Title | Anthologie des maîtres religieux primitifs des XVe, XVIe & XVIIe siècles |
Alternative title | Edition populaire à l'usage des maîtrises et des amateurs. En notation moderne, avec clefs usuelles, nuances, indication d'exécution et réduction des voix au clavier |
Creators | Charles Bordes (composer) |
Opus | |
Instrumentation | mixed chorus |
Number of movements | 40 |
Keys | — |
Composed | — |
First published | 1896 |
Dedication | — |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Motets |
Language | Latin |
Period | Renaissance |
View on IMSLP | ![]() |
Code | ![]() |
Title click for details |
Metronome | Key | Measures |
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12. G. Corsi: Adoramus te Christe | — | — | — |
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14. G. Pitoni: Christus factus est pro nobis | — | — | — |
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40. | — | — | — |
(No arrangements)
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | — | Paris: Schola Cantorum | 1896 | Complete Score · view Color cover · view |
view | Complete | selections | Paris: Bureau d'Edition de la Schola Cantorum | — | Livre I des Antiennes et Motets à la T.-S. Vierge · view Livre du Commun des Saints · view Selectissimae modulationes de Vittoria · view |
(No recordings)
©2025 David P. Anderson