| Composition |
Published |
| 10 Pièces mignonnes, Op. 77 (Moszkowski, Moritz) for piano |
2017 |
| 2 Waltzes (Glinka, Mikhail) for piano |
2017 |
Tu es Petrus (Morales, Cristóbal de) for mixed chorus
2 sopranos, alto, tenor and bass |
2018 |
Missa O magnum mysterium (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass
mixed chorus |
2017 |
| 12 Recorder Sonatas, Op. 2 (Marcello, Benedetto) for recorder and continuo |
|
| Te Deum in C major, K.141/66b (Mozart, Wolfgang Amadeus) for mixed chorus, strings and continuo |
2017 |
Canzoni, Libro 1b (Frescobaldi, Girolamo) for violin and continuo
cornett and continuo
bass and continuo
soprano, bass and continuo
continuo and 2 sopranos
continuo and 2 basses
continuo, soprano and 2 basses
2 sopranos, bass and continuo
continuo, 2 sopranos and 2 basses
soprano, alto, tenor, bass and continuo |
2017 |
| Nuove musiche e nuova maniera di scriverle (Caccini, Giulio) for voice and continuo |
2017 |
Felici, d'Adria (Gabrieli, Andrea) for voices
mixed chorus |
2017 |
| O lux, et decus Hispaniae (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass |
2017 |
| Ecce Dominus veniet (Victoria, Tomás Luis de) for 5 voices |
2017 |
| Trio Sonata in E-flat major, QV 2:18 (Quantz, Johann Joachim) for flute, violin and continuo |
2017 |
| Trio Sonata in E minor, QV 2:20 (Quantz, Johann Joachim) for flute, violin and continuo |
2017 |
| Ghirlanda sacra (Simonetti, Leonardo) for soprano and continuo |
2018 |
| Phantaisies (Part I) from Musicque de joye (Moderne, Jacques) for soprano, alto, tenor and bass |
|
Motets I (Valette de Montigny, Joseph) for voice and continuo
2 voices and continuo
voice, 2 violins and continuo
3 voices, 2 violins and continuo
3 voices, 2 violins, cello and continuo
3 voices, strings and continuo |
|
| De Profundis, S.23 (Lalande, Michel Richard de) for 2 sopranos, 2 tenors, bass, mixed chorus and orchestra |
2017 |
| De Profundis, S.23 (Lalande, Michel Richard de) for 2 sopranos, 2 tenors, bass, mixed chorus and orchestra |
2017 |
| Silène et Bacchus (Campra, André) for bass, violin and continuo |
2018 |
6 Suites à 2 Muzettes, Op. 17 (Boismortier, Joseph Bodin de) for 2 bagpipes
2 musettes
2 vielles
2 recorders
2 flutes
2 oboes |
2017 |
| Tobie, CG 31 (Gounod, Charles) for voices, mixed chorus and orchestra |
2016 |
| Veni creator Spiritus (Bournonville, Jacques de) for 2 voices and continuo |
2017 |
| Laudate pueri Dominum (Bournonville, Jacques de) for voice, violin and continuo |
2017 |
| Hear My Prayer, O Lord, Z.15 (Purcell, Henry) for mixed chorus and continuo |
2017 |
| Requiem (Gilles, Jean) for soprano, alto, tenor, bass, mixed chorus and orchestra |
2017 |
| Requiem (Gilles, Jean) for soprano, alto, tenor, bass, mixed chorus and orchestra |
2017 |
| Scande coeli limina, K.34 (Mozart, Wolfgang Amadeus) for mixed chorus and orchestra |
2017 |
| Benedictus sit Deus, K.117/66a (Mozart, Wolfgang Amadeus) for soprano, mixed chorus and orchestra |
2017 |
| Recorder Sonata, TWV 41:F2 (Telemann, Georg Philipp) for recorder and continuo |
|
28 Intradae (Orologio, Alessandro) for 2 sopranos, alto, tenor and bass
2 sopranos, 2 altos, tenor and bass |
|
Sonata in B flat major (No.6) from 6 Recorder Sonatas, Op. 1 (Barsanti, Francesco) for recorder and continuo
violin and continuo |
|
| 6 Flute Sonatas, Op. 19 (Boismortier, Joseph Bodin de) for flute and continuo |
|
| Super flumina Babylonis, Psaume 136 (Gervais, Charles-Hubert) for 2 sopranos, alto, tenor, baritone, bass, mixed chorus and orchestra |
2018 |
| Super flumina Babylonis, Psaume 136 (Gervais, Charles-Hubert) for 2 sopranos, alto, tenor, baritone, bass, mixed chorus and orchestra |
2018 |
Suite IV in A minor from 6 Suites, Op. 1 (Philidor, Pierre Danican) for 2 flutes
flute and continuo
2 oboes
oboe and continuo
2 recorders
recorder and continuo
2 violins
violin and continuo |
2018 |
| Vorrei mostrar, Madonna (Gabrieli, Andrea) for 4 voices |
2017 |
Ave verum corpus (Byrd, William) for mixed chorus
soprano, alto, tenor and bass |
|
Premier Livre from Cantates françoises (Renier, Nicolas) for voice, viol and continuo
voice and orchestra
2 voices and continuo |
2017 |
| Miserere mei Deus secundum magnam misericordiam tuam (Gervais, Charles-Hubert) for 4 voices, mixed chorus and orchestra |
2017 |
| Doulce memoire en plaisir consommée (Sandrin) for 4 voices |
|
| 6 Flute Sonatas, Op. 1 (Naudot, Jacques-Christophe) for flute and continuo |
|
6 Suites for 2 Musettes, Op. 2 (Braun, Jean-Daniel) for 2 musettes
2 vielles
2 recorders
2 flutes
2 oboes |
2017 |
| Ascendens Christus in altum (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass |
2017 |
| Gaude Maria Virgo (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass |
2017 |
| Salvator Mundi (Blow, John) for mixed chorus and continuo |
2017 |
Nolo mortem peccatoris (Morley, Thomas) for mixed chorus
soprano, alto, tenor and bass |
|
| Ascendit Deus (Philips, Peter) for 2 sopranos, alto, tenor and bass |
|
| Adieu, Ye City-Pris'ning Towers (Tomkins, Thomas) for 2 sopranos, alto, tenor and bass |
2018 |
Gradualia ac cantiones sacrae, Liber 1 (Byrd, William) for 3 voices
