| Composition |
Attributes |
| April is in My Mistress' Face (Morley, Thomas) for 4 voices |
— |
| La grotte de Versailles, LWV 39 (Lully, Jean-Baptiste) for voices, mixed chorus and orchestra |
— |
Noëls en Trio avec un Carillon, S.173.24 (Lalande, Michel Richard de) for 2 flutes and continuo
2 violins and continuo
2 oboes and continuo
continuo and 2 sopranos |
— |
Fischerlied, D.364 (Schubert, Franz) for male chorus
2 tenors and 2 basses |
— |
| Ave verum corpus, K.618 (Mozart, Wolfgang Amadeus) for mixed chorus, strings and continuo |
vocal score |
| 10 Pièces mignonnes, Op. 77 (Moszkowski, Moritz) for piano |
— |
| 2 Geistliche Lieder, Op. 112 (Mendelssohn, Felix) for voice and piano |
— |
| 2 Waltzes (Glinka, Mikhail) for piano |
— |
Panis Angelicus (No.5) from Mass, Op. 12 (Franck, César) for tenor, mixed chorus and orchestra
soprano, tenor, bass, mixed chorus and orchestra
tenor, mixed chorus, harp, cello, double bass and organ
soprano, tenor, bass, mixed chorus, harp, cello, double bass and organ |
— |
| Deutsches Salve Regina, D.379 (Schubert, Franz) for mixed chorus and organ |
— |
| Salve Regina, D.386 (Schubert, Franz) for mixed chorus |
— |
Salve Regina, D.811 (Schubert, Franz) for male chorus
2 tenors and 2 basses |
— |
| Magnificat, D.486 (Schubert, Franz) for soprano, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
6 Flute Sonatas, Op. 10 (Vanhal, Johann Baptist) for flute and harpsichord
violin and harpsichord |
— |
Domine Deus, Agnus Dei (Morales, Cristóbal de) for mixed chorus
alto, tenor and bass |
— |
| Saul, HWV 53 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
Tu es Petrus (Morales, Cristóbal de) for mixed chorus
2 sopranos, alto, tenor and bass |
— |
Pastores, dicite, quidnam vidistis? (Morales, Cristóbal de) for mixed chorus
soprano, alto, tenor and bass |
— |
Inter vestibulum et altare (Morales, Cristóbal de) for mixed chorus
soprano, alto, tenor and bass |
— |
Missa O magnum mysterium (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass
mixed chorus |
— |
| 12 Recorder Sonatas, Op. 2 (Marcello, Benedetto) for recorder and continuo |
selections |
| La farfalletta s'aggira, RV 660 (Vivaldi, Antonio) for soprano and continuo |
— |
| Geme l'onda che parte, RV 657 (Vivaldi, Antonio) for soprano and continuo |
— |
| Concert pour 4 parties de violes, H.545 (Charpentier, Marc-Antoine) for 4 viols |
— |
Ave Maria…virgo serena, NJE 23.6 (Josquin Desprez) for 4 voices
mixed chorus |
— |
Ave Maria…virgo serena, NJE 23.6 (Josquin Desprez) for 4 voices
mixed chorus |
— |
| The Silver Swan (Gibbons, Orlando) for 5 voices |
— |
| 3 Sacred Choruses, Op. 37 (Brahms, Johannes) for soprano, alto and female chorus |
— |
| Mass in G major, D.167 (Schubert, Franz) for soprano, tenor, bass, mixed chorus and orchestra |
vocal score |
| Deus noster refugium, RCT 13 (Rameau, Jean-Philippe) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and orchestra |
vocal score |
| Al mormorar de liquidi cristalli (Gastoldi, Giovanni Giacomo) for 6 voices |
— |
| Il Bell'umore (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Missa Ave maris stella, NJE 3.1 (Josquin Desprez) for 4 voices |
— |
| Te Deum in C major, K.141/66b (Mozart, Wolfgang Amadeus) for mixed chorus, strings and continuo |
vocal score |
| Laboravi, RCT 16 (Rameau, Jean-Philippe) for 2 sopranos, alto, tenor, bass and continuo |
— |
The Firste Booke of Songes (Dowland, John) for voice and lute
4 voices and lute
voice, lute and viol
voice and viol
lute |
— |
The Second Set of Madrigales (Wilbye, John) for 3 voices
4 voices
5 voices
6 voices |
— |
Pater noster, CG 139 (Gounod, Charles) for 4 voices and piano
4 voices and organ
mixed chorus and piano
mixed chorus and organ |
— |
Trios de la Chambre du Roi, LWV 35 (Lully, Jean-Baptiste) for 2 viols and continuo
2 violins and continuo
2 oboes and continuo |
— |
Canzoni, Libro 1b (Frescobaldi, Girolamo) for violin and continuo
cornett and continuo
bass and continuo
soprano, bass and continuo
continuo and 2 sopranos
continuo and 2 basses
continuo, soprano and 2 basses
2 sopranos, bass and continuo
continuo, 2 sopranos and 2 basses
soprano, alto, tenor, bass and continuo |
selections |
| Nuove musiche e nuova maniera di scriverle (Caccini, Giulio) for voice and continuo |
selections |
| Nuove musiche e nuova maniera di scriverle (Caccini, Giulio) for voice and continuo |
selections |
Felici, d'Adria (Gabrieli, Andrea) for voices
mixed chorus |
— |
| Cueurs desolez par toutes nations, NJE 28.8 (Josquin Desprez) for 4 voices |
— |
| O lux, et decus Hispaniae (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass |
— |
| Ecce Dominus veniet (Victoria, Tomás Luis de) for 5 voices |
— |
| Concerti musicali, Op. 6 (Torelli, Giuseppe) for strings and continuo |
parts |
| Sonata in F major (No.3) from 6 Recorder Sonatas, Op. 2a (Pepusch, John Christopher) for recorder and continuo |
— |
Hymn: Veni Sancte Spiritus from Veni Sancte Spiritus (Dunstaple, John) for 4 voices
mixed chorus |
— |
Cantiones sacrae (Hassler, Hans Leo) for 4 voices
5 voices
6 voices
7 voices
8 voices
10 voices
11 voices
12 voices
mixed chorus |
selections |
| Alma redemptoris Mater (Perosi, Lorenzo) for voice and organ |
— |
| 6 String Trios, Op. 16 (Abel, Carl Friedrich) for violin, viola and cello |
parts |
| Tu es Petrus, Op. 111 (Mendelssohn, Felix) for mixed chorus and orchestra |
vocal score |
Meine Seele erhebt den Herren, SWV 494 (Schütz, Heinrich) for 2 sopranos, 2 altos, 2 tenors, 2 basses and organ
2 sopranos, 2 altos, 2 tenors and 2 basses
mixed chorus and organ
mixed chorus |
— |
| Trio Sonata in C major, QV 2:Anh.2a (Quantz, Johann Joachim) for 2 flutes and continuo |
parts |
| Trio Sonata in D major, QV 2:14 (Quantz, Johann Joachim) for flute, violin and continuo |
parts |
| Trio Sonata in E-flat major, QV 2:18 (Quantz, Johann Joachim) for flute, violin and continuo |
parts |
| Trio Sonata in E minor, QV 2:20 (Quantz, Johann Joachim) for flute, violin and continuo |
parts |
| Lauda Jerusalem Dominum (Desmarets, Henri) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
Concerto à 4, TWV 43:G1 (Telemann, Georg Philipp) for flute, violin, viol and continuo
flute, violin, cello and continuo |
— |
Elévations (Robert, Pierre) for voice and continuo
2 voices and continuo
3 voices and continuo
4 voices and continuo
voices, strings and continuo |
— |
| Ghirlanda sacra (Simonetti, Leonardo) for soprano and continuo |
— |
| Abraham ou le sacrifice d'Isaac (Brossard, Sébastien de) for bass and continuo |
— |
Exaudiat te Dominus (No.15) from Grands Motets, LWV 77 (Lully, Jean-Baptiste) for 3 voices and continuo
continuo and 3 sopranos
voices, mixed chorus and orchestra
2 sopranos, alto, tenor, bass, mixed chorus, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
— |
Jubilate Deo omnis terra, LV 854 (Lassus, Orlande de) for mixed chorus
soprano, alto, tenor and bass |
— |
| Phantaisies (Part I) from Musicque de joye (Moderne, Jacques) for soprano, alto, tenor and bass |
— |
| Oboe Sonata, TWV 41:a3 (Telemann, Georg Philipp) for oboe and continuo |
— |
| Ascendens Christus in altum (Handl, Jacob) for 4 voices |
— |
12 Motets (Blondel, Louis-Nicolas) for 2 voices, violin and continuo
3 voices, violin and continuo
4 voices, violin and continuo |
— |
Super flumina Babylonis, LV 860 (Lassus, Orlande de) for mixed chorus
soprano, alto, tenor and bass |
— |
| Omnes gentes plaudite manibus, S.11 (Lalande, Michel Richard de) for 5 voices, mixed chorus and orchestra |
— |
Motets I (Valette de Montigny, Joseph) for voice and continuo
2 voices and continuo
voice, 2 violins and continuo
3 voices, 2 violins and continuo
3 voices, 2 violins, cello and continuo
3 voices, strings and continuo |
— |
| De Profundis, S.23 (Lalande, Michel Richard de) for 2 sopranos, 2 tenors, bass, mixed chorus and orchestra |
— |
| De Profundis, S.23 (Lalande, Michel Richard de) for 2 sopranos, 2 tenors, bass, mixed chorus and orchestra |
vocal score |
If Ye Love Me (Tallis, Thomas) for male chorus
2 altos, tenor and bass
male chorus and organ
2 altos, tenor, bass and organ |
— |
| Purge Me O Lord (Tallis, Thomas) for 4 voices |
— |
Rejoice in the Lord (Sheppard, John) for mixed chorus
2 altos, tenor and bass |
— |
Hear the Voice and Prayer (Tallis, Thomas) for alto, 2 tenors and bass
male chorus |
— |
Viri Galilaei (Couillart, Dulos) for organ
harpsichord |
— |
| Pater noster (Bruck, Arnold von) for 4 voices |
— |
| Benedictus Dominus Deus meus, S.44 (Lalande, Michel Richard de) for voices and orchestra |
vocal score |
| Cantiones sacrae, Op. 4 (Schütz, Heinrich) for 4 voices and continuo |
selections |
| Cantiones sacrae, Op. 4 (Schütz, Heinrich) for 4 voices and continuo |
selections |
| Alleluia from O filii et filiae, S.52 (Lalande, Michel Richard de) for voices, mixed chorus and orchestra |
— |
| Silène et Bacchus (Campra, André) for bass, violin and continuo |
— |
6 Suites à 2 Muzettes, Op. 17 (Boismortier, Joseph Bodin de) for 2 bagpipes
2 musettes
2 vielles
2 recorders
2 flutes
2 oboes |
selections |
| Veni creator Spiritus (Bournonville, Jacques de) for 2 voices and continuo |
— |
| Laudate pueri Dominum (Bournonville, Jacques de) for voice, violin and continuo |
— |
| Stabat mater in G minor (Caldara, Antonio) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Hear My Prayer, O Lord, Z.15 (Purcell, Henry) for mixed chorus and continuo |
— |
| Nisi Dominus, H.160 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass, mixed chorus and continuo |
— |
| Sonata in B minor , BeRI 206 from 12 Flute Sonatas, BeRI 201-212 (Roman, Johan Helmich) for flute and continuo |
— |
| Unser Mund sei voll Lachens, BWV 110 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| Christen, ätzet diesen Tag, BWV 63 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Gelobet seist du, Jesu Christ, BWV 91 (Bach, Johann Sebastian) for soprano, alto, tenor, bass, mixed chorus and orchestra |
vocal score |
| Komm, du süsse Todesstunde, BWV 161 (Bach, Johann Sebastian) for alto, tenor, mixed chorus and orchestra |
parts |
| Je ne fus jamais si aise (Janequin, Clément) for 4 voices |
— |
Gradualia ac cantiones sacrae, Liber 2 (Byrd, William) for 4 voices
5 voices
6 voices |
selections |
| Mass for 4 Voices (Byrd, William) for soprano, alto, tenor and bass |
— |
| Requiem (Gilles, Jean) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| Requiem (Gilles, Jean) for soprano, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Scande coeli limina, K.34 (Mozart, Wolfgang Amadeus) for mixed chorus and orchestra |
vocal score |
| Tantum ergo in B-flat major, K.142/Anh.C 3.04 (Mozart, Wolfgang Amadeus) for mixed chorus and orchestra |
parts |
| Tantum ergo in D major, K.197/Anh.C 3.05 (Mozart, Wolfgang Amadeus) for mixed chorus and orchestra |
parts |
| Benedictus sit Deus, K.117/66a (Mozart, Wolfgang Amadeus) for soprano, mixed chorus and orchestra |
vocal score |
| Madrigals, Libro 1 (Gesualdo, Carlo) for 5 voices |
— |
| Recorder Sonata, TWV 41:F2 (Telemann, Georg Philipp) for recorder and continuo |
— |
| Offertorium de Sanctissimo Sacramento (Mozart, Leopold) for soprano, tenor, mixed chorus, 3 trombones, 2 violins and continuo |
— |
Balletti a cinque voci (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass
6 voices
8 voices
5 Unspecified instruments
6 Unspecified instruments
8 Unspecified instruments |
— |
6 Oboe Sonatas, Op. 1 (Vincent, Thomas) for oboe and continuo
flute and continuo
violin and continuo
harpsichord |
parts |
Selections by from Concerti (Gabrieli, Andrea) for 6 voices
7 voices
8 voices
10 voices
12 voices
16 voices |
— |
| Quintet No.2 in E minor from 3 Wind Quintets, Op. 67 (Danzi, Franz) for flute, oboe, clarinet, bassoon and horn |
— |
| Quintet No.2 in E minor from 3 Wind Quintets, Op. 67 (Danzi, Franz) for flute, oboe, clarinet, bassoon and horn |
parts |
Samson trahi par Dalila (Brossard, Sébastien de) for voice and continuo
soprano and continuo |
— |
La chute de Salomon (Brossard, Sébastien de) for voice, violin and continuo
voice, flute and continuo
voice, recorder and continuo |
— |
Judith ou la mort d'Holopherne (Brossard, Sébastien de) for voice, violin and continuo
voice, flute and continuo
voice, recorder and continuo |
— |
| Les trois enfants de la fournaise (Brossard, Sébastien de) for voice and orchestra |
— |
Musarum Sioniarum (Praetorius, Michael) for 8 voices
voices
mixed chorus |
selections |
28 Intradae (Orologio, Alessandro) for 2 sopranos, alto, tenor and bass
2 sopranos, 2 altos, tenor and bass |
selections |
| O magnum mysterium, Ch.3 (Gabrieli, Giovanni) for 8 voices |
— |
Sonata in B flat major (No.6) from 6 Recorder Sonatas, Op. 1 (Barsanti, Francesco) for recorder and continuo
violin and continuo |
— |
