Composition: 19 Chansons musicales reduictes en la tabulature (Attaingnant, Pierre)
| Title | 19 chansons musicales reduictes en la tabulature |
| Alternative title | Dixneuf chansons musicales reduictes en la tabulature des Orgues Espinettes Manichordions / et telz semblables instrumentz musicaulx |
| Creators | Pierre Attaingnant (composer) |
| Opus | |
| Instrumentation | keyboard |
| Number of movements | 19 |
| Keys | — |
| Composed | — |
| First published | 1530 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Chansons |
| Period | Renaissance |
| View on IMSLP |  |
| Code |  |
Sections
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| 1. Ung grant plaisir, i | — | — | — |
| 2. Hau hau le boys vignerons, iiii | — | — | — |
| 3. Mon cuel e souvent bien marry, vii | — | — | — |
| 4. Amours partes, viii | — | — | — |
| 5. A bien grant tort, ix | — | — | — |
| 6. Celle qui ma tant pour mene, xii | — | — | — |
| 7. Je ne scay pas comment, xiii | — | — | — |
| 8. Elle sen va de moy, xv | — | — | — |
| 9. Il me suffit de tous, xvii | — | — | — |
| 10. Fors seullement, xviii | — | — | — |
| 11. Le coeur est bors, xxi | — | — | — |
| 12. Jay trop ayme, xxiii | — | — | — |
| 13. A destuner la belle, xxv | — | — | — |
| 14. Mauldicte son la mondaine richesse, xxvi | — | — | — |
| 15. Dolent depart, xxviii | — | — | — |
| 16. Aupres de vous secretement, xxx | — | — | — |
| 17. Cest grant plaisir, xxxiii | — | — | — |
| 18. D'ung nouveau dart, xxxv | — | — | — |
| 19. Je le diroys, xxxviii | — | — | — |
Arrangements
(No arrangements)
Scores
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | Pierre Attaingnant | 1530 | Complete Score · view |
| view | Complete | — | Chad Goerzen | 2017 | Complete Score · view |
| view | Complete | — | — | — | Complete Score · view |
Recordings/Performances
(No recordings)
©2025 David P. Anderson