4 voices
5 voices |
|
Nouveau livre de noëls (Corrette, Michel) for organ
harpsichord |
2017 |
Musikalische Exequien, Op. 7 (Schütz, Heinrich) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and continuo
2 sopranos, alto, 2 tenors, bass and continuo
2 sopranos, 2 altos, 2 tenors, 2 basses and continuo
2 sopranos, alto, 2 tenors, bass, mixed chorus, violone and organ
2 sopranos, alto, 2 tenors, bass, violone and organ
2 sopranos, 2 altos, 2 tenors, 2 basses, violone and organ |
2017 |
| Scaramella, NJE 28.30 (Josquin Desprez) for 4 voices |
2017 |
| À ce joly moys de may (Janequin, Clément) for 4 voices |
2017 |
Resonet in laudibus (Eccard, Johannes) for mixed chorus
soprano, 2 altos, tenor and bass |
2018 |
Das newgebohrne Kindelein, BuxWV 13 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, bassoon, 3 violins and continuo
mixed chorus, bassoon, 3 violins and continuo
soprano, alto, tenor, bass, 3 violins, violone and continuo
mixed chorus, 3 violins, violone and continuo
soprano, alto, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
|
| Prologue from Médée, H.491 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra |
2017 |
| Ave Maria (Parsons, Robert) for 5 voices |
|
| Vive le roy, NJE 28.36 (Josquin Desprez) for 4 voices |
2017 |
| Arrangement of Sonata in Canon, TWV 41:B3 (Telemann, Georg Philipp) for recorder and continuo |
|
Sonata No.1 in C major from 6 Sonatas for 2 Cellos, Op. 2 (Guignon, Jean-Pierre) for 2 cellos
2 viols
2 bassoons |
2017 |
Sonata No.2 in F major from 6 Sonatas for 2 Cellos, Op. 2 (Guignon, Jean-Pierre) for 2 cellos
2 viols
2 bassoons |
2017 |
Sonata No.3 in B flat major from 6 Sonatas for 2 Cellos, Op. 2 (Guignon, Jean-Pierre) for 2 cellos
2 viols
2 bassoons |
2017 |
12 Suites, Opp.1-3 (Philidor, Pierre Danican) for 2 flutes
flute and continuo
2 oboes
oboe and continuo
2 recorders
recorder and continuo
2 violins
violin and continuo |
|
| O Crux Ave Spes Unica (Finetti, Giacomo) for 4 voices |
2018 |
| O amor, o bonitas, H.279 (Charpentier, Marc-Antoine) for soprano and continuo |
2014 |
| Adolescentulus sum ego (Mundy, William) for 6 voices |
2016 |
| Arrangement of Bassoon Sonata, TWV 41:f1 (Telemann, Georg Philipp) for recorder and continuo |
|
| Canzon sopra Primo tono, F 9.12 (Frescobaldi, Girolamo) for keyboard |
|
| Canzon sopra Primo tono, F 9.11 (Frescobaldi, Girolamo) for keyboard |
|
Sonata in E minor (No.2) from 6 Trio Sonatas, Op. 5 (Locatelli, Pietro Antonio) for 2 violins and continuo
2 flutes and continuo |
2017 |
Sonata in E major (No.3) from 6 Trio Sonatas, Op. 5 (Locatelli, Pietro Antonio) for 2 violins and continuo
2 flutes and continuo |
2018 |
Sonata in C major (No.4) from 6 Trio Sonatas, Op. 5 (Locatelli, Pietro Antonio) for 2 violins and continuo
2 flutes and continuo |
2018 |
| Baisiez moy, NJE 28.4 (Josquin Desprez) for 4 voices |
2017 |
Poésies de Pierre de Ronsard et autres (Regnard, François) for 4 voices
5 voices |
|
| Qui belles amours, NJE 28.29 (Josquin Desprez) for 4 voices |
2017 |
Il bianco e dolce cigno (Arcadelt, Jacob) for 4 voices
soprano, alto, tenor and bass |
|
| Ricercari a due voci (Guami, Francesco) for 2 Unspecified instruments |
2017 |
| O Nata Lux (Tallis, Thomas) for 2 sopranos, alto, tenor and bass |
|
| 25 Chansons à 4 parties, Livre 3 (Bertrand, Anthoine de) for 4 voices |
2017 |
Motetti con sinfonie, Libro 1 (Grandi, Alessandro) for soprano, 2 violins and continuo
2 sopranos, 2 violins and continuo
2 tenors, 2 violins and continuo
soprano, 2 violas, violone and continuo
soprano, bassoon, 2 violins and continuo
soprano, trombone, 2 violins and continuo |
2017 |
| Opera nova de balli (Bendusi, Francesco) for soprano, alto, tenor and bass |
|
| Libro primo de canzoni da sonare (Maschera, Florentio) for soprano, alto, tenor and bass |
|
| Anchor che col partire (Rore, Cipriano de) for soprano, alto, tenor and bass |
|
| Si dung petit de vostre bien (Janequin, Clément) for 4 voices |
2018 |
| Il estoit une fillette (Janequin, Clément) for 4 voices |
2017 |
| Cello Sonata in C major, IAV 5 (Vandini, Antonio) for cello and continuo |
2018 |
| Amour me tue (Goudimel, Claude) for 5 voices |
|
| Amour si haut (Sandrin) for 4 voices |
|
| Certes mon œil fut trop adventureux (Goudimel, Claude) for 4 voices |
|
| Je suis un demi-dieu (Bertrand, Anthoine de) for 4 voices |
|
| O doulx regard (Gardano, Antonio) for 4 voices |
|
| Vous êtes trop jeune (Gombert, Nicolas) for 4 voices |
|
| Changeons propos (Gombert, Nicolas) for 6 voices |
|
| Comment au départir (Clereau, Pierre) for 4 voices |
|
| Tout ce qu'on peut en elle voir (Rore, Cipriano de) for 4 voices |
|
| Sur la rousée fault aller (Passereau, Pierre) for 4 voices |
|
| Pourquoi donc ne fringuerons nous (Passereau, Pierre) for 4 voices |
|
| Quand je te veux raconter (La Grotte, Nicolas de) for 4 voices |
|
| Mort sans soleil (Boyvin, Antoine ou Jean) for 4 voices |
|
| Fiere cruelle en amour (Le Jeune, Claude) for 4 voices |
|
| Dictes sans peur (Sermisy, Claudin de) for 4 voices |
|
Plaindre l'ennuy de la peine (Hesdin, Nicolle des Celliers de) for soprano, 2 altos, tenor and bass