| Trio in B-flat major, K.266/271f (Mozart, Wolfgang Amadeus) for 2 violins and cello |
— |
| Ecce quomodo moritur iustus (Handl, Jacob) for 4 voices |
— |
| Cantai hor piango, LV 1 (Lassus, Orlande de) for soprano, alto, 2 tenors and bass |
— |
| 6 Flute Sonatas, Op. 19 (Boismortier, Joseph Bodin de) for flute and continuo |
— |
| Stabat Mater (Scarlatti, Alessandro) for soprano, alto, strings and continuo |
— |
| In pace in idipsum, LV 1074 (Lassus, Orlande de) for 3 voices |
— |
Mia benigna fortuna, LV 10 (Lassus, Orlande de) for 5 voices
2 sopranos, alto, tenor and bass |
— |
| Surge illuminare Jerusalem (Corteccia, Francesco) for 5 voices |
— |
| Super flumina Babylonis, Psaume 136 (Gervais, Charles-Hubert) for 2 sopranos, alto, tenor, baritone, bass, mixed chorus and orchestra |
— |
| Super flumina Babylonis, Psaume 136 (Gervais, Charles-Hubert) for 2 sopranos, alto, tenor, baritone, bass, mixed chorus and orchestra |
vocal score |
Suite IV in A minor from 6 Suites, Op. 1 (Philidor, Pierre Danican) for 2 flutes
flute and continuo
2 oboes
oboe and continuo
2 recorders
recorder and continuo
2 violins
violin and continuo |
— |
Tria Sunt Munera (Esquivel Barahona, Juan) for 2 sopranos, alto, tenor and bass
mixed chorus |
— |
| Vorrei mostrar, Madonna (Gabrieli, Andrea) for 4 voices |
parts |
| Christus factus est, WAB 11 (Bruckner, Anton) for mixed chorus |
— |
Symphoniae sacrae I, Op. 6 (Schütz, Heinrich) for soprano, 2 violins and continuo
alto, bassoon, violin and continuo
alto, trombone, violin and continuo
tenor, 2 violins and continuo
2 violins, continuo and bass
bass, 2 recorders and continuo
2 tenors and continuo
2 tenors, 2 cornetts and continuo
tenor, bass, 2 violins and continuo
soprano, tenor, bass, violin and continuo
soprano, tenor, bass, cornett and continuo
bass, 4 trombones and continuo
bass, 2 trombones, 2 violins and continuo
soprano, tenor, bassoon, cornett, trombone and continuo
soprano, tenor, bassoon, trombone, violin and continuo
soprano, alto, 3 bassoons and continuo
soprano, alto, 3 viols and continuo
2 sopranos, tenor, 3 trombones and continuo
2 sopranos, 2 tenors, 2 trombones and continuo
2 tenors, bass, bassoon, 2 cornetts and continuo
2 tenors, bass, bassoon, trumpet, cornett and continuo |
— |
Ave verum corpus (Byrd, William) for mixed chorus
soprano, alto, tenor and bass |
— |
Premier Livre from Cantates françoises (Renier, Nicolas) for voice, viol and continuo
voice and orchestra
2 voices and continuo |
— |
| Miserere mei Deus secundum magnam misericordiam tuam (Gervais, Charles-Hubert) for 4 voices, mixed chorus and orchestra |
vocal score |
| Jesus junxit se discipulis, IGP 28 (Palestrina, Giovanni Pierluigi da) for 4 voices |
— |
| Doulce memoire en plaisir consommée (Sandrin) for 4 voices |
— |
| Magi viderunt stellam (Victoria, Tomás Luis de) for soprano, alto, tenor and bass |
— |
| 6 Flute Sonatas, Op. 1 (Naudot, Jacques-Christophe) for flute and continuo |
— |
Amusements champêtres, Livre 1 (Chédeville, Nicolas) for 2 musettes
2 vielles
musette and continuo
vielle and continuo |
parts |
6 Suites for 2 Musettes, Op. 2 (Braun, Jean-Daniel) for 2 musettes
2 vielles
2 recorders
2 flutes
2 oboes |
— |
Scores & Parts from Elévations et motets à II et III voix et à voix seule (Brossard, Sébastien de) for voice, 2 violins and continuo
voice, 2 violins and organ
voice, 2 flutes and continuo
voice, 2 flutes and organ
2 voices, 2 violins and continuo
2 voices, 2 violins and organ
2 voices, 2 flutes and continuo
2 voices, 2 flutes and organ
3 voices and continuo
3 voices and organ |
— |
| Ascendens Christus in altum (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass |
— |
| Gaude Maria Virgo (Victoria, Tomás Luis de) for 2 sopranos, alto, tenor and bass |
— |
| All Creatures Now are Merry-minded (Bennet, John) for 2 sopranos, alto, tenor and bass |
— |
| Salvator Mundi (Blow, John) for mixed chorus and continuo |
— |
Since First I Saw Your Face (Ford, Thomas) for mixed chorus
soprano, alto, tenor and bass |
— |
Motetti per concerti ecclesiastici (Bassano, Giovanni) for 5 voices
6 voices
7 voices and organ
8 voices and organ
12 voices and organ
mixed chorus and organ |
— |
Concerti ecclesiastici (Bassano, Giovanni) for 7 voices and organ
8 voices and organ
12 voices and organ |
— |
Mass for 4 Voices, SV 190 (Monteverdi, Claudio) for soprano, alto, tenor, bass and continuo
soprano, alto, tenor, bass and organ
mixed chorus and continuo
mixed chorus and organ |
— |
| Pavans, Galliards, Almains and other Short Aeirs (Holborne, Anthony) for soprano, alto, 2 tenors and bass |
— |
Nolo mortem peccatoris (Morley, Thomas) for mixed chorus
soprano, alto, tenor and bass |
— |
| O magnum mysterium (Palestrina, Giovanni Pierluigi da) for 6 voices |
— |
| Ascendit Deus (Philips, Peter) for 2 sopranos, alto, tenor and bass |
— |
O beatum et sacrosanctum diem (Philips, Peter) for 5 voices
mixed chorus |
— |
| Adieu, Ye City-Pris'ning Towers (Tomkins, Thomas) for 2 sopranos, alto, tenor and bass |
— |
| Amyntas with His Phyllis Fair (Pilkington, Francis) for soprano, alto, tenor and bass |
— |
| Fantaisies à deux parties pour les violes (Métru, Nicolas) for 2 viols |
— |
| Fugue in D minor (Balbastre, Claude-Bénigne) for organ |
— |
Marche des Marseillois et l'air Ça-ira (Balbastre, Claude-Bénigne) for piano
harpsichord
organ |
— |
| Tant que vivray (Sermisy, Claudin de) for 4 voices |
— |
Gradualia ac cantiones sacrae, Liber 1 (Byrd, William) for 3 voices
4 voices
5 voices |
parts, selections |
| Mass for 3 Voices (Byrd, William) for soprano, tenor and bass |
— |
Nouveau livre de noëls (Corrette, Michel) for organ
harpsichord |
selections |
Das ist mir lieb, SWV 51 (Schütz, Heinrich) for 2 sopranos, alto, tenor and bass
mixed chorus |
— |
Musikalische Exequien, Op. 7 (Schütz, Heinrich) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and continuo
2 sopranos, alto, 2 tenors, bass and continuo
2 sopranos, 2 altos, 2 tenors, 2 basses and continuo
2 sopranos, alto, 2 tenors, bass, mixed chorus, violone and organ
2 sopranos, alto, 2 tenors, bass, violone and organ
2 sopranos, 2 altos, 2 tenors, 2 basses, violone and organ |
— |
| L’innamorato (Gastoldi, Giovanni Giacomo) for 5 voices |
— |
| Scaramella, NJE 28.30 (Josquin Desprez) for 4 voices |
— |
| À ce joly moys de may (Janequin, Clément) for 4 voices |
— |
Beau le cristal, LV 574 (Lassus, Orlande de) for soprano, alto, tenor and bass
mixed chorus |
— |
| Avec du vin, endormons-nous, RCT 18 (Rameau, Jean-Philippe) for 3 voices |
— |
| La Sirena (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
Resonet in laudibus (Eccard, Johannes) for mixed chorus
soprano, 2 altos, tenor and bass |
— |
Adjuva Me Domine (Conseil, Jean) for soprano, alto, tenor and bass
mixed chorus |
— |
| When David Heard (Weelkes, Thomas) for mixed chorus |
— |
| Io mi son giovinetta (Ferrabosco, Domenico) for 4 voices |
— |
Sacrae symphoniae, Liber 1 (Gabrieli, Giovanni) for mixed chorus
6 voices
7 voices
8 voices
8 Unspecified instruments
cornett, 6 trombones and viola
2 mixed chorus
10 voices
12 voices
10 Unspecified instruments
8 cornetts and 2 trombones
3 mixed chorus
14 voices
15 voices
12 Unspecified instruments
2 cornetts, 12 trombones and violin
4 mixed chorus
16 voices |
selections |
| Madrigali à 5 voci, Libro 1 (Fontanelli, Alfonso) for 5 voices |
— |
| Madrigali à 5 voci, Libro 1 (Fontanelli, Alfonso) for 5 voices |
— |
| Ah dolente partita, SV 75 (Monteverdi, Claudio) for 2 sopranos, alto, tenor and bass |
— |
| Ego flos campi a 3 (Clemens non Papa, Jacobus) for 3 voices |
— |
Cantates Françoises, Livre 3 (Jacquet de La Guerre, Elisabeth) for voice, flute, violin and continuo
voice, violin and continuo
voice, flute and continuo |
— |
Das newgebohrne Kindelein, BuxWV 13 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, bassoon, 3 violins and continuo
mixed chorus, bassoon, 3 violins and continuo
soprano, alto, tenor, bass, 3 violins, violone and continuo
mixed chorus, 3 violins, violone and continuo
soprano, alto, tenor, bass, strings and continuo
mixed chorus, strings and continuo |
— |
Concerti Ecclesiastici (Cima, Giovanni Paolo) for voice and continuo
2 voices and continuo
3 voices and continuo
4 voices and continuo
5 voices and continuo
8 voices and continuo
cornett, trombone and continuo
soprano, bass and continuo
violin, violone and continuo
cornett, violin, violone and continuo
cornett, trombone, violin, violone and continuo
soprano, alto, tenor, bass and continuo |
— |
| Prologue from Médée, H.491 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra |
— |
Divine lodi musicali, Libro 3 (Riccio, Giovanni Battista) for soprano and continuo
tenor and continuo
recorder and continuo
cornett and continuo
alto and continuo
bass and continuo
soprano, bass and continuo
tenor, bass and continuo
2 tenors and continuo
continuo and 2 basses
trombone, violin and continuo
2 violins and continuo
2 altos and continuo
alto, tenor, bass and continuo
2 sopranos, bass and continuo
2 tenors, bass and continuo
alto, tenor, bass and continuo
2 cornetts, trombone and continuo
trombone, 2 violins and continuo
continuo, 2 sopranos and 2 basses
2 trombones, 2 violins and continuo
continuo and 4 Unspecified instruments
soprano, bass, bassoon, violin and continuo
soprano, alto, tenor, bass and continuo
voice, recorder, bassoon, violin and continuo
alto, 2 tenors, bass and continuo
soprano, tenor and bass
recorder, bassoon and continuo |
selections |
Divine lodi musicali, Libro 3 (Riccio, Giovanni Battista) for soprano and continuo
tenor and continuo
recorder and continuo
cornett and continuo
alto and continuo
bass and continuo
soprano, bass and continuo
tenor, bass and continuo
2 tenors and continuo
continuo and 2 basses
trombone, violin and continuo
2 violins and continuo
2 altos and continuo
alto, tenor, bass and continuo
2 sopranos, bass and continuo
2 tenors, bass and continuo
alto, tenor, bass and continuo
2 cornetts, trombone and continuo
trombone, 2 violins and continuo
continuo, 2 sopranos and 2 basses
2 trombones, 2 violins and continuo
continuo and 4 Unspecified instruments
soprano, bass, bassoon, violin and continuo
soprano, alto, tenor, bass and continuo
voice, recorder, bassoon, violin and continuo
alto, 2 tenors, bass and continuo
soprano, tenor and bass
recorder, bassoon and continuo |
selections |
Divine lodi musicali, Libro 3 (Riccio, Giovanni Battista) for soprano and continuo
tenor and continuo
recorder and continuo
cornett and continuo
alto and continuo
bass and continuo
soprano, bass and continuo
tenor, bass and continuo
2 tenors and continuo
continuo and 2 basses
trombone, violin and continuo
2 violins and continuo
2 altos and continuo
alto, tenor, bass and continuo
2 sopranos, bass and continuo
2 tenors, bass and continuo
alto, tenor, bass and continuo
2 cornetts, trombone and continuo
trombone, 2 violins and continuo
continuo, 2 sopranos and 2 basses
2 trombones, 2 violins and continuo
continuo and 4 Unspecified instruments
soprano, bass, bassoon, violin and continuo
soprano, alto, tenor, bass and continuo
voice, recorder, bassoon, violin and continuo
alto, 2 tenors, bass and continuo
soprano, tenor and bass
recorder, bassoon and continuo |
selections |
| Ave Maria (Parsons, Robert) for 5 voices |
— |
| Vive le roy, NJE 28.36 (Josquin Desprez) for 4 voices |
— |
| Jesu! Rex admirabilis (Palestrina, Giovanni Pierluigi da) for 2 sopranos and alto |
— |
Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli, Op. 8 (Marini, Biagio) for 2 violins and continuo
2 cornetts
continuo and 2 sopranos
2 recorders and continuo
2 bassoons and continuo
2 trombones and continuo
bassoon, violin and continuo
violin and continuo
cornett and continuo
lute, 2 violins and continuo
2 violins, continuo and bass
2 cornetts, trombone and continuo
3 violins and continuo
2 violins, viol and continuo
4 violins and continuo
4 cornetts and continuo
continuo and 4 Unspecified instruments
4 trombones and continuo
4 viols and continuo
2 trombones, 2 violins and continuo
2 cornetts, 2 trombones and continuo
2 violins, 2 viols and continuo
2 trombones, continuo and 3 Unspecified instruments
4 trombones, 2 violins and continuo
2 trombones, 2 violins, viola and continuo
2 violins, 4 viols and continuo
2 cornetts, 4 trombones and continuo |
selections |
Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli, Op. 8 (Marini, Biagio) for 2 violins and continuo
2 cornetts
continuo and 2 sopranos
2 recorders and continuo
2 bassoons and continuo
2 trombones and continuo
bassoon, violin and continuo
violin and continuo
cornett and continuo
lute, 2 violins and continuo
2 violins, continuo and bass
2 cornetts, trombone and continuo
3 violins and continuo
2 violins, viol and continuo
