Composition: Il virtuoso ritrovo academico, Op. 49 (Banchieri, Adriano)
| Title | Il virtuoso ritrovo academico |
| Alternative title | {{TPtr}} :Il Virtuoso Ritrovo Academico. Del Dissonante, Publicamente praticato con variati Concerti Musicali A 1. 2. 3. 4. 5. Voci ò Stromenti, nell'Academia di Filomusi. |
| Creators | Adriano Banchieri (composer) |
| Opus | Op.49 |
| Instrumentation | voice and continuo 2 voices and continuo 2 sopranos, alto, tenor and bass 4 violas 2 violins and continuo harpsichord voice, violin and continuo 2 voices, 2 violins and continuo voice, violone and continuo violin and continuo 2 tenors and violone 2 tenors and trombone |
| Number of movements | 17 |
| Keys | — |
| Composed | — |
| First published | 1626 |
| Dedication | Giovanni Battista Grimaii |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Madrigals, Canzonettas, Scherzos, Arias, Canzonas, Sonatas |
| Language | Italian |
| Period | Baroque |
| View on IMSLP |  |
| Code |  |
Sections
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Dhe cieli intenetitevi | — | — | — |
| Io son pur vezzosetta. Romanesca | — | — | — |
| O come sei gentile. Scherzo | — | — | — |
| Voi dite esser di foco. Scherzo in Canzonetta | — | — | — |
| O misera Dorinda | — | — | — |
| O Mirtillo. Amarili | — | — | — |
| Cor mio. Madrigale | — | — | — |
| O chiome erranti | — | — | — |
| Fili fili, ove t'ascondi. Canzonetta | — | — | — |
| Lamento di Leandro Pastore | — | — | — |
| Nel volto ha Fili ascose | — | — | — |
| O bellissimi capelli. Aria del Gran Duca | — | — | — |
| La Sampogna. Canzone | — | — | — |
| Nacque amor cieco. Madrigale de Tavolino | — | — | — |
| Sonata I. Riprese e scherzi sopra la Romanesca | — | — | — |
| Sonata II. Riprese e scherzi sopra la Nizzarda | — | — | — |
| Sonata III. Riprese e scherzi sopra la Ducale | — | — | — |
Arrangements
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Io son pur vezzosetta. Romanesca (No.2) | horn, trumpet and euphonium | Hans Jorgen Messerschmidt |
| view | Io son pur vezzosetta. Romanesca (No.2) | 2 flugelhorns and bass trombone | Michel Rondeau |
| view | Sonata II. Riprese e scherzi sopra la Nizzarda (No.16) | horn, trumpet and euphonium | Hans Jorgen Messerschmidt |
| view | Sonata III. Riprese e scherzi sopra la Ducale (No.17) | horn, trumpet and euphonium | Hans Jorgen Messerschmidt |
Scores
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | Venice: Bartholomeo Magni | 1626 | Soprano or Tenor · view Basso · view Terza Parte · view Quarta Parte · view Continuo · view |
| view | Complete | — | Lorenzo Girodo | 2004 | Complete Score · view |
| view | Io son pur vezzosetta. Romanesca (No.2) | Arrangement for horn, trumpet and euphonium |
Hans Jorgen Messerschmidt | 2019 | Complete Score · view Horn (F) · view Trumpet (C) · view Euphonium · view |
| view | Io son pur vezzosetta. Romanesca (No.2) | Arrangement for 2 flugelhorns and bass trombone |
Michel Rondeau | 2021 | Complete Score and Parts · view Engraving files (Finale & XML) · view |
| view | Sonata II. Riprese e scherzi sopra la Nizzarda (No.16) | Arrangement for horn, trumpet and euphonium |
Hans Jorgen Messerschmidt | 2019 | Complete Score · view Horn (F) · view Trumpet (C) · view Euphonium · view |
| view | Sonata III. Riprese e scherzi sopra la Ducale (No.17) | Arrangement for horn, trumpet and euphonium |
Hans Jorgen Messerschmidt | 2019 | Complete Score · view Horn (F) · view Trumpet (C) · view Euphonium · view |
Recordings/Performances
©2025 David P. Anderson