mixed chorus |
|
| Prince, la France te veut (Le Jeune, Claude) for 5 voices |
|
| Susane un jour (Millot, Nicolas) for 5 voices |
|
| Las, il n’a nul mal (Bussy, Monsieur de) for 4 voices |
|
| Las, je m'y plains (Sermisy, Claudin de) for 4 voices |
|
| La, la, maistre Pierre (Sermisy, Claudin de) for 4 voices |
|
| Rossignol mon mignon (Le Jeune, Claude) for 5 voices |
|
| Un jour estant seulet (Le Jeune, Claude) for 5 voices |
|
| La Parma (Phalèse Jr., Pierre) for 4 Unspecified instruments |
|
| Pass’emezzo della Paganina (Phalèse Jr., Pierre) for 4 Unspecified instruments |
|
| Pavane et gaillarde de la bataille (Phalèse Jr., Pierre) for 4 Unspecified instruments |
|
| S'infinita bellezza (Arcadelt, Jacob) for 5 voices |
|
| Quand'io pens'al martire (Merulo, Claudio) for 5 voices |
|
| O morte, eterno fin (Rore, Cipriano de) for 5 voices |
|
| Ecco l'aurora con l'aurata fronte (Gabrieli, Andrea) for 5 voices |
|
| Verament'in amore (Monte, Philippe de) for 5 voices |
|
| Quivi sospiri (Luzzaschi, Luzzasco) for 5 voices |
|
| Erasi al sole (Porta, Costanzo) for 5 voices |
|
| Ah dolente partita (Wert, Giaches de) for 5 voices |
|
| Fummo felici un tempo (Vecchi, Orazio) for 5 voices |
|
| Fiere silvestre che per lati campi (Marenzio, Luca) for 5 voices |
|
| Crudel perche mi fuggi (Marenzio, Luca) for 6 voices |
|
| Di marmo siete voi (Gagliano, Marco da) for 5 voices |
|
| Quand'io ero giovinetto, Ch.91 (Gabrieli, Giovanni) for 5 voices |
|
| Ohimè se tanto amate, SV 85 (Monteverdi, Claudio) for 5 voices |
|
| Canzoni da sonare a 4 voci, Libro 1 (Mortaro, Antonio) for 4 Unspecified instruments |
|
Balletti, Op. 2 (Piazzi, Carlo) for 2 violins and violone
2 violins and continuo |
|
| O Mirtillo, Mirtill’anima mia, SV 95 (Monteverdi, Claudio) for 5 voices and continuo |
|
| Scaldava il sol (Marenzio, Luca) for 5 voices |
|
| Justorum animae (Byrd, William) for 5 voices |
|
Teil 1 from Newe Teutsche Lieder zu drey Stimmen nach art der Welschen Villanellen (Lechner, Leonhard) for 3 voices
4 voices |
|
Teil 2 from Newe Teutsche Lieder zu drey Stimmen nach art der Welschen Villanellen (Lechner, Leonhard) for 3 voices
4 voices |
|
| Pièces pour le violon à quatre parties de différents autheurs (Ballard III, Robert) for 3 violins and continuo |
|
50 Chansons françaises à 2 et 3 voix de style polyphonique (Van Gilst, Daniel) for 2 voices
3 voices |
|
| 6 Flute Sonatas, Op. 9 (Naudot, Jacques-Christophe) for flute and continuo |
|
| Adorate eum omnes angeli ejus (Desmarets, Henri) for 2 voices, flute, violin and continuo |
|
| Alma Redemptoris (Le Roux, Gaspard) for 2 sopranos, bass and continuo |
|
| Cantemus Domino (Lalande, Michel Richard de) for voice and continuo |
|
| Qui dat nivem sicut lanam (Couperin, François) for voice, 2 flutes and violin |
|
In Coena Domini ad Matutinam from Responsoria Hebdomadae Sanctae (Ingegneri, Marc Antonio) for 4 voices
mixed chorus |
|
| Exultate Deo adjutori nostro (de Villeneuve, Alexandre) for continuo and 2 sopranos |
|
| Prope est Dominus, MH 445 (Haydn, Michael) for mixed chorus and orchestra |
|
| Qui sedes, Domine, MH 444 (Haydn, Michael) for mixed chorus and orchestra |
|
| Universi, qui te exspectant, MH 442 (Haydn, Michael) for mixed chorus and orchestra |
|
| Benedictus qui venit, MH 391 (Haydn, Michael) for mixed chorus and orchestra |
|
Oeuvres vocales de la Renaissance par différents auteurs (Van Gilst, Daniel) for 2 voices
3 voices
4 voices
6 voices |
|
| Flute Sonata in G major, QV 1:105 (Quantz, Johann Joachim) for flute and continuo |
|
Responsoria in Coena Domini, MH 276 (Haydn, Michael) for 4 voices
4 voices and organ |
|
| 4 Chansons françaises à cinq voix (Wilder, Philip van) for 5 voices |
|
2 Pièces instrumentales (Rossi, Salamone) for 2 violins and continuo
2 sopranos and bass |
|
| Les Motets à six voix (Regnard, François) for 6 voices |
|
| Recorder Sonata in G major (Bitti, Martino) for recorder and continuo |
|
| Teutsche Lieder (Regnart, Jacob) for 3 voices |
|
| Canzoni alla napolitana a cinque voci (Agostini, Lodovico) for 5 voices |
|
| Canzonette a quattro voci, Libro 3 (Vecchi, Orazio) for 4 voices |
|
Selections (7 for 4 voices) from Harmoniae poeticae (Hofhaimer, Paul) for 3 voices
4 voices
5 voices |
|
Bicinia gallica, latina, germanica, Tomus 1 (Rhau, Georg) for 2 voices
3 voices |
|
Rimes françoises et italiennes (Sweelinck, Jan Pieterszoon) for 2 voices
3 voices
4 voices |
|
| Bel aubépin verdissant (Janequin, Clément) for 4 voices |
2017 |
| Le Reniement de Saint Pierre, H.424 (Charpentier, Marc-Antoine) for 5 voices and continuo |
|
| Volume 1 from Chansons françaises à quatre voix (Arcadelt, Jacob) for 4 voices |
|
| Fleur de quinze ans, LV 157 (Lassus, Orlande de) for 4 voices |
|
| 6 Motets à 4 voix (Mouton, Jean) for 4 voices |
|
| Polyhymnia exercitatris (Praetorius, Michael) for |
|
In convertendo Dominus (Gervais, Charles-Hubert) for 2 sopranos, alto, tenor, bass, mixed chorus, 2 flutes, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
|
| Laudate populi, MH 792 (Haydn, Michael) for voices, mixed chorus and orchestra |