4 violins and continuo
4 cornetts and continuo
continuo and 4 Unspecified instruments
4 trombones and continuo
4 viols and continuo
2 trombones, 2 violins and continuo
2 cornetts, 2 trombones and continuo
2 violins, 2 viols and continuo
2 trombones, continuo and 3 Unspecified instruments
4 trombones, 2 violins and continuo
2 trombones, 2 violins, viola and continuo
2 violins, 4 viols and continuo
2 cornetts, 4 trombones and continuo |
selections |
Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli, Op. 8 (Marini, Biagio) for 2 violins and continuo
2 cornetts
continuo and 2 sopranos
2 recorders and continuo
2 bassoons and continuo
2 trombones and continuo
bassoon, violin and continuo
violin and continuo
cornett and continuo
lute, 2 violins and continuo
2 violins, continuo and bass
2 cornetts, trombone and continuo
3 violins and continuo
2 violins, viol and continuo
4 violins and continuo
4 cornetts and continuo
continuo and 4 Unspecified instruments
4 trombones and continuo
4 viols and continuo
2 trombones, 2 violins and continuo
2 cornetts, 2 trombones and continuo
2 violins, 2 viols and continuo
2 trombones, continuo and 3 Unspecified instruments
4 trombones, 2 violins and continuo
2 trombones, 2 violins, viola and continuo
2 violins, 4 viols and continuo
2 cornetts, 4 trombones and continuo |
selections |
| 6 Sonatas for 2 Flutes, F.54-59 (Bach, Wilhelm Friedemann) for 2 flutes |
— |
Sonata No.1 in C major from 6 Sonatas for 2 Cellos, Op. 2 (Guignon, Jean-Pierre) for 2 cellos
2 viols
2 bassoons |
— |
Sonata No.2 in F major from 6 Sonatas for 2 Cellos, Op. 2 (Guignon, Jean-Pierre) for 2 cellos
2 viols
2 bassoons |
— |
Sonata No.3 in B flat major from 6 Sonatas for 2 Cellos, Op. 2 (Guignon, Jean-Pierre) for 2 cellos
2 viols
2 bassoons |
— |
| Noël pour les instruments, H.531 (Charpentier, Marc-Antoine) for orchestra |
— |
| Noël sur les instruments, H.534 (Charpentier, Marc-Antoine) for orchestra |
— |
| O salutaris No. 2, AWV 69 (Auber, Daniel François Esprit) for mixed chorus and organ |
— |
Llibre Vermell de Montserrat (Various) for 2 voices
3 voices
4 voices |
selections |
Missa ad fugam (Palestrina, Giovanni Pierluigi da) for 4 voices
mixed chorus |
— |
| Magnificat, RV 610 (Vivaldi, Antonio) for 2 sopranos, alto, tenor, mixed chorus and orchestra |
vocal score |
Suite 1 from Livre de Simphonies (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos |
— |
Suite 2 from Livre de Simphonies (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos |
— |
Suite 4 from Livre de Simphonies (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos |
— |
| Benedic Anima Mea (Sermisy, Claudin de) for 4 voices |
— |
Lamentio Sanctae matris ecclesiae Constantinopolitanae (Dufay, Guillaume) for 4 voices
4 Unspecified instruments |
— |
| Gloria ad modum tubae (Dufay, Guillaume) for 4 voices |
— |
| 6 Concerts for 2 Flutes (Montéclair, Michel Pignolet de) for 2 flutes |
selections |
12 Suites, Opp.1-3 (Philidor, Pierre Danican) for 2 flutes
flute and continuo
2 oboes
oboe and continuo
2 recorders
recorder and continuo
2 violins
violin and continuo |
selections |
| Christ Rising Again (Sheppard, John) for 4 voices |
— |
| O Crux Ave Spes Unica (Finetti, Giacomo) for 4 voices |
— |
| A New Commandment (Mundy, William) for mixed chorus |
— |
| O amor, o bonitas, H.279 (Charpentier, Marc-Antoine) for soprano and continuo |
— |
| Pater noster, Ave Maria (Willaert, Adrian) for alto, 2 tenors and bass |
— |
O rex gloriae, Domine virtutem (Gabrieli, Andrea) for alto, 3 tenors and bass
mixed chorus |
— |
| Adolescentulus sum ego (Mundy, William) for 6 voices |
— |
| O vos omnes (Asola, Giammateo) for 3 voices |
— |
| O bone Jesu (Compère, Loyset) for 4 voices |
— |
| O salutaris hostia (La Rue, Pierre de) for 4 voices |
— |
Ave Maria, SV 213 (Monteverdi, Claudio) for 2 sopranos and tenor
mixed chorus |
— |
| Maria Magdalena (Dulot, François) for 4 voices |
— |
| O Jesu Christe (Jacquet of Mantua) for 4 voices |
— |
| Trumpet Sonata in D major, Op. 3 No. 12 (Grossi, Andrea) for trumpet, strings and continuo |
— |
| Arrangement of Bassoon Sonata, TWV 41:f1 (Telemann, Georg Philipp) for recorder and continuo |
— |
Cantica Sacra (Du Mont, Henry) for 2 voices and continuo
3 voices and continuo
4 voices and continuo
2 voices, violin and continuo
2 voices, viol and continuo
2 voices, 2 viols and continuo
3 voices, violin and continuo
3 voices, viol and continuo
3 violins and continuo
3 viols and continuo
4 voices, 2 violins and continuo
4 voices, 2 viols and continuo
4 voices, continuo and soprano |
— |
Hosanna to the Son of David (Weelkes, Thomas) for mixed chorus
2 sopranos, alto, tenor and 2 basses
2 altos, 2 tenors and 2 basses |
— |
| Motets à voix seule mêlés de simphonies, Op. 23 (Boismortier, Joseph Bodin de) for voice, flute, violin and continuo |
— |
| Trumpet Sonata in D major, Op. 3 No. 11 (Grossi, Andrea) for trumpet and strings |
— |
| Trumpet Sonata in D major, Op. 3 No. 10 (Grossi, Andrea) for trumpet and strings |
— |
| Ave Maria, WAB 6 (Bruckner, Anton) for mixed chorus |
— |
27 Chansons musicales a quatre parties (Attaingnant, Pierre) for 4 voices
4 recorders
4 flutes |
selections |
| Das ist je gewißlich wahr, SWV 277 (Schütz, Heinrich) for 2 sopranos, alto, 2 tenors, bass and continuo |
— |
Herr, nun lässest du deinen Diener, SWV 432-433 (Schütz, Heinrich) for 2 sopranos, alto, 2 tenors, bass and continuo
mixed chorus and continuo |
— |
| Canzon sopra Primo tono, F 9.12 (Frescobaldi, Girolamo) for keyboard |
— |
| Canzon sopra Primo tono, F 9.11 (Frescobaldi, Girolamo) for keyboard |
— |
Die Himmel erzählen die Ehre Gottes, SWV 455 (Schütz, Heinrich) for 2 sopranos, alto, 2 tenors, bass, mixed chorus and continuo
2 sopranos, alto, 2 tenors and continuo |
— |
| Comment peult avoir joye, NJE 28.7 (Josquin Desprez) for 4 voices |
— |
| Salve Regina, MWV C 2 (Mendelssohn, Felix) for strings and soprano |
parts |
Sonata in G major (No.1) from 6 Trio Sonatas, Op. 5 (Locatelli, Pietro Antonio) for 2 violins and continuo
2 flutes and continuo |
— |
Sonata in E minor (No.2) from 6 Trio Sonatas, Op. 5 (Locatelli, Pietro Antonio) for 2 violins and continuo
2 flutes and continuo |
— |
Sonata in E major (No.3) from 6 Trio Sonatas, Op. 5 (Locatelli, Pietro Antonio) for 2 violins and continuo
2 flutes and continuo |
— |
Sonata in C major (No.4) from 6 Trio Sonatas, Op. 5 (Locatelli, Pietro Antonio) for 2 violins and continuo
2 flutes and continuo |
— |
| Non vidi mai dopo notturna pioggia (Marenzio, Luca) for 4 voices |
— |
| Baisiez moy, NJE 28.4 (Josquin Desprez) for 4 voices |
— |
| Crudele acerba inesorabil’ morte (Marenzio, Luca) for 5 voices |
— |
Poésies de Pierre de Ronsard et autres (Regnard, François) for 4 voices
5 voices |
selections |
| Qui belles amours, NJE 28.29 (Josquin Desprez) for 4 voices |
— |
Il bianco e dolce cigno (Arcadelt, Jacob) for 4 voices
soprano, alto, tenor and bass |
— |
Remember Not, Lord, Our Offences, Z.50 (Purcell, Henry) for 2 sopranos, alto, tenor, bass and continuo
mixed chorus and continuo |
— |
| L'ardina (Banchieri, Adriano) for soprano, alto, tenor and bass |
— |
| La rovattina (Banchieri, Adriano) for 4 Unspecified instruments |
— |
| Ricercari a due voci (Guami, Francesco) for 2 Unspecified instruments |
— |
| Vere languores nostros (Lotti, Antonio) for 3 voices |
— |
| Sister, Awake! (Bateson, Thomas) for 5 voices |
— |
| O Nata Lux (Tallis, Thomas) for 2 sopranos, alto, tenor and bass |
— |
25 Galliards, Pavans and Chansons (Attaingnant, Pierre) for soprano, alto, tenor and bass
soprano, alto, tenor and bass
mixed chorus |
— |
| 51 Galliards, Pavans, Branles and Basse Dances (Attaingnant, Pierre) for soprano, alto, tenor and bass |
— |
| Mater ora filium (Power, Leonel) for 3 voices |
— |
| 15 Violin Sonatas, Op. 2 (Mascitti, Michele) for violin and continuo |
selections |
Non al suo amante (Marenzio, Luca) for 4 voices
mixed chorus |
— |
| O That the Learned Poets (Gibbons, Orlando) for 5 voices |
— |
| 25 Chansons à 4 parties, Livre 3 (Bertrand, Anthoine de) for 4 voices |
— |
Eton Choirbook (Various) for 4 voices
5 voices
6 voices
7 voices
8 voices
9 voices
13 voices |
— |
| 17 Orgel-Trio, Op. 43 (Rathgeber, Georg) for organ |
— |
| Chi vuol udir i miei sospiri in rime (Marenzio, Luca) for soprano, alto, tenor and bass |
— |
Mörike-Chorliederbuch, Op. 19 (Distler, Hugo) for mixed chorus
female chorus
male chorus |
selections |
| Introduttione a i Balletti (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Lo schernito (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
Motetti con sinfonie, Libro 1 (Grandi, Alessandro) for soprano, 2 violins and continuo
2 sopranos, 2 violins and continuo
2 tenors, 2 violins and continuo
soprano, 2 violas, violone and continuo
soprano, bassoon, 2 violins and continuo
soprano, trombone, 2 violins and continuo |
— |
| Opera nova de balli (Bendusi, Francesco) for soprano, alto, tenor and bass |
— |
| Allons ung peu avant (Le Heurteur, Guillaume) for 4 voices |
— |
| Libro primo de canzoni da sonare (Maschera, Florentio) for soprano, alto, tenor and bass |
selections |
| Montpellier Codex (Various) for voices |
selections |
Morir non puo'l mio core (Nanino, Giovanni Maria) for 5 voices
2 sopranos, alto, tenor and bass
mixed chorus |
— |
Sonata No.5 in C minor from Sonates en duo et en trio, Op. 2 (Chéron, André) for flute and continuo
violin and continuo
2 flutes and continuo
2 violins and continuo
flute, violin and continuo |
— |
| Anchor che col partire (Rore, Cipriano de) for soprano, alto, tenor and bass |
— |
Speme amorosa (Gastoldi, Giovanni Giacomo) for 5 voices
mixed chorus |
— |
| Anchor ch'io possa dire (Striggio, Alessandro) for 6 voices |
— |
| Haec est dies (Merulo, Claudio) for 5 voices |
— |
| D'un sì bel foco e d'un sì nobil laccio (Wert, Giaches de) for 5 voices |
— |
| Irons-nous toujours coucher (Willaert, Adrian) for 4 voices |
— |
| Cantiones Sacrae (Sweelinck, Jan Pieterszoon) for 5 voices and continuo |
selections |
| Cantiones Sacrae (Sweelinck, Jan Pieterszoon) for 5 voices and continuo |
selections |
Vox Domini super aquas (Du Caurroy, Eustache) for 8 voices
2 mixed chorus |
— |
| In monte Oliveti (Du Caurroy, Eustache) for 5 voices |
— |
| Fuge, dilecte me (Bouzignac, Guillaume) for 5 voices |
— |
| Ah! morior! (Bouzignac, Guillaume) for 5 voices |
— |
| Alleluya, Deus dixit (Bouzignac, Guillaume) for 5 voices |
— |
| Cantate Domino (Bouzignac, Guillaume) for 5 voices |
— |
Ex ore infantium (Bouzignac, Guillaume) for 9 voices
2 mixed chorus |
— |
Gaudeamus omnes (Bouzignac, Guillaume) for 8 voices
2 mixed chorus |
— |
| Ha ! Plange filia Jerusalem (Bouzignac, Guillaume) for 5 voices |
— |
| Si quis diligit me (Péchon, André) for 5 voices |
— |
Tu quis es? (Bouzignac, Guillaume) for 8 voices
2 mixed chorus |
— |
| Madrigali a quattro voci, Libro 1 (Rota, Andrea) for 4 voices |
— |
| Un gay bergier (Crecquillon, Thomas) for 4 voices |
— |
1 to 2 voices, continuo from Italian Madrigals (Dering, Richard) for voice and continuo
2 voices and continuo
3 voices and continuo |
— |
| Va, mirelidrogue (Passereau, Pierre) for 4 voices |
— |
| Sur le joli jonc (Passereau, Pierre) for 4 voices |
— |
| Qui ne regrettoit le gentil Févin (Mouton, Jean) for 4 voices |
— |
| Mari, je songeai (Jacotin) for 4 voices |
— |
| Réveillez moi, mon bel ami (Garnier) for 4 voices |
— |
| Adieu mes amours (Mouton, Jean) for voices |
— |
| Et je les ai (Anonymous) for 4 voices |
— |
| Gentil maréchal (Passereau, Pierre) for 4 voices |
— |
| Haut le bois (Anonymous) for 4 voices |
— |
| Hé ! l'ort villain jaloux (Anonymous) for 4 voices |
— |
L'ort villain jaloux (Ninot le Petit) for mixed chorus
soprano, alto, tenor and bass |
— |
| Petite fille sans souci (Du Tertre, Estienne) for 4 voices |
— |
| Quand me souvient (Anonymous) for 4 voices |
— |
| Au joli son du sansonnet (Passereau, Pierre) for 4 voices |
— |
| En l'ombre d'ung buissonet, NJE 28.13 (Josquin Desprez) for 4 voices |
— |
| Orgelbuch, Op. 32 (Brosig, Moritz) for organ |
selections |
| Voyant souffrir celle qui me tourmente (Jacotin) for 4 voices |
— |
| Par ung matin levé devant le jour (Le Heurteur, Guillaume) for 4 voices |
— |
| Je ne puis pas mon grant deul appaiser (Le Heurteur, Guillaume) for 4 voices |
— |
| Hellas ! Amour qui sçais certainement (Le Heurteur, Guillaume) for 4 voices |
— |
| Troys jeunes bourgeoises (Le Heurteur, Guillaume) for 4 voices |
— |
| Jamais ung cueur qu'est d'amour embrasé (Anonymous) for 4 voices |
— |
| Tous amoureulx qui hantés le commun (Passereau, Pierre) for 4 voices |
— |
| Allez souspirs enflammez (Sermisy, Claudin de) for 4 voices |
— |
| Amour me poingt et si je me veulx plaindre (Sermisy, Claudin de) for 4 voices |
— |
