| Title | Anthologie des maîtres religieux primitifs des XVe, XVIe & XVIIe siècles |
| Alternative title | Edition populaire à l'usage des maîtrises et des amateurs. En notation moderne, avec clefs usuelles, nuances, indication d'exécution et réduction des voix au clavier |
| Creators | Charles Bordes (composer) |
| Opus | |
| Instrumentation | mixed chorus |
| Number of movements | 40 |
| Keys | — |
| Composed | — |
| First published | 1896 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Motets |
| Language | Latin |
| Period | Renaissance |
| View on IMSLP | ![]() |
| Code |
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| 1. | — | — | — |
| 2. | — | — | — |
| 3. | — | — | — |
| 4. | — | — | — |
| 5. | — | — | — |
| 6. | — | — | — |
| 7. | — | — | — |
| 8. | — | — | — |
| 9. | — | — | — |
| 10. | — | — | — |
| 11. | — | — | — |
| 12. G. Corsi: Adoramus te Christe | — | — | — |
| 13. | — | — | — |
| 14. G. Pitoni: Christus factus est pro nobis | — | — | — |
| 15. | — | — | — |
| 16. | — | — | — |
| 17. | — | — | — |
| 18. | — | — | — |
| 19. | — | — | — |
| 20. | — | — | — |
| 21. | — | — | — |
| 22. | — | — | — |
| 23. | — | — | — |
| 24. | — | — | — |
| 25. | — | — | — |
| 26. | — | — | — |
| 27. | — | — | — |
| 28. | — | — | — |
| 29. | — | — | — |
| 30. | — | — | — |
| 31. | — | — | — |
| 32. | — | — | — |
| 33. | — | — | — |
| 34. | — | — | — |
| 35. | — | — | — |
| 36. | — | — | — |
| 37. | — | — | — |
| 38. | — | — | — |
| 39. | — | — | — |
| 40. | — | — | — |
(No arrangements)
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | Paris: Schola Cantorum | 1896 | Complete Score · view Color cover · view |
| view | Complete | selections | Paris: Bureau d'Edition de la Schola Cantorum | — | Livre I des Antiennes et Motets à la T.-S. Vierge · view Livre du Commun des Saints · view Selectissimae modulationes de Vittoria · view |
(No recordings)
©2025 David P. Anderson