|
| Trio Sonata No. 4 in D major (Mazzaferrata, Giovanni Battista) for 2 violins and continuo |
2017 |
| Chansons françaises à quatre voix, Vol.1 (Lassus, Orlande de) for 4 voices |
|
Flute Sonata in G major (Chinzer, Giovanni) for flute and continuo
violin and continuo |
|
| Consorts of 3 Viols (Van Gilst, Daniel) for 3 viols |
|
| Prima parte: I' vo piangendo from I' vo piangendo (Gabrieli, Andrea) for 5 voices |
2017 |
Antiennes pour les Vêpres d'un Confesseur non pontife, H.33-35 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
alto, tenor, 2 violins and continuo |
2014 |
Antiennes pour les Vêpres de l'Assomption de la Vierge, H.50-52 (Charpentier, Marc-Antoine) for mezzosoprano, 2 violins and continuo
soprano, 2 flutes and continuo
2 sopranos, mezzosoprano and continuo |
2014 |
| Motets à l'usage des Dames Religieuses (Gilles, Jean) for voice and continuo |
2014 |
| Germinavit radix Jesse, C.124 (Clérambault, Louis-Nicolas) for 2 voices and continuo |
2014 |
| O deliciis affluens (Clérambault, Louis-Nicolas) for 2 voices and continuo |
2014 |
| O sacrum convivium (Montéclair, Michel Pignolet de) for continuo and 2 sopranos |
2014 |
Properate huc o populi (Montéclair, Michel Pignolet de) for 2 sopranos, bass, 2 violins and continuo
2 sopranos, bass, mixed chorus, 2 violins and continuo |
2014 |
| Magnificat du 1er ton, C.154 (Clérambault, Louis-Nicolas) for 3 voices, 2 violins and continuo |
2014 |
| Ecce panis Angelorum, H.242 (Charpentier, Marc-Antoine) for soprano and continuo |
2014 |
| Gloria in excelsis Deo, H.370 (Charpentier, Marc-Antoine) for soprano and continuo |
2014 |
| Gustate et videte, H.257 (Charpentier, Marc-Antoine) for soprano and continuo |
2014 |
| Alma Dei creatoris, H.334 (Charpentier, Marc-Antoine) for soprano and continuo |
2014 |
Nonne Deo subjecta erit, H.258 (Charpentier, Marc-Antoine) for soprano and continuo
alto and continuo |
2014 |
Jubilate Deo (Du Mont, Henry) for 2 voices, violin and continuo
2 voices and continuo |
2014 |
Benedicite Deum cæli (Du Mont, Henry) for 2 voices, violin and continuo
2 voices and continuo |
2014 |
| Missa 'Ad majorem Dei gloriam' (Campra, André) for 4 voices |
2014 |
O pretiosum et admirabile convivium, H.247 (Charpentier, Marc-Antoine) for soprano and continuo
continuo |
2014 |
| Les Bains de Tomery (Stuck, Jean-Baptiste) for soprano, strings and continuo |
2014 |
| Flute Sonata in G major (Roseingrave, Thomas) for flute and continuo |
|
| At trepida (Arcadelt, Jacob) for 4 voices |
2018 |
2eme Concert from Concerts de Simphonies, Livre III (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos
2 flutes and continuo
3 flutes and continuo
2 oboes and continuo
3 oboes and continuo
2 violins and continuo
3 violins and continuo |
1974 |
Suitte pour la Flûte traversière “La Marsillac” from Concerts de Simphonies, Livre III (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos
2 flutes and continuo
3 flutes and continuo
2 oboes and continuo
3 oboes and continuo
2 violins and continuo
3 violins and continuo |
1974 |
Oboe Sonata from Concerts de Simphonies, Livre III (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos
2 flutes and continuo
3 flutes and continuo
2 oboes and continuo
3 oboes and continuo
2 violins and continuo
3 violins and continuo |
1974 |
Sonate à 3 dessus sans basse from Concerts de Simphonies, Livre III (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos
2 flutes and continuo
3 flutes and continuo
2 oboes and continuo
3 oboes and continuo
2 violins and continuo
3 violins and continuo |
1974 |
| Grands motets de la collection Brossard (Du Mont, Henry) for voices, mixed chorus and orchestra |
2015 |
| Marche de triomphe et air, H.547 (Charpentier, Marc-Antoine) for orchestra |
2017 |
| Cello Sonata in A minor, IAV 1 (Vandini, Antonio) for cello and continuo |
2018 |
| Cello Sonata in C major, IAV 4 (Vandini, Antonio) for cello and continuo |
2018 |
| Cello Sonata in B-flat major, IAV 2 (Vandini, Antonio) for cello and continuo |
2018 |
| Cello Sonata in B-flat major, IAV 3 (Vandini, Antonio) for cello and continuo |
2018 |
| Cello Sonata in E major, IAV 6 (Vandini, Antonio) for cello and continuo |
2018 |
Le Tombeau de Clorinde (Dornel, Antoine) for 2 violins, continuo and bass
baritone, 2 violins and continuo |
2018 |
| Dum complerentur (Victoria, Tomás Luis de) for 5 voices |
2017 |
| Cum beatus Ignatius (Victoria, Tomás Luis de) for 5 voices |
2017 |
| Descendit angelus Domini (Victoria, Tomás Luis de) for 5 voices |
2017 |
| Resplenduit facies ejus (Victoria, Tomás Luis de) for 5 voices |
2017 |
Adieu, Sweet Amaryllis (Wilbye, John) for 4 voices
mixed chorus |
2018 |
| Salve regina (Marenzio, Luca) for 5 voices |
2017 |
| Laboravi in gemitu (Morley, Thomas) for 6 voices |
2016 |
| Litaniæ Lauretanæ (Durante, Francesco) for 4 voices, 2 violins and continuo |
2016 |
| Beatus vir, H.221 (Charpentier, Marc-Antoine) for 4 voices and continuo |
2017 |
| Confitebor tibi Domine, H.220 (Charpentier, Marc-Antoine) for 4 voices and continuo |
2017 |
| La Diane de Fontainebleau (Desmarets, Henri) for voices and orchestra |