| Amour me voyant sans tristesse (Sermisy, Claudin de) for 4 voices |
— |
| De vous servir m’est prins envie (Sermisy, Claudin de) for 4 voices |
— |
| Les yeulx bendez de triste congnoissance (Vermont, Pernot) for 4 voices |
— |
| On dit qu'Amour luy mesmes l'aymera (Vermont, Pernot) for 4 voices |
— |
| Sämtliche Hymnen (Dufay, Guillaume) for 3 voices |
— |
| Bonjour mon cœur (Castro, Jean de) for 3 voices |
— |
| Ave Maria gratia Dei (Sermisy, Claudin de) for 3 voices |
— |
| D'amour je suis déshéritée (Anonymous) for 3 voices |
— |
| Elle s'en va de moi (Castro, Jean de) for 3 voices |
— |
| J'aime le cœur de m'amie (Sermisy, Claudin de) for 4 voices |
— |
| J'aime par amour (Willaert, Adrian) for 3 voices |
— |
| L'amour de moi s'y est enclose (Anonymous) for soprano, alto and bass |
— |
| La jeune dame s'en va au moulin (Willaert, Adrian) for 3 voices |
— |
| Mon cœur se recommande à vous (Castro, Jean de) for 3 voices |
— |
| On en dira ce qu'on voudra (Sermisy, Claudin de) for 3 voices |
— |
| En l'ombre d'ung buissonet, NJE 27.7 (Josquin Desprez) for 3 voices |
— |
| Allons, allons gai (Willaert, Adrian) for 3 voices |
— |
| Pour ung plaisir (Crecquillon, Thomas) for 4 voices |
— |
| Cantai: or piango (Willaert, Adrian) for soprano, 2 altos, 2 tenors and bass |
— |
| Si dung petit de vostre bien (Janequin, Clément) for 4 voices |
— |
| Il estoit une fillette (Janequin, Clément) for 4 voices |
— |
| Canzonette a tre voci (Dering, Richard) for 3 voices and continuo |
— |
| Cello Sonata in C major, IAV 5 (Vandini, Antonio) for cello and continuo |
— |
| Recorder Sonata in F major (Purcell, Daniel) for recorder and continuo |
— |
| Recorder Sonata in G major (Thornowitz, Henry) for recorder and continuo |
— |
| Amour me tue (Goudimel, Claude) for 5 voices |
— |
| Amour si haut (Sandrin) for 4 voices |
— |
| Certes mon œil fut trop adventureux (Goudimel, Claude) for 4 voices |
— |
| Je suis un demi-dieu (Bertrand, Anthoine de) for 4 voices |
— |
| O doulx regard (Gardano, Antonio) for 4 voices |
— |
| Vous êtes trop jeune (Gombert, Nicolas) for 4 voices |
— |
| Changeons propos (Gombert, Nicolas) for 6 voices |
— |
Livre I (partition & parties séparées) from Motets à une et deux voix (Morin, Jean-Baptiste) for voice and continuo
2 voices and continuo
voice, violin and continuo
voice, flute and continuo
voice, recorder and continuo
voice, 2 violins and continuo
2 voices, 2 violins and continuo |
— |
Livre II (partition & parties séparées) from Motets à une et deux voix (Morin, Jean-Baptiste) for voice and continuo
2 voices and continuo
voice, violin and continuo
voice, flute and continuo
voice, recorder and continuo
voice, 2 violins and continuo
2 voices, 2 violins and continuo |
— |
| Comment au départir (Clereau, Pierre) for 4 voices |
— |
| Tout ce qu'on peut en elle voir (Rore, Cipriano de) for 4 voices |
— |
| Sur la rousée fault aller (Passereau, Pierre) for 4 voices |
— |
| Pourquoi donc ne fringuerons nous (Passereau, Pierre) for 4 voices |
— |
| Quand je te veux raconter (La Grotte, Nicolas de) for 4 voices |
— |
| Mort sans soleil (Boyvin, Antoine ou Jean) for 4 voices |
— |
| Fiere cruelle en amour (Le Jeune, Claude) for 4 voices |
— |
| Dictes sans peur (Sermisy, Claudin de) for 4 voices |
— |
Plaindre l'ennuy de la peine (Hesdin, Nicolle des Celliers de) for soprano, 2 altos, tenor and bass
mixed chorus |
— |
| Prince, la France te veut (Le Jeune, Claude) for 5 voices |
— |
| Susane un jour (Millot, Nicolas) for 5 voices |
— |
| Las, il n’a nul mal (Bussy, Monsieur de) for 4 voices |
— |
| Las, je m'y plains (Sermisy, Claudin de) for 4 voices |
— |
| Las, je m'y plains (Sermisy, Claudin de) for 4 voices |
— |
| La, la, maistre Pierre (Sermisy, Claudin de) for 4 voices |
— |
| Rossignol mon mignon (Le Jeune, Claude) for 5 voices |
— |
| Un jour estant seulet (Le Jeune, Claude) for 5 voices |
— |
| La Parma (Phalèse Jr., Pierre) for 4 Unspecified instruments |
— |
| Pass’emezzo della Paganina (Phalèse Jr., Pierre) for 4 Unspecified instruments |
— |
| Pavane et gaillarde de la bataille (Phalèse Jr., Pierre) for 4 Unspecified instruments |
— |
| S'infinita bellezza (Arcadelt, Jacob) for 5 voices |
— |
| Quand'io pens'al martire (Merulo, Claudio) for 5 voices |
— |
| O morte, eterno fin (Rore, Cipriano de) for 5 voices |
— |
| Ecco l'aurora con l'aurata fronte (Gabrieli, Andrea) for 5 voices |
— |
Oboe Sonata, TWV 41:e6 (Telemann, Georg Philipp) for oboe and continuo
violin and continuo |
— |
| Verament'in amore (Monte, Philippe de) for 5 voices |
— |
| Quivi sospiri (Luzzaschi, Luzzasco) for 5 voices |
— |
| Erasi al sole (Porta, Costanzo) for 5 voices |
— |
| Ah dolente partita (Wert, Giaches de) for 5 voices |
— |
| Fummo felici un tempo (Vecchi, Orazio) for 5 voices |
— |
| Fiere silvestre che per lati campi (Marenzio, Luca) for 5 voices |
— |
| Crudel perche mi fuggi (Marenzio, Luca) for 6 voices |
— |
| Di marmo siete voi (Gagliano, Marco da) for 5 voices |
— |
| Quand'io ero giovinetto, Ch.91 (Gabrieli, Giovanni) for 5 voices |
— |
| Ohimè se tanto amate, SV 85 (Monteverdi, Claudio) for 5 voices |
— |
| Canzoni da sonare a 4 voci, Libro 1 (Mortaro, Antonio) for 4 Unspecified instruments |
selections |
Balletti, Op. 2 (Piazzi, Carlo) for 2 violins and violone
2 violins and continuo |
selections |
| O Mirtillo, Mirtill’anima mia, SV 95 (Monteverdi, Claudio) for 5 voices and continuo |
— |
| Scaldava il sol (Marenzio, Luca) for 5 voices |
— |
| Messe de minuit pour Noël, H.9 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra |
— |
| Messe de minuit pour Noël, H.9 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra |
parts |
| Messe de minuit pour Noël, H.9 (Charpentier, Marc-Antoine) for soprano, alto, tenor, bass and orchestra |
vocal score |
| Justorum animae (Byrd, William) for 5 voices |
— |
Teil 1 from Newe Teutsche Lieder zu drey Stimmen nach art der Welschen Villanellen (Lechner, Leonhard) for 3 voices
4 voices |
— |
Teil 2 from Newe Teutsche Lieder zu drey Stimmen nach art der Welschen Villanellen (Lechner, Leonhard) for 3 voices
4 voices |
— |
| Pièces pour le violon à quatre parties de différents autheurs (Ballard III, Robert) for 3 violins and continuo |
— |
50 Chansons françaises à 2 et 3 voix de style polyphonique (Van Gilst, Daniel) for 2 voices
3 voices |
— |
| Quel augellin che canta sì dolcemente, SV 87 (Monteverdi, Claudio) for 5 voices |
— |
| Exsultate Deo (Hassler, Hans Leo) for 2 sopranos, alto, tenor and bass |
— |
| Sì ch’io vorrei morire hora ch’io bacio amore, SV 89 (Monteverdi, Claudio) for 5 voices |
— |
Oboe Sonata, TWV 41:B6 (Telemann, Georg Philipp) for oboe and continuo
violin and continuo |
— |
Sélection catalogue de musique chorale (Van Gilst, Daniel) for mixed chorus
mixed chorus and piano
2 mixed chorus and continuo
alto and female chorus |
— |
| Canzon 'La Banchierina' (Banchieri, Adriano) for 4 Unspecified instruments |
— |
| Sonata No.1 in F major from 12 Trio Sonatas, Op. 1 (Caldara, Antonio) for 2 violins, cello and continuo |
— |
| Lamento d'Arianna, SV 107 (Monteverdi, Claudio) for 2 sopranos, alto, tenor, bass and continuo |
— |
| 6 Flute Sonatas, Op. 9 (Naudot, Jacques-Christophe) for flute and continuo |
— |
| Adorate eum omnes angeli ejus (Desmarets, Henri) for 2 voices, flute, violin and continuo |
— |
| Alma Redemptoris (Le Roux, Gaspard) for 2 sopranos, bass and continuo |
— |
| Cantemus Domino (Lalande, Michel Richard de) for voice and continuo |
— |
| Qui dat nivem sicut lanam (Couperin, François) for voice, 2 flutes and violin |
— |
In Coena Domini ad Matutinam from Responsoria Hebdomadae Sanctae (Ingegneri, Marc Antonio) for 4 voices
mixed chorus |
— |
| Exultate Deo adjutori nostro (de Villeneuve, Alexandre) for continuo and 2 sopranos |
— |
| Prope est Dominus, MH 445 (Haydn, Michael) for mixed chorus and orchestra |
— |
| Qui sedes, Domine, MH 444 (Haydn, Michael) for mixed chorus and orchestra |
— |
| Universi, qui te exspectant, MH 442 (Haydn, Michael) for mixed chorus and orchestra |
— |
| Benedictus qui venit, MH 391 (Haydn, Michael) for mixed chorus and orchestra |
— |
| O Lord, Give Thy Holy Spirit (Tallis, Thomas) for 4 voices |
— |
| Flute Sonata in G major, QV 1:105 (Quantz, Johann Joachim) for flute and continuo |
— |
Responsoria in Coena Domini, MH 276 (Haydn, Michael) for 4 voices
4 voices and organ |
— |
| 4 Chansons françaises à cinq voix (Wilder, Philip van) for 5 voices |
— |
2 Pièces instrumentales (Rossi, Salamone) for 2 violins and continuo
2 sopranos and bass |
— |
| Les Motets à six voix (Regnard, François) for 6 voices |
— |
| Recorder Sonata in G major (Bitti, Martino) for recorder and continuo |
— |
| Teutsche Lieder (Regnart, Jacob) for 3 voices |
selections |
| Canzoni alla napolitana a cinque voci (Agostini, Lodovico) for 5 voices |
— |
| Canzonette a quattro voci, Libro 3 (Vecchi, Orazio) for 4 voices |
— |
Selections (7 for 4 voices) from Harmoniae poeticae (Hofhaimer, Paul) for 3 voices
4 voices
5 voices |
— |
Bicinia gallica, latina, germanica, Tomus 1 (Rhau, Georg) for 2 voices
3 voices |
selections |
Rimes françoises et italiennes (Sweelinck, Jan Pieterszoon) for 2 voices
3 voices
4 voices |
selections |
| Bel aubépin verdissant (Janequin, Clément) for 4 voices |
— |
| Le Reniement de Saint Pierre, H.424 (Charpentier, Marc-Antoine) for 5 voices and continuo |
— |
| Le Reniement de Saint Pierre, H.424 (Charpentier, Marc-Antoine) for 5 voices and continuo |
— |
| Volume 1 from Chansons françaises à quatre voix (Arcadelt, Jacob) for 4 voices |
— |
| Volume 2 from Chansons françaises à quatre voix (Arcadelt, Jacob) for 4 voices |
— |
| 6 Wiener Sonatinen (Mozart, Wolfgang Amadeus) for |
— |
| Fleur de quinze ans, LV 157 (Lassus, Orlande de) for 4 voices |
— |
| 6 Motets à 4 voix (Mouton, Jean) for 4 voices |
— |
| Polyhymnia exercitatris (Praetorius, Michael) for |
selections |
In convertendo Dominus (Gervais, Charles-Hubert) for 2 sopranos, alto, tenor, bass, mixed chorus, 2 flutes, strings and continuo
2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
— |
Saul, Saul, was verfolgst du mich?, SWV 415 (Schütz, Heinrich) for 2 sopranos, alto, tenor, 2 basses, continuo and 2 sopranos
2 sopranos, alto, tenor, 2 basses, mixed chorus, continuo and 2 sopranos |
— |
O salutaris Hostia (Handl, Jacob) for 4 voices
mixed chorus |
— |
| Tenebrae factae sunt, MH 162 (Haydn, Michael) for 4 voices |
— |
| Symphony in D major, Eisen D12 (Mozart, Leopold) for orchestra |
— |
| Laudate populi, MH 792 (Haydn, Michael) for voices, mixed chorus and orchestra |
— |
| Trio Sonata No. 4 in D major (Mazzaferrata, Giovanni Battista) for 2 violins and continuo |
— |
| Chansons françaises à quatre voix, Vol.1 (Lassus, Orlande de) for 4 voices |
— |
| Je l'aime bien et l'amerai, LV 39 (Lassus, Orlande de) for 4 voices |
— |
| 12 Trio Sonatas (Rebel, Jean-Féry) for 2 violins and continuo |
— |
Flute Sonata in G major (Chinzer, Giovanni) for flute and continuo
violin and continuo |
— |
| Consorts of 3 Viols (Van Gilst, Daniel) for 3 viols |
— |
6 Flute Sonatas (Various) for flute and continuo
flute, viol and continuo |
— |
| A caso un giorno mi guidò la sorte (Gabrieli, Andrea) for 3 voices |
— |
| Prima parte: I' vo piangendo from I' vo piangendo (Gabrieli, Andrea) for 5 voices |
— |
Chansons françaises de la Renaissance à 4, 5 & 6 voix (Van Gilst, Daniel) for 4 voices
5 voices
6 voices |
— |
Chansons françaises de la Renaissance à 4, 5 & 6 voix (Van Gilst, Daniel) for 4 voices
5 voices
6 voices |
— |
| Pletro Armonico, Op. 5 (Albergati, Pirro Capacelli Conte) for 2 violins, cello and continuo |
— |
| Respice in me (Couperin, François) for voice and continuo |
— |
| Duo Seraphim (Du Mont, Henry) for 2 voices and continuo |
— |
| O nomen Jesu (Du Mont, Henry) for voice and continuo |
— |
| Salve Maria (Du Mont, Henry) for 4 voices and continuo |
— |
| Deus est charitas (Lorenzani, Paolo) for 2 voices and continuo |
— |
| O amantissime Jesu (Lorenzani, Paolo) for 2 voices and continuo |
— |
| O sacramentum pietatis (Lorenzani, Paolo) for 2 voices and continuo |
— |
| Cantate Domino (Du Mont, Henry) for 4 voices and continuo |
— |
| Salve Regina (Couperin, François) for voice and continuo |
— |
| Usquequo Domine (Couperin, François) for voice and continuo |
— |
| O quam suavis est (Lorenzani, Paolo) for 3 voices and continuo |
— |
| Peccavi super numerum (Lorenzani, Paolo) for voice and continuo |
— |
| Missa Salva nos Christe (Mielle, Claude) for 4 voices |
— |
Répertoire pour ensemble vocal et pour choeur (Van Gilst, Daniel) for 4 voices
mixed chorus |
— |
| Dixit Dominus, H.197 (Charpentier, Marc-Antoine) for 4 voices and continuo |
— |
| Beatus vir, H.199 (Charpentier, Marc-Antoine) for 4 voices and continuo |
— |
