| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Matthäuspassion (Passio Domini Nostri J.C. Secundum Evangelistam Matthaeum ; St. Matthew Passion) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
E minor | BWV 244 | 1736 | 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras | Baroque | Passions, Sacred oratorios | ![]() |
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| "Komm, gehet und eilet" ("Komm, eilet und laufet"; Oster-Oratorium; Oratorium Festo Paschatos) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
BWV 249 | 1725 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred oratorios, Sacred cantatas | ![]() |
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| Schweigt stille, plaudert nicht (Be quiet, stop chattering ; Kaffeekantate ; Coffee Cantata) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
G major | BWV 211 | 1734 | soprano, tenor, bass and orchestra | Baroque | Secular cantatas | ||
| Geschwinde, ihr wirbelnden Winde, Dramma per musica (Der Streit zwischen Phoebus und Pan ; The Contest Between Phoebus and Pan ; Le défi de Phœbus et de Pan) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
D major | BWV 201 | 1729 | soprano, alto, 2 tenors, 2 basses, mixed chorus and orchestra | Baroque | Secular cantatas | ||
| Zerreißet, zersprenget, zertrümmert die Gruft (Der zufriedengestellte Aeolus ; Destroy, burst, shatter the tomb) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
D major | BWV 205 | 1725 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Secular cantatas | ||
| Mer hahn en neue Oberkeet (Cantate burlesque ; Peasant Cantata) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
A major | BWV 212 | 1742 | soprano, bass and orchestra soprano, bass, flute, horn, 2 violins, viola and continuo |
Baroque | Secular cantatas | ||
| Lasst uns sorgen, lasst uns wachen (Hercules auf dem Scheidewege ; Hercules at the Crossroads Let us take care, let us watch) |
Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
F major | BWV 213 | 1733 | soprano, 2 altos, tenor, bass, mixed chorus and orchestra | Baroque | Secular cantatas | ||
| Angenehmes Wiederau Angenehmes Wiederau, freue dich in deinen Auen! (Pleasant Wiederau, rejoice in your meadows!) |
Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
D major | BWV 30a | 1737 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Secular cantatas | ||
| Man singet mit Freuden vom Sieg (The voice of rejoicing and salvation) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist Martin Schalling, librettist |
D major | BWV 149 | 1728 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Ich lebe, mein Herze, zu deinem Ergötzen (Time, that creates days and years) | Johann Sebastian Bach, composer Georg Philipp Telemann, librettist Christian Friedrich Henrici, librettist |
D major | BWV 145 | 1728 | soprano, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Bringet dem Herrn Ehre seines Namens (Give unto the Lord the glory due unto his name) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
D major | BWV 148 | 1723 | alto, tenor, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Ich lasse dich nicht, du segnest mich denn! | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist Christian Keymann, librettist |
B minor | BWV 157 | 1727 | tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Gott, wie dein Name, so ist auch dein Ruhm (God, as Your name is, so is also Your praise) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist Johannes Hermann, librettist |
D major | BWV 171 | 1729 | soprano, alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Ehre sei Gott in der Höhe (fragment) (Glory to God in the highest) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist Caspar Ziegler, librettist |
D major | BWV 197a | 1728 | alto, bass, mixed chorus and orchestra | Baroque | Secular cantatas | ||
| Ich steh mit einem Fuß im Grabe (I stand with one foot in the grave) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist Kasper Bienemann, librettist |
F major | BWV 156 | 1729 | alto, tenor, bass, mixed chorus and orchestra | Baroque | Sacred cantatas | ||
| Vergnügte Pleissenstadt [Fragment] (Contented Pleisse-town ; Who doth his joy in thy great {splendor/beauty} take) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
C major | BWV 216 | 1728 | soprano, alto and orchestra | Baroque | Secular cantatas | ||
| Erwählte Pleissenstadt (Apollo et Mercurius) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
C major | BWV 216a | 1728 | soprano, alto and orchestra | Baroque | Secular cantatas | ||
| Wünschet Jerusalem Glück | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
BWV Anh.4 | 1726 | Baroque | Secular cantatas | ||||
| Clavier- und Singstücke verschiedener Art | Johann Wilhelm Hässler, composer Christian Friedrich Henrici, librettist |
clavichord keyboard voice and keyboard |
Classical | Pieces, Fantasias, Variations, Divertimentos, Minuets, Sinfonias, Sonatinas, Sonatas, Songs | |||||
| Passio Domini nostri Iesu Christi secundum Matthaeum (St. Matthew Passion ; The Passion According to St Matthew ; Passionsmusik nach dem Evangelisten Matthäus) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
E minor | BWV 244b | 1727 | 3 sopranos, 2 altos, 2 tenors, 2 basses, 2 mixed chorus and 2 orchestras | Baroque | Sacred oratorios, Passions | ||
| Entfliehet, verschwindet, entweichet, ihr Sorgen (Schäferkantate) | Johann Sebastian Bach, composer Christian Friedrich Henrici, librettist |
BWV 249a | 1725 | Baroque |
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