2016 |
| Domine, ne in furore tuo arguas me, SWV 85-87 (Schütz, Heinrich) for 4 voices and organ |
2017 |
| Deus, misereatur nostri, SWV 55 (Schütz, Heinrich) for 4 voices and organ |
2017 |
| O bone, o dulcis, o benigne Jesu, SWV 53-54 (Schütz, Heinrich) for 4 voices and organ |
2017 |
| Ego dormio et cor meum vigilat, SWV 63-64 (Schütz, Heinrich) for 4 voices and organ |
2017 |
| Dulcissime et benignissime Christe, SWV 67 (Schütz, Heinrich) for 4 voices and organ |
2017 |
| Supereminet omnem scientiam, SWV 76-77 (Schütz, Heinrich) for 4 voices and organ |
2017 |
| Heu mihi Domine, SWV 65 (Schütz, Heinrich) for 4 voices and organ |
2017 |
| Dunque il comun poter (Gabrieli, Andrea) for 4 voices |
2017 |
| Dapoi che su’l fiorire (Gabrieli, Andrea) for 5 voices |
2017 |
| Quando penso (Gabrieli, Andrea) for 5 voices |
2017 |
| Il dolce sonno (Gabrieli, Andrea) for 3 voices |
2017 |
| Piangeranno le gratie (Gabrieli, Andrea) for 5 voices |
2017 |
| Angel dal terzo ciel (Gabrieli, Andrea) for 5 voices |
2017 |
| Adoramus te (Fogliano, Giacomo) for 4 voices |
2017 |
| Beati omnes (Fogliano, Giacomo) for 4 voices |
2017 |
| De profundis (Fogliano, Giacomo) for 4 voices |
2017 |
| 9 Sonatas for 2 Flutes, TWV 40:141-149 (Telemann, Georg Philipp) for 2 flutes |
2017 |
| Pater noster (Tiburtino, Giuliano) for 3 voices |
2017 |
| Benedicta et venerabilis (Tiburtino, Giuliano) for 3 voices |
2017 |
| Ave Regina (Tiburtino, Giuliano) for 3 voices |
2017 |
| Ave Maria (Tiburtino, Giuliano) for 3 voices |
2017 |
| Alma Redemptoris (Tiburtino, Giuliano) for 3 voices |
2017 |
| Missa In illo tempore, SV 205 (Monteverdi, Claudio) for 6 voices and continuo |
2017 |
| Magnificat octavi toni (Martini, Johannes) for 4 voices |
2017 |
| Regina cœli lætare (Couperin, François) for continuo and 2 sopranos |
2017 |
| Lauda Sion Salvatorem (Couperin, François) for continuo and 2 sopranos |
2017 |
| 12 Airs à deux parties (Vanderhagen, Amand) for 2 oboes |
2017 |
| 10 Duos pour deux flûtes à bec (Van Gilst, Daniel) for |
2017 |
| Amour vainc tout c’est chose tres certaine (Janequin, Clément) for 4 voices |
2017 |
| Pleust a Dieu que feusse arrondelle (Janequin, Clément) for 4 voices |
2017 |
| Si Dieu vouloit que je fusse arrondelle (Janequin, Clément) for 4 voices |
2017 |
| Ce n’est pas moy c’est vous (Janequin, Clément) for 4 voices |
2017 |
| Doulens regretz, ennuys, souspirs et larmes (Janequin, Clément) for 4 voices |
2017 |
| En la prison les ennuys de ce monde (Janequin, Clément) for 4 voices |
2017 |
| Herbes et fleurs et vous, prez verdoyans (Janequin, Clément) for 4 voices |
2017 |
| Si Dieu vouloit pour chose bien nouvelle (Janequin, Clément) for 4 voices |
2017 |
| Vivons folastres (Janequin, Clément) for 4 voices |
2017 |
| Non feray, je n’en feray rien (Janequin, Clément) for 4 voices |
2017 |
| Pourquoy tournez vous vos yeux (Janequin, Clément) for 4 voices |
2017 |
| Ce faux amour d’arc et de flesches s’arme (Janequin, Clément) for 4 voices |
2017 |
Neuer Paduanen, et al, Teil 2 (Hammerschmidt, Andreas) for 3 viols and continuo
4 viols and continuo
5 viols and continuo |
2017 |
Commencement d’ouverture, H.546 (Charpentier, Marc-Antoine) for strings
strings and continuo
2 violins, viola and continuo |
2017 |
| Beatus vir, H.208 (Charpentier, Marc-Antoine) for 4 voices and orchestra |
2017 |
| Ouverture pour le sacre d’un évêque, H.537 (Charpentier, Marc-Antoine) for orchestra |
2017 |
| Ouverture pour le sacre d’un évêque, H.536 (Charpentier, Marc-Antoine) for orchestra |
2017 |
Ouverture pour l’église, H.524 (Charpentier, Marc-Antoine) for flute and strings
3 flutes and continuo |
2017 |
| Overture in D major, Op. 8 No. 2 (Arnold, Samuel) for orchestra |
2017 |
Motets à deux voix, avec la basse-continue (Du Mont, Henry) for voice and continuo
2 voices and continuo
voice, violin and continuo
2 voices, violin and continuo
strings and continuo |
2017 |
| Recorder Sonata in G minor, S.771 (Marcello, Benedetto) for recorder and continuo |
|
| Recorder Sonata in E minor, S.764 (Marcello, Benedetto) for recorder and continuo |
|
| Recorder Sonata in G major, S.768 (Marcello, Benedetto) for recorder and continuo |
|
| Recorder Sonata in C major, S.759 (Marcello, Benedetto) for recorder and continuo |
|
| Recorder Sonata in D minor, S.762 (Marcello, Benedetto) for recorder and continuo |
|
| Recorder Sonata in F major, S.765 (Marcello, Benedetto) for recorder and continuo |
|
| Motettorum pro festis totius anni (Marenzio, Luca) for 4 voices |
2017 |
| Let mines eyes run down with tears, Z.24 (Purcell, Henry) for 5 voices and continuo |
2017 |
| L’Absence (Lefebvre, Louis Antoine) for voice, violin and continuo |
2017 |
| Miserere mei Deus, C.116 (Clérambault, Louis-Nicolas) for 3 voices and continuo |
2017 |
| O where shall wisdom be found (Boyce, William) for 5 voices |
2017 |
| Madrigali a 6 voci, Libro 1 (Marenzio, Luca) for 6 voices |
2017 |
| Le Caquet des femmes (Janequin, Clément) for 5 voices |
2017 |
| Une belle jeune espousée (Janequin, Clément) for 4 voices |
2017 |
| Une gay bergier prioit une bergiere (Janequin, Clément) for 4 voices |