Antiennes pour les Vêpres d'un Confesseur non pontife, H.33-35 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
alto, tenor, 2 violins and continuo |
— |
Antiennes pour les Vêpres de l'Assomption de la Vierge, H.50-52 (Charpentier, Marc-Antoine) for mezzosoprano, 2 violins and continuo
soprano, 2 flutes and continuo
2 sopranos, mezzosoprano and continuo |
— |
| Tiers livre de chansons (Le Roy, Adrien) for 3 voices |
— |
Resta di darmi noia (Gesualdo, Carlo) for 5 voices
mixed chorus |
— |
| Ave verum corpus, SdB.010 (Brossard, Sébastien de) for 4 voices |
— |
| Cantique à l’honneur de Sainte-Cécile, SdB.009 (Brossard, Sébastien de) for 5 voices |
— |
| O miraculum!, SdB.006 (Brossard, Sébastien de) for 3 voices and continuo |
— |
| Ave verum corpus (Paulin, Frédéric-Hubert) for voice and continuo |
— |
| Paratum cor meum (Paulin, Frédéric-Hubert) for voice and continuo |
— |
| Salve Regina (Paulin, Frédéric-Hubert) for 2 voices and continuo |
— |
| Retribue servo tuo, SdB.004 (Brossard, Sébastien de) for 4 voices and continuo |
— |
| Vulnerasti cor meum (Du Mont, Henry) for 2 voices and continuo |
— |
| Quæ est ista (Du Mont, Henry) for 2 voices and continuo |
— |
| Vide homo (Du Mont, Henry) for 2 voices and continuo |
— |
Non defrauderis (Du Mont, Henry) for 2 voices and continuo
3 voices and continuo |
— |
| Tristitia vestra (Du Mont, Henry) for 2 voices and continuo |
— |
| Quam dilecta (Du Mont, Henry) for 2 voices and continuo |
— |
| Motets à l'usage des Dames Religieuses (Gilles, Jean) for voice and continuo |
— |
| Regina cæli lætare (Paulin, Frédéric-Hubert) for voice and continuo |
— |
| Germinavit radix Jesse, C.124 (Clérambault, Louis-Nicolas) for 2 voices and continuo |
— |
| O deliciis affluens (Clérambault, Louis-Nicolas) for 2 voices and continuo |
— |
| O sacrum convivium (Montéclair, Michel Pignolet de) for continuo and 2 sopranos |
— |
Properate huc o populi (Montéclair, Michel Pignolet de) for 2 sopranos, bass, 2 violins and continuo
2 sopranos, bass, mixed chorus, 2 violins and continuo |
— |
| Magnificat du 1er ton, C.154 (Clérambault, Louis-Nicolas) for 3 voices, 2 violins and continuo |
— |
| Ecce panis Angelorum, H.242 (Charpentier, Marc-Antoine) for soprano and continuo |
— |
| Gloria in excelsis Deo, H.370 (Charpentier, Marc-Antoine) for soprano and continuo |
— |
| Gustate et videte, H.257 (Charpentier, Marc-Antoine) for soprano and continuo |
— |
| Alma Dei creatoris, H.334 (Charpentier, Marc-Antoine) for soprano and continuo |
— |
Nonne Deo subjecta erit, H.258 (Charpentier, Marc-Antoine) for soprano and continuo
alto and continuo |
— |
Jubilate Deo (Du Mont, Henry) for 2 voices, violin and continuo
2 voices and continuo |
— |
Benedicite Deum cæli (Du Mont, Henry) for 2 voices, violin and continuo
2 voices and continuo |
— |
| Missa 'Ad majorem Dei gloriam' (Campra, André) for 4 voices |
— |
O pretiosum et admirabile convivium, H.247 (Charpentier, Marc-Antoine) for soprano and continuo
continuo |
— |
| Amor, io non potrei (Marenzio, Luca) for 5 voices |
— |
| Les Bains de Tomery (Stuck, Jean-Baptiste) for soprano, strings and continuo |
— |
| Divertimento in D minor (Eisel, Johann Philipp) for flute and continuo |
— |
| Flute Sonata in G major (Roseingrave, Thomas) for flute and continuo |
— |
| At trepida (Arcadelt, Jacob) for 4 voices |
— |
| Domine salvum fac Regem (Couperin, François) for soprano, bass and continuo |
— |
| Tantum ergo (Couperin, François) for 2 sopranos, bass and continuo |
— |
| Ave Regina Caelorum (Morin, Jean-Baptiste) for voice and continuo |
— |
| Regina caeli (Morin, Jean-Baptiste) for 2 voices and continuo |
— |
Polyphonies vocales de la Renaissance en italien (Van Gilst, Daniel) for 3 voices
5 voices
6 voices
7 voices |
— |
| Madonna sa l’amor, LV 585 (Lassus, Orlande de) for 5 voices |
— |
| La non vol esser più mia, LV 772 (Lassus, Orlande de) for 5 voices |
— |
| Canzon se l’esser meco, LV 768 (Lassus, Orlande de) for 4 voices |
— |
| Come lume di notte in alcun porto, LV 770 (Lassus, Orlande de) for 4 voices |
— |
| Come la notte ogni fiammella è viva, LV 771 (Lassus, Orlande de) for 5 voices |
— |
| A voi Guglielmo invitto, LV 773 (Lassus, Orlande de) for 5 voices |
— |
| Signor da l’alto trono, LV 783 (Lassus, Orlande de) for 5 voices |
— |
| Di quà di là va le noiose piume, LV 779 (Lassus, Orlande de) for 5 voices |
— |
| Di terrena armonia satia l'anima mia, LV 781 (Lassus, Orlande de) for 5 voices |
— |
| Deh perchè voglio anco di me dolermi, LV 776 (Lassus, Orlande de) for 5 voices |
— |
| Al gran Guglielmo nostro, LV 784 (Lassus, Orlande de) for 5 voices |
— |
| Che più d’un giorno è la vita mortale, LV 586 (Lassus, Orlande de) for 5 voices |
— |
| Ove le luci giro un tenebros’ horrore, LV 587 (Lassus, Orlande de) for 5 voices |
— |
| Dapoi che sotto il ciel cosa non vidi, LV 778 (Lassus, Orlande de) for 5 voices |
— |
| Si com'i fiori da l'ardente sole, LV 407 (Lassus, Orlande de) for 5 voices |
— |
Chansons spirituelles et psaumes polyphoniques (L'Estocart, Paschal de) for 3 voices
4 voices
5 voices |
— |
| Praesidium Sara dulce meum, LV 412 (Lassus, Orlande de) for 4 voices |
— |
| Lucescit jam o socii, LV 759 (Lassus, Orlande de) for 4 voices |
— |
| Veoir est beaucoup, LV 79 (Lassus, Orlande de) for 4 voices |
— |
| Pronuba Juno, LV 411 (Lassus, Orlande de) for 4 voices |
— |
| Bestia curvafia pulices, LV 588 (Lassus, Orlande de) for 5 voices |
— |
| Cum rides mihi, LV 633 (Lassus, Orlande de) for 5 voices |
— |
| Beati pauperes spiritu, LV 471 (Lassus, Orlande de) for 4 voices |
— |
| Quicumque vult salvus esse, LV 631 (Lassus, Orlande de) for 5 voices |
— |
| Zachaee festinans descende, LV 252 (Lassus, Orlande de) for 5 voices |
— |
| Da pacem Domine, LV 957 (Lassus, Orlande de) for 5 voices |
— |
| Lauda Sion salvatorem, LV 634 (Lassus, Orlande de) for 6 voices |
— |
| Gloria Patri from In te Domine speravi, LV 193 (Lassus, Orlande de) for 6 voices |
— |
7 Motets à 4, 5, 6 & 7 voix (L'Estocart, Paschal de) for 4 voices
5 voices
6 voices
7 voices |
— |
Motets à 2, 3 et 4 parties (Du Mont, Henry) for 4 voices and continuo
voice and continuo
voice and 2 viols
voice, bassoon and 3 viols
2 voices and 2 viols
2 viols and continuo
2 violins and continuo |
selections |
Motets à 2, 3 et 4 parties (Du Mont, Henry) for 4 voices and continuo
voice and continuo
voice and 2 viols
voice, bassoon and 3 viols
2 voices and 2 viols
2 viols and continuo
2 violins and continuo |
selections |
Motets à 2, 3 et 4 parties (Du Mont, Henry) for 4 voices and continuo
voice and continuo
voice and 2 viols
voice, bassoon and 3 viols
2 voices and 2 viols
2 viols and continuo
2 violins and continuo |
selections |
| Missa Exaltate et invocate (Hardouin, Henri) for 4 voices |
— |
| Première lamentation pour le Vendredi-Saint au soir (Gilles, Jean) for 4 voices, continuo, soprano and alto |
— |
4 Suites pour la flûte traversière avec la basse, Op. 6 (Caix d'Hervelois, Louis de) for flute and continuo
viol and continuo |
selections |
| Missa Quatuor vocum (Scarlatti, Domenico) for soprano, alto, tenor and bass |
— |
| Magnificat (Scarlatti, Domenico) for 4 voices |
— |
| Missa pro defunctis (Du Caurroy, Eustache) for 5 voices |
— |
| Pie Jesu Domine (Du Caurroy, Eustache) for 6 voices |
— |
Preces ecclesiasticæ (Du Caurroy, Eustache) for 3 voices
4 voices
5 voices
6 voices
7 voices |
— |
| Missa pro defunctis cum quinque vocum (Bouteiller, Pierre) for 5 voices and continuo |
— |
| 30 Canzoni francese (Van Gilst, Daniel) for 3 voices |
— |
| Missa concertata, SdB. 254, 15, 16 & 17 (Brossard, Sébastien de) for 6 voices and continuo |
— |
| Te Deum (Scarlatti, Domenico) for 2 sopranos, 2 altos, 2 tenors, 2 basses and organ |
— |
| Magnificat in C major, IAC 69 (Caldara, Antonio) for soprano, alto, tenor, bass and orchestra |
— |
| Jubilemus omnes (Carissimi, Giacomo) for 2 sopranos, bass and continuo |
— |
| Sancta et individua Trinitas (Carissimi, Giacomo) for 2 sopranos, 2 violins and continuo |
— |
| Dixit Dominus (Carissimi, Giacomo) for 8 voices and continuo |
— |
| Ave Regina, H.45 (Charpentier, Marc-Antoine) for 4 voices, 2 violins and continuo |
— |
| Alma redemptoris Mater, H.44 (Charpentier, Marc-Antoine) for 4 voices, 2 violins and continuo |
— |
| Regina cæli, H.46 (Charpentier, Marc-Antoine) for 4 voices, 2 violins and continuo |
— |
| Salve Regina, H.47 (Charpentier, Marc-Antoine) for 4 voices, 2 violins and continuo |
— |
| Venite omnes (Lefebvre, Louis Antoine) for voice and orchestra |
— |
| Motectorum quatuor vocum, Liber 1 (Porta, Costanzo) for 4 voices |
— |
| Motectorum quatuor vocum, Liber 1 (Porta, Costanzo) for 4 voices |
— |
| Christe adoramus te, SV 294 (Monteverdi, Claudio) for 2 sopranos, alto, tenor, bass and continuo |
— |
| Credidi propter, H.209 (Charpentier, Marc-Antoine) for 4 voices and continuo |
— |
| Exaudiat te Dominus, H.180 (Charpentier, Marc-Antoine) for 4 voices and continuo |
— |
| Ti lascio Eurilla (Bassani, Giovanni Battista) for soprano and continuo |
— |
| O frondoso arboscello (Bononcini, Giovanni) for soprano and continuo |
— |
| M’uccidete begli occhi (Rossi, Luigi) for soprano and continuo |
— |
| E bello l’ardire (Carissimi, Giacomo) for soprano and continuo |
— |
| Amanti io vi disfido (Cesti, Antonio) for soprano and continuo |
— |
| Il rosignuolo (Scarlatti, Alessandro) for soprano and continuo |
— |
| Novit Dominus (Lechner, Leonhard) for 6 voices |
— |
| Lætentur cæli (Handl, Jacob) for 6 voices |
— |
| Factum est silentium (Monte, Philippe de) for 6 voices |
— |
| Lumen ad revelationem gentium (Walter, Johann) for 6 voices |
— |
| Veni Creator Spiritus (Rener, Adam) for 2 sopranos, alto, tenor and 2 basses |
— |
Recordatus est (Rogier, Philippe) for 2 sopranos, 2 altos, tenor and bass
mixed chorus |
— |
| Exultate justi (Hakenberger, Andreas) for 6 voices |
— |
| Peccavi super numerum (Wert, Giaches de) for 6 voices |
— |
| Das Wort ward Fleisch, SWV 385 (Schütz, Heinrich) for voices and continuo |
— |
28 Sonate a quattro, sei et otto, con alcuni concerti (Gussago, Cesario) for 4 Unspecified instruments
6 Unspecified instruments
8 Unspecified instruments |
selections |
Ode en laquelle Jesus Christ (L'Estocart, Paschal de) for 3 voices
4 voices
5 voices
6 voices |
— |
Chansons à 2, 3 & 4 voix (Jacotin) for 4 voices
3 voices
2 voices |
— |
Chansons à 2, 3 & 4 voix (Jacotin) for 4 voices
3 voices
2 voices |
— |
Tua Jesu dilectio (Palestrina, Giovanni Pierluigi da) for male chorus
female chorus |
— |
| Lætatus sum (Scarlatti, Domenico) for soprano, alto, mixed chorus and continuo |
— |
| Mache dich auf werde licht (Pfleger, Augustin) for 4 voices, 2 violins and continuo |
— |
Missa super 'Italia mia' (Alberti, Gasparo) for 5 voices
mixed chorus |
— |
| Missa Dominicalis (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
5 Motets for 1, 2 and 3 voices (Monteverdi, Claudio) for bass and continuo
3 voices and continuo
voice, 2 violins and continuo
2 voices, 2 violins and continuo
3 voices, 2 violins and continuo |
— |
Motets à une et deux voix avec symphonie (Mouret, Jean-Joseph) for soprano and orchestra
soprano, strings and continuo
soprano, 2 violins and continuo
alto and orchestra
soprano, bass and orchestra |
— |
| Cantatilles françaises (Mouret, Jean-Joseph) for voice, continuo and soprano |
selections |
2eme Concert from Concerts de Simphonies, Livre III (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos
2 flutes and continuo
3 flutes and continuo
2 oboes and continuo
3 oboes and continuo
2 violins and continuo
3 violins and continuo |
— |
Suitte pour la Flûte traversière “La Marsillac” from Concerts de Simphonies, Livre III (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos
2 flutes and continuo
3 flutes and continuo
2 oboes and continuo
3 oboes and continuo
2 violins and continuo
3 violins and continuo |
— |
Oboe Sonata from Concerts de Simphonies, Livre III (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos
2 flutes and continuo
3 flutes and continuo
2 oboes and continuo
3 oboes and continuo
2 violins and continuo
3 violins and continuo |
— |
Sonate à 3 dessus sans basse from Concerts de Simphonies, Livre III (Dornel, Antoine) for continuo and 2 sopranos
continuo and 3 sopranos
2 flutes and continuo
3 flutes and continuo
2 oboes and continuo
3 oboes and continuo
2 violins and continuo
3 violins and continuo |
— |
| Motecta ad sex voces (Victoria, Tomás Luis de) for 6 voices |
— |
8 Motets à 4 & 5 voix (Mouton, Jean) for soprano, alto, tenor and bass
soprano, alto, 2 tenors and bass |
— |
| Grands motets de la collection Brossard (Du Mont, Henry) for voices, mixed chorus and orchestra |
— |
| O God the King of Glory, Z.34 (Purcell, Henry) for 4 voices |
— |
