| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
|---|---|---|---|---|---|---|---|
| Me miseret. | Artem Andreasyan (composer) | ![]() |
C minor | AAW I:4 | 2010 | piano | |
| Haec sunt scholae nostri. | Artem Andreasyan (composer) | ![]() |
various | AWV 6 | 2010 | piano | |
| Impromptu | Artem Andreasyan (composer) | ![]() |
Atonal | AWV 4 | 2010 | piano | |
| Etude | Artem Andreasyan (composer) | ![]() |
C minor | AAW I:13 | 2011 | piano | |
| Prelude | Artem Andreasyan (composer) | ![]() |
C minor | 2011 | strings and continuo | ||
| Impromptu | Artem Andreasyan (composer) | ![]() |
D minor | AAW I:14 | 2011 | piano | |
| Galliard | Artem Andreasyan (composer) | ![]() |
C minor | 2011 | 4 Unspecified instruments | ||
| Fugue | Artem Andreasyan (composer) | ![]() |
G minor | AAW I:11 | 2011 | harpsichord | |
| Prelude | Artem Andreasyan (composer) | ![]() |
C major | AAW I:16 | 2011 | piano | |
| Etude | Artem Andreasyan (composer) | ![]() |
C major | AAW I:12 | 2011 | piano | |
| Fughetta a 3 voci | Artem Andreasyan (composer) | ![]() |
C major | AAW I:17 | 2011 | piano | |
| Kaghaki par | Artem Andreasyan (composer) | ![]() |
C minor | 2011 | 2 Unspecified instruments | ||
| Il Bambolotto di Legno | Artem Andreasyan (composer) | ![]() |
C minor | AAW I:7 | 2013 | violin and harpsichord violin and piano |
|
| Konzertstück No. 1 | Artem Andreasyan (composer) | ![]() |
G minor | AAW VI:3 | 2011 | harpsichord, strings and continuo piano, strings and continuo |
|
| Impromptu | Artem Andreasyan (composer) | ![]() |
D minor | AAW I:38 | 2014 | piano | |
| Experiment | Artem Andreasyan (composer) | ![]() |
A major | 2017 | 2 pianos | ||
| Meditation | Artem Andreasyan (composer) | ![]() |
F sharp major | 2015 | piano | ||
| Three little etudes | Artem Andreasyan (composer) | ![]() |
D minor | 2016 | piano | ||
| Prelude in A minor | Artem Andreasyan (composer) | ![]() |
A minor | 2015 | piano | ||
| Pseudo-sonata | Artem Andreasyan (composer) | ![]() |
2016 | piano |
©2025 David P. Anderson