2017 |
| Sy celle la qui oncques ne fut myenne (Janequin, Clément) for 4 voices |
2017 |
| Baisez moy tost (Janequin, Clément) for 4 voices |
2017 |
| Guillot ung jour estoit avec Babeau (Janequin, Clément) for 4 voices |
2017 |
| Jehanneton fut l’aultre jour au marché (Janequin, Clément) for 4 voices |
2017 |
| L’espoir confus a plus hault desirer (Janequin, Clément) for 4 voices |
2017 |
| M’amye a eu de Dieu le don (Janequin, Clément) for 4 voices |
2017 |
| Plus ne suys ce que j’ay esté (Janequin, Clément) for 4 voices |
2017 |
| Secourez moy, je suys toute pleumeuse (Janequin, Clément) for 4 voices |
2017 |
| Récit de l’éternité (Du Mont, Henry) for voice and continuo |
2017 |
Pour O filii, H.511 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
2017 |
Prélude, H.512 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
2017 |
Prélude pour Sub tuum, H.527 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo |
2017 |
Symphonie à 3 flûtes, H.529 (Charpentier, Marc-Antoine) for 2 flutes and continuo
2 violins and continuo |
2017 |
Prélude pour Magnificat, H.533 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
2017 |
Prélude pour le Domine salvum, H.535 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
2017 |
Symphonie devant Regina, H.509 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
2017 |
Prélude, H.510 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
2017 |
Prélude pour Lauda Jerusalem, H.538 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
2017 |
Prélude pour Dixit Dominus, H.539 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
2017 |
| Caprice pour trois violons, H.542 (Charpentier, Marc-Antoine) for 2 violins and continuo |
2017 |
| Trio suivi de deux menuets (Charpentier, Marc-Antoine) for continuo and 2 sopranos |
2017 |
| Pièce pour une viole, H.543 (Charpentier, Marc-Antoine) for viol |
2017 |
| 2 Menuets pour les flûtes allemandes, H.541 (Charpentier, Marc-Antoine) for 2 flutes and continuo |
2017 |
3 Pièces pour les flûtes et hautbois, H.520 (Charpentier, Marc-Antoine) for 2 flutes, 2 oboes and continuo
2 recorders, 2 oboes and continuo |
2017 |
| Mazurka in C minor (Glinka, Mikhail) for piano |
2017 |
| Suite in G minor, Op. 2 No. 7 (Fischer, Johann Caspar Ferdinand) for harpsichord |
2017 |
| 2 Studien (Kirnberger, Johann Philipp) for keyboard |
2017 |
| Partita in C minor, GWV 102 (Graupner, Christoph) for keyboard |
2017 |
| 6 Flute Sonatas, Op. 91 (Boismortier, Joseph Bodin de) for flute and harpsichord |
2017 |
| Flute Sonata in G major, PB 325 (Boismortier, Joseph Bodin de) for flute and continuo |
|
| Flute Sonata in D major, PB 327 (Boismortier, Joseph Bodin de) for flute and continuo |
|
| Flute Sonata in B minor, PB 328 (Boismortier, Joseph Bodin de) for flute and continuo |
|
| Flute Sonata in A major, PB 329 (Boismortier, Joseph Bodin de) for flute and continuo |
|
| Flute Sonata in A minor, PB 330 (Boismortier, Joseph Bodin de) for flute and continuo |
|
| L’Amour protecteur (Lefebvre, Louis Antoine) for voice, violin and continuo |
2017 |
| Flute Sonata in E minor, PB 326 (Boismortier, Joseph Bodin de) for flute and continuo |
|
| Andromède (Lefebvre, Louis Antoine) for voice, 2 violins and continuo |
2017 |
| Madrigali a 6 voci, Libro 2 (Marenzio, Luca) for 6 voices |
2017 |
Canzoni et sonate (Gabrieli, Giovanni) for continuo and 3 Unspecified instruments
organ and 3 Unspecified instruments
continuo and 5 Unspecified instruments
organ and 5 Unspecified instruments
continuo and 6 Unspecified instruments
organ and 6 Unspecified instruments
continuo and 7 Unspecified instruments
organ and 7 Unspecified instruments
continuo and 8 Unspecified instruments
organ and 8 Unspecified instruments
continuo and 10 Unspecified instruments
organ and 10 Unspecified instruments
continuo and 12 Unspecified instruments
organ and 12 Unspecified instruments
continuo and 14 Unspecified instruments
organ and 14 Unspecified instruments
continuo and 15 Unspecified instruments
organ and 15 Unspecified instruments
continuo and 22 Unspecified instruments
organ and 22 Unspecified instruments |
2017 |
| Musique instrumentale italienne de la Renaissance à deux parties (Van Gilst, Daniel) for 2 Unspecified instruments |
2017 |
| String Trio in D major, B.402 (Pleyel, Ignaz) for violin, viola and cello |
2018 |
| Ad te levavi oculos meos (Couperin, François) for 2 violins, continuo and bass |
2017 |
Symphonies en Duo from Symphonies divisées par suites de tons (Gautier, Pierre) for flute and continuo
violin and continuo
2 flutes and continuo
2 violins and continuo
flute, violin and continuo |
2017 |
Symphonies en Trio from Symphonies divisées par suites de tons (Gautier, Pierre) for flute and continuo
violin and continuo
2 flutes and continuo
2 violins and continuo
flute, violin and continuo |
2017 |
| Va rossignol, amoureux messager (Janequin, Clément) for 4 voices |
2017 |
| J’atens le temps ayant ferme espérance (Janequin, Clément) for 4 voices |
2017 |
| Las qu’on congneust mon vouloir sans le dire (Janequin, Clément) for 4 voices |
2017 |