| Almigty and Everlasting God (Ramsey, Robert) for 5 voices |
— |
| How are the Mighty Fallen (Ramsey, Robert) for 6 voices |
— |
| O Come let us Sing unto the Lord (Ramsey, Robert) for 5 voices |
— |
| When David heard that Absalon was Slain (Ramsey, Robert) for 6 voices |
— |
| Lord to Thee I make My Moan (Weelkes, Thomas) for 5 voices |
— |
Lord, How Long wilt Thou be Angry?, Z.25 (Purcell, Henry) for 5 voices
mixed chorus |
— |
| O Mortal Man (Weelkes, Thomas) for soprano, 2 altos, tenor and bass |
— |
Shall I Sue, Shall I Seeke for Grace (Dowland, John) for 4 voices
4 voices, lute and viol |
— |
| I was glad when they said unto me (Purcell, Henry) for 5 voices |
— |
| Verily I say unto You (Tallis, Thomas) for 4 voices |
— |
| Newe auserlesene Branden, Intraden, Mascheraden, Baletten (Brade, William) for 5 Unspecified instruments |
— |
| Marche de triomphe et air, H.547 (Charpentier, Marc-Antoine) for orchestra |
— |
Les Motets à quatre voix (Regnard, François) for 4 voices
mixed chorus |
— |
Musique française de la Renaissance par différents auteurs (Van Gilst, Daniel) for 4 voices
5 voices
6 voices
7 voices
mixed chorus
2 mixed chorus |
— |
Chansons françaises polyphoniques à 2 & 3 voix (Sermisy, Claudin de) for 2 voices
3 voices |
— |
| Coeli enarrant gloriam Dei (Mondonville, Jean-Joseph Cassanéa de) for 5 voices, mixed chorus and orchestra |
— |
| Chansons françaises polyphoniques à trois voix (Janequin, Clément) for 3 voices |
— |
| Cello Sonata in A minor, IAV 1 (Vandini, Antonio) for cello and continuo |
— |
| Cello Sonata in C major, IAV 4 (Vandini, Antonio) for cello and continuo |
— |
| Cello Sonata in B-flat major, IAV 2 (Vandini, Antonio) for cello and continuo |
— |
| Cello Sonata in B-flat major, IAV 3 (Vandini, Antonio) for cello and continuo |
— |
| Cello Sonata in E major, IAV 6 (Vandini, Antonio) for cello and continuo |
— |
Les Motets à cinq voix (Regnard, François) for 5 voices
mixed chorus |
— |
| Aspice e cælis (Danielis, Daniel) for voice, 2 viols and continuo |
— |
| Cessavit gaudium (Danielis, Daniel) for 4 voices, 2 viols and continuo |
— |
| Paratum cor meum (Danielis, Daniel) for 4 voices, 2 violins and continuo |
— |
| Salve mi Jesu (Danielis, Daniel) for 2 voices, 2 violins and continuo |
— |
| Fulgete serta syderum (Danielis, Daniel) for 3 voices, 2 violins and continuo |
— |
| Attolite portas (Danielis, Daniel) for 3 voices, 2 violins, viol and continuo |
— |
| Missa 'Vivat Rex' (Madin, Henry) for soprano, alto, tenor and bass |
— |
Josué, H.404 (Charpentier, Marc-Antoine) for 2 mixed chorus, strings and continuo
8 voices, strings and continuo |
— |
Nova & prima motettorum, Liber 1 (Sermisy, Claudin de) for 3 voices
4 voices
5 voices
6 voices |
selections |
Nova & prima motettorum, Liber 1 (Sermisy, Claudin de) for 3 voices
4 voices
5 voices
6 voices |
selections |
Domine exaudi orationem meam, Ch.15 (Gabrieli, Giovanni) for mixed chorus
2 mixed chorus
8 voices
8 Unspecified instruments |
— |
Airs à III, IV, V et VI parties (Le Jeune, Claude) for 3 voices
4 voices
5 voices
6 voices |
— |
| Salve Regina in D minor (Scarlatti, Alessandro) for 4 voices |
— |
| Resonet in laudibus, ES 29 (Praetorius, Michael) for 6 voices |
— |
6 Suites de Pièces, Op. 1 (La Vigne, Philibert de) for 2 musettes
2 vielles
2 recorders
2 flutes
2 oboes |
— |
| 13 Chansons a troys (Willaert, Adrian) for 3 voices |
— |
| 8 Chansons à quatre voix (Manchicourt, Pierre de) for 4 voices |
— |
| 12 Chansons à quatre voix (Crecquillon, Thomas) for 4 voices |
— |
| Première lamentation pour le Mercredi-Saint au soir (Gilles, Jean) for 4 voices, strings and continuo |
— |
| L'Acceso (Gastoldi, Giovanni Giacomo) for 5 voices |
— |
Le Tombeau de Clorinde (Dornel, Antoine) for 2 violins, continuo and bass
baritone, 2 violins and continuo |
— |
| Chansons françaises à quatre voix, Vol.2 (Lassus, Orlande de) for 4 voices |
— |
| 6 Violin Sonatas, Op. 7 (Berardi, Angelo) for violin and continuo |
— |
| 3 Sonate a violino solo e continuo (Various) for violin and continuo |
— |
| 3 Sonate a violino solo e continuo (Various) for violin and continuo |
— |
| Magnificat, P.246 (Pachelbel, Johann) for 4 voices and continuo |
— |
| Salve Jesu, BuxWV 94 (Buxtehude, Dietrich) for 2 sopranos, 2 violins and continuo |
— |
| Missa super Mon coeur se recommande à vous (Eccard, Johannes) for 5 voices |
— |
| Vostre beauté qu'un chascun voit florir (Certon, Pierre) for 4 voices |
— |
| Dum complerentur (Victoria, Tomás Luis de) for 5 voices |
— |
| Cum beatus Ignatius (Victoria, Tomás Luis de) for 5 voices |
— |
| Descendit angelus Domini (Victoria, Tomás Luis de) for 5 voices |
— |
| Resplenduit facies ejus (Victoria, Tomás Luis de) for 5 voices |
— |
| Adoramus te Christe, LV 885 (Lassus, Orlande de) for 3 voices |
— |
Sonate a 2, 3, 4 e 5 con alcune per tromba, Op. 35 (Cazzati, Maurizio) for 2 violins and continuo
2 violins, violone and continuo
2 violins, viola, violone and continuo
2 violins, 2 violas, violone and continuo
trumpet, violin, 2 violas, violone and continuo |
selections |
Manuscript, GB-Lbl Add. MS 31922 (Various) for 3 voices
4 voices |
— |
| Plaine de dueil, NJE 29.20 (Josquin Desprez) for 5 voices |
— |
| Fuyons tous d'amour le jeu, LV 164 (Lassus, Orlande de) for 4 voices |
— |
| Un jeune moine est sorti du couvent, LV 484 (Lassus, Orlande de) for 4 voices |
— |
| Ce faux amour, LV 133 (Lassus, Orlande de) for 4 voices |
— |
| Quand un cordier cordant, LV 487 (Lassus, Orlande de) for 4 voices |
— |
Cruda Amarilli (Pallavicino, Benedetto) for 5 voices
mixed chorus |
— |
Magnificat (Banchieri, Adriano) for 8 voices and 8 Unspecified instruments
8 voices
8 Unspecified instruments |
— |
Psaume XCVIII (Handl, Jacob) for mixed chorus
2 sopranos, alto, tenor and bass |
— |
| Le ciel ne veut, Dame, que je joüisse (Bertrand, Anthoine de) for 4 voices |
— |
| Œil qui mes pleurs de tes rayons essuye (Bertrand, Anthoine de) for 4 voices |
— |
| 2nd Leipzig Version, BC A 54b (1725) from Christ lag in Todes Banden, BWV 4 (Bach, Johann Sebastian) for soprano, alto, tenor, bass and orchestra |
— |
| Renouveau (Boulanger, Lili) for mixed chorus and piano |
— |
| 2nd Version (1891) from Pange lingua, WAB 31 (Bruckner, Anton) for mixed chorus |
— |
| Prodromus musicalis ou elevation et motets, Op. 1 (Brossard, Sébastien de) for voice and organ |
— |
| Quanti travagli e pene (Arcadelt, Jacob) for 4 voices |
— |
| Occhi miei lassi, mentre ch’io vigiro (Arcadelt, Jacob) for 4 voices |
— |
| Canta in prato, ride in monte, RV 623 (Vivaldi, Antonio) for soprano, strings and continuo |
— |
Adieu, Sweet Amaryllis (Wilbye, John) for 4 voices
mixed chorus |
— |
| Polyphonies vocales (Costeley, Guillaume) for 4 voices |
— |
Balletti, correnti e capricci per camera, Op. 8 (Vitali, Giovanni Battista) for 2 violins and violone
2 violins and continuo |
parts |
| Tundite vos Musæ lachrymas (Villiers, Pierre de) for 4 voices |
— |
| Le dueil issu de la joye incertaine (Villiers, Pierre de) for 4 voices |
— |
| D’une dame je suys saisy (Villiers, Pierre de) for 4 voices |
— |
| Elle est m’amye, en parle qui parler (Villiers, Pierre de) for 5 voices |
— |
| L’heur et malheur de vostre congnoissance (Villiers, Pierre de) for 4 voices |
— |
| Si le service est receu pour offence (Villiers, Pierre de) for 4 voices |
— |
| Veu le grief mal que longuement j’endure (Villiers, Pierre de) for 4 voices |
— |
Sinfonie ad uno, e doi violini, a doi, e trombone (Montalbano, Bartolomeo) for violin and continuo
2 violins and continuo
trombone, 2 violins and continuo
4 viols |
— |
| Indarno cerca la tortorella, RV 659 (Vivaldi, Antonio) for soprano and continuo |
— |
| Orietur stella (Handl, Jacob) for 5 voices |
— |
| O sapientia (Ramsey, Robert) for 5 voices |
— |
| Beata viscera Mariæ Virginis (Byrd, William) for 5 voices |
— |
| Salve regina (Marenzio, Luca) for 5 voices |
— |
| Alma redemptoris Mater, LV 1041 (Lassus, Orlande de) for 5 voices |
— |
| Canite tuba in Sion (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Sonata à 6 (Stradella, Alessandro) for 2 cornetts, 2 violins and 2 continuos |
— |
| Credo, RV 591 (Vivaldi, Antonio) for 4 voices, strings and continuo |
vocal score |
| Est il un mal si rigoureux au monde (Villiers, Pierre de) for 4 voices |
— |
| Je n’oserois le penser veritable (Villiers, Pierre de) for 4 voices |
— |
| Le veoir, l’ouyr, le parler, l’attoucher (Villiers, Pierre de) for 4 voices |
— |
| Preste moy l’ung de tes yeulx bien aprins (Villiers, Pierre de) for 4 voices |
— |
| Tristesse ennuy, douleur, melencolye (Villiers, Pierre de) for 4 voices |
— |
| Trop plus que mort est aspre et dangereux (Villiers, Pierre de) for 4 voices |
— |
| Autant que moy heureuse pourrez estre (Villiers, Pierre de) for 4 voices |
— |
| Force d’amour souvent me veult contraindre (Villiers, Pierre de) for 4 voices |
— |
| Languissant suis attendant que fortune (Villiers, Pierre de) for 4 voices |
— |
| Lo meissony sur lo sey se retire (Villiers, Pierre de) for 4 voices |
— |
| Si d’ung seul mal amour en a faict deux (Villiers, Pierre de) for 4 voices |
— |
| Si tu voulloys mon amour acquerir (Villiers, Pierre de) for 4 voices |
— |
| Crux fidelis inter omnes (Clemens non Papa, Jacobus) for 4 voices |
— |
| Ach, Weh des Leiden (Hassler, Hans Leo) for 5 voices |
— |
| Hæc dies quam fecit Dominus (Arcadelt, Jacob) for 4 voices |
— |
| Quanto più m’arde (Willaert, Adrian) for 5 voices |
— |
| Così suav’ è’l foco (Festa, Costanzo) for 4 voices |
— |
| Alleluia. I heard a voice (Weelkes, Thomas) for 5 voices, mixed chorus and organ |
vocal score |
| Sonatas for Violin, Bass Viol and Organ (Lawes, William) for violin, viol and organ |
— |
| C’est le bon lever (Boller, Carlo) for 3 voices |
— |
| Abendlied eines Reisenden (Distler, Hugo) for |
— |
| Grün ist der Mai (Lechner, Leonhard) for 4 voices |
— |
| Laboravi in gemitu (Morley, Thomas) for 6 voices |
— |
| Litaniæ Lauretanæ (Durante, Francesco) for 4 voices, 2 violins and continuo |
— |
| 6 Cantatilles (Lemaire, Louis) for soprano and orchestra |
— |
| Hostias et preces (Correia, Fernão Gomes) for 4 voices |
— |
Recueil Deslauriers (Various) for voice
2 voices
2 voices and continuo
3 voices
3 voices and continuo
4 voices
4 voices and continuo
5 voices
5 voices and continuo
5 voices, 2 violins and continuo
6 voices
6 voices and continuo
7 voices
mixed chorus |
selections |
| Cantiques spirituels (Courbes, Charles de) for voices |
— |
Cantates françoises avec et sans symphonies (Gervais, Charles-Hubert) for voice and continuo
voice, violin and continuo
voice, flute and continuo
voice, 2 violins and continuo |
— |
| Deus canticum novum (Asola, Giammateo) for 3 voices |
— |
Airs for 2 Trebles and 2 Basses (Jenkins, John) for 4 viols
4 viols and organ |
— |
| Memento salutis auctor (Byrd, William) for 3 voices |
— |
Laudate mulierem fortem, C.115 (Clérambault, Louis-Nicolas) for violin, continuo, alto, tenor and bass
alto, tenor, bass, strings and continuo |
— |
Exultet omnium, C.112 (Clérambault, Louis-Nicolas) for violin, continuo, alto, tenor and bass
alto, tenor, bass, strings and continuo |
— |
| Vergine gloriosa (Marenzio, Luca) for 5 voices |
— |
Grand Dixit Dominus (Campra, André) for 5 voices, strings and continuo
mixed chorus, strings and continuo |
— |
| Qual mormorio soave (Marenzio, Luca) for 5 voices |
— |
| Asperges Me (Magalhães, Filipe de) for 4 voices |
— |
| Togli, dolce ben mio (Marenzio, Luca) for 5 voices |
— |
| Ouverture pour quelque belle entreprise à cinq, H.540 (Charpentier, Marc-Antoine) for strings |
— |
| Pour le sacre d’un évêque, H.518 (Charpentier, Marc-Antoine) for continuo and 4 Unspecified instruments |
— |
| Pour un reposoir, H.508 (Charpentier, Marc-Antoine) for strings |
— |
| Recordare Domine (Carpentras) for 3 voices |
— |
| Confitemini Domino (Costantini, Alessandro) for 3 voices |
— |
| Missa Laudate nomen Domini (Hardouin, Henri) for 4 voices |
— |
Angelus ad Pastores, SSWV 77 (Scheidt, Samuel) for 8 voices, continuo and 8 Unspecified instruments
8 voices, organ and 8 Unspecified instruments
mixed chorus, continuo and 8 Unspecified instruments
mixed chorus, organ and 8 Unspecified instruments |
— |
| What is our life? (Gibbons, Orlando) for 5 voices |
— |
| Sweet Suffolk owl (Vautor, Thomas) for 5 voices |
— |
| Nisi Dominus, SdB.47 (Brossard, Sébastien de) for 3 voices, 2 violins and continuo |
— |
| De profundis (Haeser, August Ferdinand) for 4 voices |
— |
| Domine salvum fac Regem, C.158 (Clérambault, Louis-Nicolas) for 3 voices, 2 violins and continuo |
— |
| Domine salvum fac Regem, C.157 (Clérambault, Louis-Nicolas) for 3 voices, continuo and 2 sopranos |
— |
| Laudate in tuba Sulpicium, C.148 (Clérambault, Louis-Nicolas) for 3 voices, 2 violins and continuo |
