra |
parts |
| O magnum mysterium, ZWV 171 (Zelenka, Jan Dismas) for alto and orchestra |
— |
| Sinfonia from Dio sul Sinai (Chelleri, Fortunato) for voices, mixed chorus and orchestra |
— |
| “Signor, mio Dio, mia vita” - “La folla dei diletti” - “Aure dolci, e fiato ameno” from Dio sul Sinai (Chelleri, Fortunato) for voices, mixed chorus and orchestra |
— |
Chaconne en trio (Morel, Jacques) for flute, viol and continuo
violin, viol and continuo
2 viols and continuo |
— |
Sinfonia seconda (Falconieri, Andrea) for 2 violins, cello and continuo
3 viols and continuo |
— |
Violin Sonata, TWV 41:d3 (Telemann, Georg Philipp) for violin and continuo
flute and continuo |
— |
| Lochaber, W.LH 4 (Bach, Johann Christian) for voice, 2 flutes, 2 violins and continuo |
— |
Canzon in echo à 12, Ch.192 (Gabrieli, Giovanni) for 6 sopranos, 3 altos and 3 tenors
12 Unspecified instruments |
— |