| O fortune n’estois tu pas contente (Janequin, Clément) for 4 voices |
2017 |
| Si come il chiaro sole (Janequin, Clément) for 4 voices |
2017 |
| Ou mettra l’on ung baiser favorable (Janequin, Clément) for 4 voices |
2017 |
| Si de bon cueur j’ayme bien une dame (Janequin, Clément) for 4 voices |
2017 |
| Ung mari se voulant coucher (Janequin, Clément) for 4 voices |
2017 |
| Ung compaignon joly et en bon poinct (Janequin, Clément) for 4 voices |
2017 |
| Ce tendron est si doulce chose (Janequin, Clément) for 4 voices |
2017 |
| En m’en venant de veoir m’amye (Janequin, Clément) for 4 voices |
2017 |
| Balli, gagliarde et correnti, Libro 1 (Kapsperger, Giovanni Girolamo) for continuo and 4 Unspecified instruments |
2017 |
Recueil de danseries, contenant presque toutes sortes de danses (Phalèse Jr., Pierre) for 4 Unspecified instruments
soprano, alto, tenor and bass |
|
| De profundis (Campra, André) for voices, mixed chorus and orchestra |
2017 |
| De profundis (Campra, André) for voices, mixed chorus and orchestra |
2017 |
| Magnificat, H.78 (Charpentier, Marc-Antoine) for alto, 2 tenors, bass, mixed chorus, strings and continuo |
2017 |
L’Amour musicien (Bourgeois, Thomas-Louis) for voice, flute and continuo
voice, violin and continuo
voice, flute, violin and continuo |
2017 |
Trio Sonata in D minor 'E tanto tempo hormai' (Turini, Francesco) for 2 violins, cello and continuo
2 violins and cello |
2017 |
| Apres avoir longuement attendu (Villiers, Pierre de) for 4 voices |
2017 |
| Celles couleurs qui t’a pleu me donner (Villiers, Pierre de) for 4 voices |
2017 |
| Chi l’eta sua piu verde (Villiers, Pierre de) for 4 voices |
2017 |
| Craignant amour de perdre le povoir (Villiers, Pierre de) for 4 voices |
2017 |
| Dame qui as l’esprit et la beaulté (Villiers, Pierre de) for 4 voices |
2017 |
| Las, plus je viz plus je suis malheureuse (Villiers, Pierre de) for 4 voices |
2017 |
| Rien n’est plus cher que ce que l’on desire (Villiers, Pierre de) for 4 voices |
2017 |
| Si envieulx et faulx raportz (Villiers, Pierre de) for 4 voices |
2017 |
| Venus avoit son filz Amour perdu (Villiers, Pierre de) for 4 voices |
2017 |
| Pourtant si je suis brunette (Villiers, Pierre de) for 3 voices |
2017 |
| Le cler soleil au plus hault degré luist (Villiers, Pierre de) for 4 voices |
2017 |
| L’yver sera et l’esté variable (Villiers, Pierre de) for 2 voices |
2017 |
| La grand’ doulceur de vostre cler visaige (Villiers, Pierre de) for 4 voices |
2017 |
| Amour et mort par trop grand avantage (Villiers, Pierre de) for 4 voices |
2017 |
| Monsieur l’Abbé et monsieur son vallet (Villiers, Pierre de) for 4 voices |
2017 |
| O Sing unto the Lord, Z.44 (Purcell, Henry) for soprano, alto, tenor, 2 basses, mixed chorus, strings and continuo |
2017 |
| O Sing unto the Lord, Z.44 (Purcell, Henry) for soprano, alto, tenor, 2 basses, mixed chorus, strings and continuo |
2017 |
| Dixit Dominus, H.204 (Charpentier, Marc-Antoine) for 2 tenors, 2 basses, mixed chorus and orchestra |
2017 |
| Dixit Dominus, H.204 (Charpentier, Marc-Antoine) for 2 tenors, 2 basses, mixed chorus and orchestra |
2017 |
| Ung jour que madame dormoit (Janequin, Clément) for 4 voices |
2017 |
| Frere Lubin revenant de la queste (Janequin, Clément) for 4 voices |
2017 |
| Or veit mon cueur en grand tristesse (Janequin, Clément) for 4 voices |
2017 |
| Ouvrez moy l’huis (Janequin, Clément) for 4 voices |
2017 |
| Qui veult d’amour scavoir tous les esbatz (Janequin, Clément) for 4 voices |
2017 |
| En fut il onc une plus excellente (Janequin, Clément) for 4 voices |
2017 |
| J’ay dict, j’ay faict pour sa beaulté (Janequin, Clément) for 4 voices |
2017 |
| Las on peult juger clerement (Janequin, Clément) for 4 voices |
2017 |
| O mal d’aymer qui tous maulx outrepasse (Janequin, Clément) for 4 voices |
2017 |
| Ma peine n’est pas grande (Janequin, Clément) for 4 voices |
2017 |
| Hellas mon Dieu ton ire s’est tournée (Janequin, Clément) for 4 voices |
2017 |
| L’autre jour de bon matin (Janequin, Clément) for 4 voices |
2017 |
| Une nonnain fort belle et en bon point (Janequin, Clément) for 4 voices |
2017 |
| Quelque frapart, homme de bonne mise (Janequin, Clément) for 4 voices |
2017 |
| Madrigali et ricercari (Gabrieli, Andrea) for 4 voices |
2017 |
| La Jalouzie (Janequin, Clément) for 5 voices |
2017 |
Mottetti sacri ad una, due, trè, e quattro voci con violini (Scarlatti, Alessandro) for soprano, 2 violins and continuo
alto, 2 violins and continuo
soprano, alto, 2 violins and continuo
soprano, alto, tenor, 2 violins and continuo
soprano, alto, tenor, bass, 2 violins and continuo |
2017 |
| Levavi oculos meos (Marenzio, Luca) for 5 voices |
2017 |
| Veni sponsa Christi (Marenzio, Luca) for 5 voices |
2017 |
Sacræ cantiones (Marenzio, Luca) for 5 voices
6 voices
7 voices |
2017 |
| Cæciliam cantate (Marenzio, Luca) for 5 voices |
2017 |
| Domine quando veneris (Marenzio, Luca) for 5 voices |
2017 |
| Dum aurora finem daret (Marenzio, Luca) for 6 voices |
2017 |
| Antequam comedam suspiro (Marenzio, Luca) for 6 voices |
2017 |
| Domine ne in furore (Marenzio, Luca) for 7 voices |