— |
| Domine salvum fac Regem, C.152 (Clérambault, Louis-Nicolas) for 3 voices, continuo and soprano |
— |
| Ecce panis angelorum, C.156 (Clérambault, Louis-Nicolas) for 3 voices and orchestra |
— |
| Monstra te esse matrem, C.132 (Clérambault, Louis-Nicolas) for soprano, 2 tenors, bass and continuo |
— |
| Panis angelicus, C.131 (Clérambault, Louis-Nicolas) for 3 voices, continuo and soprano |
— |
Motectæ sacræ (Lechner, Leonhard) for 4 voices
5 voices
6 voices
8 voices |
— |
| Je ne suis seulement amoureux de Marie (Bertrand, Anthoine de) for 4 voices |
— |
| Je suis tellement amoureux (Bertrand, Anthoine de) for 4 voices |
— |
| Je veux chanter en ces vers ma tristesse (Bertrand, Anthoine de) for 4 voices |
— |
| Las! pour vous trop aymer, je ne vous puis aymer (Bertrand, Anthoine de) for 4 voices |
— |
| Marie, qui voudroit vostre nom retourner (Bertrand, Anthoine de) for 4 voices |
— |
| Pourquoy tournez vous voz yeux (Bertrand, Anthoine de) for 4 voices |
— |
| Vous ne le voulez pas, et bien, j’en suis content (Bertrand, Anthoine de) for 4 voices |
— |
| Certes mon œil fut trop avantureux (Bertrand, Anthoine de) for 4 voices |
— |
| Dittes, maitresse, hé que vous ay-je fait! (Bertrand, Anthoine de) for 4 voices |
— |
| Hé, Dieu du ciel, je n’eusse pas pensé (Bertrand, Anthoine de) for 4 voices |
— |
| Je ne sçaurois aymer autre que vous (Bertrand, Anthoine de) for 4 voices |
— |
| Plus que jamais je veux aymer (Bertrand, Anthoine de) for 4 voices |
— |
| Veu que tu es plus blanche que le liz (Bertrand, Anthoine de) for 4 voices |
— |
| Las! sans espoir je languis à grand tort (Bertrand, Anthoine de) for 4 voices |
— |
| Donques pour trop aymer il faut que je trespasse (Bertrand, Anthoine de) for 4 voices |
— |
| Douce beauté à qui je doy la vie (Bertrand, Anthoine de) for 4 voices |
— |
| Douce beauté qui me tenez le cœur (Bertrand, Anthoine de) for 4 voices |
— |
| Je meurs, helas, quand je la voy si belle (Bertrand, Anthoine de) for 4 voices |
— |
| Pour-ce que tu sçay bien que je t’ayme mieux (Bertrand, Anthoine de) for 4 voices |
— |
| Quand je serois un Turc, un Arabe ou un Scythe (Bertrand, Anthoine de) for 4 voices |
— |
| Quand je vous dys Adieu, Dame, mon seul apuy (Bertrand, Anthoine de) for 4 voices |
— |
| Si jamais homme en aymant fut heureux (Bertrand, Anthoine de) for 4 voices |
— |
| Les Amours de Pierre de Ronsard à 4 parties, Livre 2 (Bertrand, Anthoine de) for 4 voices |
— |
| Mignonne, baisez moy, non, ne me baisez pas (Bertrand, Anthoine de) for 4 voices |
— |
| Quand ma maistresse au monde print naissance (Bertrand, Anthoine de) for 4 voices |
— |
| Confitebor tibi... in concilio, H.225 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra |
— |
Benedic anima mea (Du Mont, Henry) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra
soprano, alto, 2 tenors, bass, mixed chorus, strings and continuo |
— |
Litanies de la Sainte Vierge (Franck, César) for 4 voices and organ
mixed chorus and organ |
— |
Litanies de la Sainte Vierge (Gounod, Charles) for 4 voices and organ
mixed chorus and organ |
— |
Litanies de la Sainte Vierge (Guilmant, Alexandre) for 4 voices and organ
mixed chorus and organ |
— |
| Missa Mater Patris, NJE 10.1 (Josquin Desprez) for 4 voices |
— |
Compositions françaises de 4 à 8 voix (Lassus, Orlande de) for 4 voices
5 voices
6 voices
8 voices |
— |
Sonate à 8, H.548 (Charpentier, Marc-Antoine) for 2 flutes, lute, 2 violins, cello, viol and harpsichord
2 flutes, lute, 2 violins, double bass, viol and harpsichord |
— |
| Trio Sonatas, Dlb Mus.2470 (Quantz, Johann Joachim) for flute, violin and continuo |
parts |
| Submit yourselves (Sheppard, John) for 4 voices |
— |
| Le tendre solitaire (Chauvon, François) for voice and orchestra |
parts |
| Petit magnificat (Grénon, Louis-Charles) for 5 voices and continuo |
— |
| Miserere (Scarlatti, Alessandro) for 9 voices |
— |
19 Pièces vocales de la Renaissance à 2 et 3 voix (Van Gilst, Daniel) for 2 voices
3 voices |
— |
| Confitebor tibi Domine, H.200 (Charpentier, Marc-Antoine) for 4 voices, 2 violins and continuo |
— |
| Beatus vir, H.221 (Charpentier, Marc-Antoine) for 4 voices and continuo |
— |
| Laudate pueri Dominum, H.203 (Charpentier, Marc-Antoine) for 4 voices, 2 violins and continuo |
— |
| Transfige dulcissime Jesu, H.251 (Charpentier, Marc-Antoine) for 2 sopranos, alto, tenor, bass and continuo |
— |
| Confitebor tibi Domine, H.220 (Charpentier, Marc-Antoine) for 4 voices and continuo |
— |
| La Diane de Fontainebleau (Desmarets, Henri) for voices and orchestra |
— |
| Domine non est exaltatum cor meum, SWV 78-80 (Schütz, Heinrich) for 4 voices and organ |
— |
| Domine, ne in furore tuo arguas me, SWV 85-87 (Schütz, Heinrich) for 4 voices and organ |
— |
| Deus, misereatur nostri, SWV 55 (Schütz, Heinrich) for 4 voices and organ |
— |
| O bone, o dulcis, o benigne Jesu, SWV 53-54 (Schütz, Heinrich) for 4 voices and organ |
— |
| Ego dormio et cor meum vigilat, SWV 63-64 (Schütz, Heinrich) for 4 voices and organ |
— |
| Dulcissime et benignissime Christe, SWV 67 (Schütz, Heinrich) for 4 voices and organ |
— |
| Supereminet omnem scientiam, SWV 76-77 (Schütz, Heinrich) for 4 voices and organ |
— |
| In te Domine speravi, SWV 66 (Schütz, Heinrich) for 4 voices and organ |
— |
| Heu mihi Domine, SWV 65 (Schütz, Heinrich) for 4 voices and organ |
— |
| Dunque il comun poter (Gabrieli, Andrea) for 4 voices |
— |
| Dapoi che su’l fiorire (Gabrieli, Andrea) for 5 voices |
— |
| Quando penso (Gabrieli, Andrea) for 5 voices |
— |
| Non vedi o sacr’ Apollo (Gabrieli, Andrea) for 5 voices |
— |
| Il dolce sonno (Gabrieli, Andrea) for 3 voices |
— |
| Piangeranno le gratie (Gabrieli, Andrea) for 5 voices |
— |
| Angel dal terzo ciel (Gabrieli, Andrea) for 5 voices |
— |
| Adoramus te (Fogliano, Giacomo) for 4 voices |
— |
| Beati omnes (Fogliano, Giacomo) for 4 voices |
— |
| De profundis (Fogliano, Giacomo) for 4 voices |
— |
| 9 Sonatas for 2 Flutes, TWV 40:141-149 (Telemann, Georg Philipp) for 2 flutes |
— |
| Pater noster (Tiburtino, Giuliano) for 3 voices |
— |
| Benedicta et venerabilis (Tiburtino, Giuliano) for 3 voices |
— |
| Ave Regina (Tiburtino, Giuliano) for 3 voices |
— |
| Ave Maria (Tiburtino, Giuliano) for 3 voices |
— |
| Alma Redemptoris (Tiburtino, Giuliano) for 3 voices |
— |
| Missa In illo tempore, SV 205 (Monteverdi, Claudio) for 6 voices and continuo |
— |
| Magnificat octavi toni (Martini, Johannes) for 4 voices |
— |
| Regina cœli lætare (Couperin, François) for continuo and 2 sopranos |
— |
| Lauda Sion Salvatorem (Couperin, François) for continuo and 2 sopranos |
— |
| 12 Airs à deux parties (Vanderhagen, Amand) for 2 oboes |
— |
| Amour vainc tout c’est chose tres certaine (Janequin, Clément) for 4 voices |
— |
| Pleust a Dieu que feusse arrondelle (Janequin, Clément) for 4 voices |
— |
| Si Dieu vouloit que je fusse arrondelle (Janequin, Clément) for 4 voices |
— |
| L'Ardito (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Amor vittorioso (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Il Premiato (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| La Bellezza (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Caccia d'amore (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Il Martellato (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Mascherata de cacciatori (Gastoldi, Giovanni Giacomo) for 6 voices |
— |
| Canzonetta a 6 voci (Gastoldi, Giovanni Giacomo) for 6 voices |
— |
| Ce n’est pas moy c’est vous (Janequin, Clément) for 4 voices |
— |
| Doulens regretz, ennuys, souspirs et larmes (Janequin, Clément) for 4 voices |
— |
| En la prison les ennuys de ce monde (Janequin, Clément) for 4 voices |
— |
| Herbes et fleurs et vous, prez verdoyans (Janequin, Clément) for 4 voices |
— |
| Si Dieu vouloit pour chose bien nouvelle (Janequin, Clément) for 4 voices |
— |
| Vivons folastres (Janequin, Clément) for 4 voices |
— |
| Non feray, je n’en feray rien (Janequin, Clément) for 4 voices |
— |
| Pourquoy tournez vous vos yeux (Janequin, Clément) for 4 voices |
— |
| Il contento (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Gloria d'amore (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Il piacere (Gastoldi, Giovanni Giacomo) for 2 sopranos, alto, tenor and bass |
— |
| Ce faux amour d’arc et de flesches s’arme (Janequin, Clément) for 4 voices |
— |
| Concerto de pastori (Gastoldi, Giovanni Giacomo) for 8 voices |
— |
Neuer Paduanen, et al, Teil 2 (Hammerschmidt, Andreas) for 3 viols and continuo
4 viols and continuo
5 viols and continuo |
selections |
Commencement d’ouverture, H.546 (Charpentier, Marc-Antoine) for strings
strings and continuo
2 violins, viola and continuo |
— |
| Beatus vir, H.208 (Charpentier, Marc-Antoine) for 4 voices and orchestra |
— |
| Ouverture pour le sacre d’un évêque, H.537 (Charpentier, Marc-Antoine) for orchestra |
— |
| Ouverture pour le sacre d’un évêque, H.536 (Charpentier, Marc-Antoine) for orchestra |
— |
Ouverture pour l’église, H.524 (Charpentier, Marc-Antoine) for flute and strings
3 flutes and continuo |
— |
| Angelus ad pastores ait a 4 (Gabrieli, Andrea) for 4 voices |
— |
Motets à deux voix, avec la basse-continue (Du Mont, Henry) for voice and continuo
2 voices and continuo
voice, violin and continuo
2 voices, violin and continuo
strings and continuo |
— |
| Recorder Sonata in G minor, S.771 (Marcello, Benedetto) for recorder and continuo |
— |
| Recorder Sonata in E minor, S.764 (Marcello, Benedetto) for recorder and continuo |
— |
| Recorder Sonata in G major, S.768 (Marcello, Benedetto) for recorder and continuo |
— |
| Recorder Sonata in C major, S.759 (Marcello, Benedetto) for recorder and continuo |
— |
| Recorder Sonata in D minor, S.762 (Marcello, Benedetto) for recorder and continuo |
— |
| Recorder Sonata in F major, S.765 (Marcello, Benedetto) for recorder and continuo |
— |
| Motettorum pro festis totius anni (Marenzio, Luca) for 4 voices |
— |
| Let mines eyes run down with tears, Z.24 (Purcell, Henry) for 5 voices and continuo |
— |
| Quid commisisti, o dulcissime puer, SWV 56-60 (Schütz, Heinrich) for 4 voices and organ |
— |
| Verba mea auribus percipe, SWV 61-62 (Schütz, Heinrich) for 4 voices and organ |
— |
| L’Absence (Lefebvre, Louis Antoine) for voice, violin and continuo |
parts |
Tibiades (Chauvon, François) for flute and continuo
oboe and continuo
violin and continuo |
— |
| Miserere mei Deus, C.116 (Clérambault, Louis-Nicolas) for 3 voices and continuo |
— |
| O where shall wisdom be found (Boyce, William) for 5 voices |
— |
| Madrigali a 6 voci, Libro 1 (Marenzio, Luca) for 6 voices |
— |
| Ave Christe immolate, NJE 21.1 (Josquin Desprez) for 4 voices |
— |
| Le Caquet des femmes (Janequin, Clément) for 5 voices |
— |
| Plus ne suys ce que j’ay esté (Janequin, Clément) for 4 voices |
— |
| Récit de l’éternité (Du Mont, Henry) for voice and continuo |
— |
Pour O filii, H.511 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
— |
Prélude, H.512 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
— |
Prélude pour Sub tuum, H.527 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo |
— |
Symphonie à 3 flûtes, H.529 (Charpentier, Marc-Antoine) for 2 flutes and continuo
2 violins and continuo |
— |
Prélude pour Magnificat, H.533 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
— |
Prélude pour le Domine salvum, H.535 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
— |
Symphonie devant Regina, H.509 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
— |
Prélude, H.510 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
— |
Prélude pour Lauda Jerusalem, H.538 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
— |
Prélude pour Dixit Dominus, H.539 (Charpentier, Marc-Antoine) for continuo and 2 sopranos
2 violins and continuo
2 viols and continuo |
— |
| Caprice pour trois violons, H.542 (Charpentier, Marc-Antoine) for 2 violins and continuo |
— |
| Trio suivi de deux menuets (Charpentier, Marc-Antoine) for continuo and 2 sopranos |
— |
| Pièce pour une viole, H.543 (Charpentier, Marc-Antoine) for viol |
— |
| 2 Menuets pour les flûtes allemandes, H.541 (Charpentier, Marc-Antoine) for 2 flutes and continuo |
— |
3 Pièces pour les flûtes et hautbois, H.520 (Charpentier, Marc-Antoine) for 2 flutes, 2 oboes and continuo
2 recorders, 2 oboes and continuo |
— |
| Mazurka in C minor (Glinka, Mikhail) for piano |
— |
| Suite in G minor, Op. 2 No. 7 (Fischer, Johann Caspar Ferdinand) for harpsichord |
selections |
| 2 Studien (Kirnberger, Johann Philipp) for keyboard |
— |
| Partita in C minor, GWV 102 (Graupner, Christoph) for keyboard |
selections |
| 6 Flute Sonatas, Op. 91 (Boismortier, Joseph Bodin de) for flute and harpsichord |
— |