2017 |
| Hic est martinus electus (Marenzio, Luca) for 7 voices |
2017 |
Le Rossignol musical des chansons (Phalèse, Pierre) for 4 voices
5 voices
6 voices |
2017 |
| Cantate Domino, SwWV 158 (Sweelinck, Jan Pieterszoon) for 5 voices and continuo |
|
| Voicy du gay Printemps (Sweelinck, Jan Pieterszoon) for 2 voices |
|
| Quatre leçon des morts, SdB.43-46 (Brossard, Sébastien de) for 2 voices, 2 violins and continuo |
2017 |
| Magnificat, SdB.54 (Brossard, Sébastien de) for 3 voices, 2 violins and continuo |
2017 |
Salvum me fac Deus (Couperin, François) for bass, 2 flutes, 2 violins and continuo
bass and orchestra |
2017 |
| De profundis clamavi (Mondonville, Jean-Joseph Cassanéa de) for 5 voices and orchestra |
2018 |
| De profundis clamavi (Mondonville, Jean-Joseph Cassanéa de) for 5 voices and orchestra |
2018 |
| Regina cœli (Hardouin, Henri) for 5 voices and continuo |
2018 |
| O Maria mater Jesu (Hardouin, Henri) for 5 voices, 2 violins and continuo |
2017 |
| Poscimur si quid vacui (Arcadelt, Jacob) for 3 voices |
2018 |
| Integer vitæ scelerisque purus (Arcadelt, Jacob) for 3 voices |
2018 |
| Montium custos nemorumque (Arcadelt, Jacob) for 3 voices |
2018 |
Chansons françaises (Arcadelt, Jacob) for 3 voices
4 voices
5 voices |
2018 |
| Vitam que faciunt beatiorem (Arcadelt, Jacob) for 4 voices |
2018 |
| La pastorella mia (Arcadelt, Jacob) for 3 voices |
2018 |
| Stabat mater, SdB.008 (Brossard, Sébastien de) for 5 voices and continuo |
2018 |
| Ah dear heart (Gibbons, Orlando) for 5 voices |
2017 |
| Rorate cæli (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
2018 |
| Duetto No. 1 in G major (Mathieu, Julien Amable) for 2 violins |
2018 |
| Flute Sonata in G major, Op. 6 No. 1 (Nicolai, Johann Gottlieb) for flute and continuo |
2018 |
| Flute Sonata in A minor, Op. 2 No. 6 (Sammartini, Giuseppe) for flute and continuo |
2018 |
| Flute Sonata in G major, Op. 58 No. 5 (Devienne, François) for flute and continuo |
2018 |
| De labourer je suys cassé (Janequin, Clément) for 4 voices |
2018 |
| En attendant son heureuse présence (Janequin, Clément) for 4 voices |
2018 |
| Il me suffit du temps passé (Janequin, Clément) for 4 voices |
2018 |
| La plus belle de la ville (Janequin, Clément) for 4 voices |
2018 |
| Ma fille, ma mere, venez a moy (Janequin, Clément) for 4 voices |
2018 |
| Madame a soy non aux aultres ressemble (Janequin, Clément) for 4 voices |
2018 |
| De tes doulx yeulx fut distillé la goutte (Janequin, Clément) for 4 voices |
2018 |
| Suivez tousjours l’amoureuse entreprise (Janequin, Clément) for 4 voices |
2018 |
| Elle craint cela sur tout rien (Janequin, Clément) for 4 voices |
2018 |
| L’ermaphrodite est estrange (Janequin, Clément) for 4 voices |
2018 |
| Un vieillart amoureux (Janequin, Clément) for 4 voices |
2018 |
| Au despartir triste deul appressé (Janequin, Clément) for 4 voices |
2018 |
| Ayez pitié du grant mal que j’endure (Janequin, Clément) for 4 voices |
2018 |
| C’est a bon droit que mon cœur se lamente (Janequin, Clément) for 4 voices |
2018 |
| Dictes sans peur ou l’ouy ou nenny (Janequin, Clément) for 4 voices |
2018 |
| Qu’est-ce d’amour, comment le peult on paindre ? (Janequin, Clément) for 4 voices |
2018 |
| Si en aymant je pourchasse et procure (Janequin, Clément) for 4 voices |
2018 |
| Magnificat (Scarlatti, Alessandro) for 5 voices and continuo |
2018 |
| Lauda Jerusalem (Soriano, Francesco) for 8 voices and continuo |
2018 |
| Salve Regina in A minor (Pergolesi, Giovanni Battista) for soprano, 2 violins, viola and continuo |
2018 |
| Quasi cedrus exaltata sum in Libano (Guerrero, Francisco) for 4 voices |
2018 |
Sonata No.1 in D major from Sonatas for 2 Violins (Lyon, Desmarais de) for 2 violins
2 flutes |
2018 |
Sonata No.2 in A major from Sonatas for 2 Violins (Lyon, Desmarais de) for 2 violins
2 flutes |
2018 |
| Les heureux époux (Campra, André) for voice and continuo |
2018 |
Meslanges, Livre 1 (Le Jeune, Claude) for 4 voices
5 voices
6 voices
8 voices
10 voices |
|
| Une mosche de Bischaye, NJE 28.35 (Josquin Desprez) for 4 voices |
2017 |
| Antiphona in honorem beate Genovesae, H.29 (Charpentier, Marc-Antoine) for soprano and continuo |
2014 |
| Amor, senza il tuo dono (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| Dunque divin spiracolo (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| O Manna saporito (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| Signor, dammi scienza (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| O Jesu dolce (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| Giammai non resti (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| Quanto più t'offebd' io (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| S'io non Ti conoscessi (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| Per questo, Signor mio (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| E tu, anima mia (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| Non basta ch' una volta (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |
| Ma so ben, Signor mio (Palestrina, Giovanni Pierluigi da) for 5 voices |
2018 |