| Flute Sonata in G major, PB 325 (Boismortier, Joseph Bodin de) for flute and continuo |
— |
| Flute Sonata in D major, PB 327 (Boismortier, Joseph Bodin de) for flute and continuo |
— |
| Flute Sonata in B minor, PB 328 (Boismortier, Joseph Bodin de) for flute and continuo |
— |
| Flute Sonata in A major, PB 329 (Boismortier, Joseph Bodin de) for flute and continuo |
— |
| Flute Sonata in A minor, PB 330 (Boismortier, Joseph Bodin de) for flute and continuo |
— |
| L’Amour protecteur (Lefebvre, Louis Antoine) for voice, violin and continuo |
— |
| Flute Sonata in E minor, PB 326 (Boismortier, Joseph Bodin de) for flute and continuo |
— |
| Andromède (Lefebvre, Louis Antoine) for voice, 2 violins and continuo |
— |
| Madrigali a 6 voci, Libro 2 (Marenzio, Luca) for 6 voices |
— |
Canzoni et sonate (Gabrieli, Giovanni) for continuo and 3 Unspecified instruments
organ and 3 Unspecified instruments
continuo and 5 Unspecified instruments
organ and 5 Unspecified instruments
continuo and 6 Unspecified instruments
organ and 6 Unspecified instruments
continuo and 7 Unspecified instruments
organ and 7 Unspecified instruments
continuo and 8 Unspecified instruments
organ and 8 Unspecified instruments
continuo and 10 Unspecified instruments
organ and 10 Unspecified instruments
continuo and 12 Unspecified instruments
organ and 12 Unspecified instruments
continuo and 14 Unspecified instruments
organ and 14 Unspecified instruments
continuo and 15 Unspecified instruments
organ and 15 Unspecified instruments
continuo and 22 Unspecified instruments
organ and 22 Unspecified instruments |
selections |
| Musique instrumentale italienne de la Renaissance à deux parties (Van Gilst, Daniel) for 2 Unspecified instruments |
— |
| String Trio in D major, B.402 (Pleyel, Ignaz) for violin, viola and cello |
parts |
| Ad te levavi oculos meos (Couperin, François) for 2 violins, continuo and bass |
— |
Symphonies en Duo from Symphonies divisées par suites de tons (Gautier, Pierre) for flute and continuo
violin and continuo
2 flutes and continuo
2 violins and continuo
flute, violin and continuo |
— |
Symphonies en Trio from Symphonies divisées par suites de tons (Gautier, Pierre) for flute and continuo
violin and continuo
2 flutes and continuo
2 violins and continuo
flute, violin and continuo |
— |
| Va rossignol, amoureux messager (Janequin, Clément) for 4 voices |
— |
| J’atens le temps ayant ferme espérance (Janequin, Clément) for 4 voices |
— |
| Las qu’on congneust mon vouloir sans le dire (Janequin, Clément) for 4 voices |
— |
| O fortune n’estois tu pas contente (Janequin, Clément) for 4 voices |
— |
| Si come il chiaro sole (Janequin, Clément) for 4 voices |
— |
| Ou mettra l’on ung baiser favorable (Janequin, Clément) for 4 voices |
— |
| Si de bon cueur j’ayme bien une dame (Janequin, Clément) for 4 voices |
— |
| Ung mari se voulant coucher (Janequin, Clément) for 4 voices |
— |
| Ung compaignon joly et en bon poinct (Janequin, Clément) for 4 voices |
— |
| Ce tendron est si doulce chose (Janequin, Clément) for 4 voices |
— |
| En m’en venant de veoir m’amye (Janequin, Clément) for 4 voices |
— |
| Balli, gagliarde et correnti, Libro 1 (Kapsperger, Giovanni Girolamo) for continuo and 4 Unspecified instruments |
— |
Recueil de danseries, contenant presque toutes sortes de danses (Phalèse Jr., Pierre) for 4 Unspecified instruments
soprano, alto, tenor and bass |
parts, selections |
| De profundis (Campra, André) for voices, mixed chorus and orchestra |
— |
| De profundis (Campra, André) for voices, mixed chorus and orchestra |
vocal score |
| Magnificat, H.78 (Charpentier, Marc-Antoine) for alto, 2 tenors, bass, mixed chorus, strings and continuo |
— |
L’Amour musicien (Bourgeois, Thomas-Louis) for voice, flute and continuo
voice, violin and continuo
voice, flute, violin and continuo |
— |
Cantates françoises, Livre 2 (Bourgeois, Thomas-Louis) for soprano, viol and continuo
soprano, flute and continuo
soprano and orchestra
soprano, alto, viol and continuo |
— |
Trio Sonata in D minor 'E tanto tempo hormai' (Turini, Francesco) for 2 violins, cello and continuo
2 violins and cello |
— |
| Apres avoir longuement attendu (Villiers, Pierre de) for 4 voices |
— |
| Celles couleurs qui t’a pleu me donner (Villiers, Pierre de) for 4 voices |
— |
| Chi l’eta sua piu verde (Villiers, Pierre de) for 4 voices |
— |
| Craignant amour de perdre le povoir (Villiers, Pierre de) for 4 voices |
— |
| Dame qui as l’esprit et la beaulté (Villiers, Pierre de) for 4 voices |
— |
| Las, plus je viz plus je suis malheureuse (Villiers, Pierre de) for 4 voices |
— |
| Rien n’est plus cher que ce que l’on desire (Villiers, Pierre de) for 4 voices |
— |
| Si envieulx et faulx raportz (Villiers, Pierre de) for 4 voices |
— |
| Est il heureux celuy qui de s’amye (Villiers, Pierre de) for 4 voices |
— |
| Faut-il pour ung verre cassé (Villiers, Pierre de) for 4 voices |
— |
| Nenny desplaist et donne grand soucy (Villiers, Pierre de) for 4 voices |
— |
| Pour avoir heu de ma dame refus (Villiers, Pierre de) for 4 voices |
— |
| L’heureux soucy de l’esperé desir (Villiers, Pierre de) for 4 voices |
— |
| Si ton plus grand desir (Villiers, Pierre de) for 4 voices |
— |
| Si vous avez de me veoir telle envie (Villiers, Pierre de) for 4 voices |
— |
| Je n’entendz pas de Cupido me plaindre (Villiers, Pierre de) for 4 voices |
— |
| Venus avoit son filz Amour perdu (Villiers, Pierre de) for 4 voices |
— |
| Pourtant si je suis brunette (Villiers, Pierre de) for 3 voices |
— |
| Le cler soleil au plus hault degré luist (Villiers, Pierre de) for 4 voices |
— |
| L’yver sera et l’esté variable (Villiers, Pierre de) for 2 voices |
— |
| La grand’ doulceur de vostre cler visaige (Villiers, Pierre de) for 4 voices |
— |
| Amour et mort par trop grand avantage (Villiers, Pierre de) for 4 voices |
— |
| Monsieur l’Abbé et monsieur son vallet (Villiers, Pierre de) for 4 voices |
— |
| O Sing unto the Lord, Z.44 (Purcell, Henry) for soprano, alto, tenor, 2 basses, mixed chorus, strings and continuo |
— |
| O Sing unto the Lord, Z.44 (Purcell, Henry) for soprano, alto, tenor, 2 basses, mixed chorus, strings and continuo |
vocal score |
| Dixit Dominus, H.204 (Charpentier, Marc-Antoine) for 2 tenors, 2 basses, mixed chorus and orchestra |
— |
| Dixit Dominus, H.204 (Charpentier, Marc-Antoine) for 2 tenors, 2 basses, mixed chorus and orchestra |
vocal score |
| Le Voyage de Cithère (De Villeneuve, Alexandre) for soprano, flute, violin and continuo |
— |
| Ung jour que madame dormoit (Janequin, Clément) for 4 voices |
— |
| Frere Lubin revenant de la queste (Janequin, Clément) for 4 voices |
— |
| Or veit mon cueur en grand tristesse (Janequin, Clément) for 4 voices |
— |
| Ouvrez moy l’huis (Janequin, Clément) for 4 voices |
— |
| Qui veult d’amour scavoir tous les esbatz (Janequin, Clément) for 4 voices |
— |
| En fut il onc une plus excellente (Janequin, Clément) for 4 voices |
— |
| J’ay dict, j’ay faict pour sa beaulté (Janequin, Clément) for 4 voices |
— |
| Las on peult juger clerement (Janequin, Clément) for 4 voices |
— |
| O mal d’aymer qui tous maulx outrepasse (Janequin, Clément) for 4 voices |
— |
| Ma peine n’est pas grande (Janequin, Clément) for 4 voices |
— |
| Hellas mon Dieu ton ire s’est tournée (Janequin, Clément) for 4 voices |
— |
| L’autre jour de bon matin (Janequin, Clément) for 4 voices |
— |
| Une nonnain fort belle et en bon point (Janequin, Clément) for 4 voices |
— |
| Quelque frapart, homme de bonne mise (Janequin, Clément) for 4 voices |
— |
| Madrigali et ricercari (Gabrieli, Andrea) for 4 voices |
— |
| La Jalouzie (Janequin, Clément) for 5 voices |
— |
Mottetti sacri ad una, due, trè, e quattro voci con violini (Scarlatti, Alessandro) for soprano, 2 violins and continuo
alto, 2 violins and continuo
soprano, alto, 2 violins and continuo
soprano, alto, tenor, 2 violins and continuo
soprano, alto, tenor, bass, 2 violins and continuo |
— |
| Levavi oculos meos (Marenzio, Luca) for 5 voices |
— |
| Veni sponsa Christi (Marenzio, Luca) for 5 voices |
— |
Sacræ cantiones (Marenzio, Luca) for 5 voices
6 voices
7 voices |
— |
| Cæciliam cantate (Marenzio, Luca) for 5 voices |
— |
| Domine quando veneris (Marenzio, Luca) for 5 voices |
— |
| Dum aurora finem daret (Marenzio, Luca) for 6 voices |
— |
| Antequam comedam suspiro (Marenzio, Luca) for 6 voices |
— |
| Domine ne in furore (Marenzio, Luca) for 7 voices |
— |
| Hic est martinus electus (Marenzio, Luca) for 7 voices |
— |
Le Rossignol musical des chansons (Phalèse, Pierre) for 4 voices
5 voices
6 voices |
— |
Regina cæli lætare (Mouret, Jean-Joseph) for soprano, strings and continuo
soprano, 2 violins and continuo |
— |
| Cantate Domino, SwWV 158 (Sweelinck, Jan Pieterszoon) for 5 voices and continuo |
— |
| Voicy du gay Printemps (Sweelinck, Jan Pieterszoon) for 2 voices |
— |
| Quatre leçon des morts, SdB.43-46 (Brossard, Sébastien de) for 2 voices, 2 violins and continuo |
— |
| Magnificat, SdB.54 (Brossard, Sébastien de) for 3 voices, 2 violins and continuo |
— |
Salvum me fac Deus (Couperin, François) for bass, 2 flutes, 2 violins and continuo
bass and orchestra |
— |
| De profundis clamavi (Mondonville, Jean-Joseph Cassanéa de) for 5 voices and orchestra |
— |
| De profundis clamavi (Mondonville, Jean-Joseph Cassanéa de) for 5 voices and orchestra |
vocal score |
| Regina cœli (Hardouin, Henri) for 5 voices and continuo |
— |
| O Maria mater Jesu (Hardouin, Henri) for 5 voices, 2 violins and continuo |
— |
| Poscimur si quid vacui (Arcadelt, Jacob) for 3 voices |
— |
| Integer vitæ scelerisque purus (Arcadelt, Jacob) for 3 voices |
— |
| Montium custos nemorumque (Arcadelt, Jacob) for 3 voices |
— |
Chansons françaises (Arcadelt, Jacob) for 3 voices
4 voices
5 voices |
— |
| Vitam que faciunt beatiorem (Arcadelt, Jacob) for 4 voices |
— |
| La pastorella mia (Arcadelt, Jacob) for 3 voices |
— |
O Domine Jesu Christe (Gabrieli, Giovanni) for 2 mixed chorus
8 voices |
— |
| Stabat mater, SdB.008 (Brossard, Sébastien de) for 5 voices and continuo |
— |
| Ah dear heart (Gibbons, Orlando) for 5 voices |
— |
| Rorate cæli (Scarlatti, Alessandro) for soprano, 2 violins and continuo |
— |
| Duetto No. 1 in G major (Mathieu, Julien Amable) for 2 violins |
parts |
| Flute Sonata in G major, Op. 6 No. 1 (Nicolai, Johann Gottlieb) for flute and continuo |
— |
| Flute Sonata in A minor, Op. 2 No. 6 (Sammartini, Giuseppe) for flute and continuo |
— |
| Flute Sonata in G major, Op. 58 No. 5 (Devienne, François) for flute and continuo |
— |
| De labourer je suys cassé (Janequin, Clément) for 4 voices |
— |
| En attendant son heureuse présence (Janequin, Clément) for 4 voices |
— |
| Il me suffit du temps passé (Janequin, Clément) for 4 voices |
— |
| La plus belle de la ville (Janequin, Clément) for 4 voices |
— |
| Ma fille, ma mere, venez a moy (Janequin, Clément) for 4 voices |
— |
| Madame a soy non aux aultres ressemble (Janequin, Clément) for 4 voices |
— |
| De tes doulx yeulx fut distillé la goutte (Janequin, Clément) for 4 voices |
— |
| Suivez tousjours l’amoureuse entreprise (Janequin, Clément) for 4 voices |
— |
| Elle craint cela sur tout rien (Janequin, Clément) for 4 voices |
— |
| L’ermaphrodite est estrange (Janequin, Clément) for 4 voices |
— |
| Un vieillart amoureux (Janequin, Clément) for 4 voices |
— |
| Au despartir triste deul appressé (Janequin, Clément) for 4 voices |
— |
| Ayez pitié du grant mal que j’endure (Janequin, Clément) for 4 voices |
— |
| C’est a bon droit que mon cœur se lamente (Janequin, Clément) for 4 voices |
— |
| Dictes sans peur ou l’ouy ou nenny (Janequin, Clément) for 4 voices |
— |
| Qu’est-ce d’amour, comment le peult on paindre ? (Janequin, Clément) for 4 voices |
— |
| Si en aymant je pourchasse et procure (Janequin, Clément) for 4 voices |
— |
| Magnificat (Scarlatti, Alessandro) for 5 voices and continuo |
— |
| Amor, che rider suole (Fontanelli, Alfonso) for 5 voices |
— |
| Tra i gigli e le viole (Fontanelli, Alfonso) for 5 voices |
— |
| Lauda Jerusalem (Soriano, Francesco) for 8 voices and continuo |
— |
| Salve Regina in A minor (Pergolesi, Giovanni Battista) for soprano, 2 violins, viola and continuo |
— |
| Quasi cedrus exaltata sum in Libano (Guerrero, Francisco) for 4 voices |
— |
Sonata No.1 in D major from Sonatas for 2 Violins (Lyon, Desmarais de) for 2 violins
2 flutes |
— |
Sonata No.2 in A major from Sonatas for 2 Violins (Lyon, Desmarais de) for 2 violins
2 flutes |
— |
| Les heureux époux (Campra, André) for voice and continuo |
— |
| Je l’ayme bien et l’aymerai (Guyot, Jean) for 4 voices |
— |
| L’arbre d’amour ung fruict d’amaritude (Guyot, Jean) for 4 voices |
— |
| Je suis amoureux d’une fille (Guyot, Jean) for 4 voices |
— |
| Joyeusement sans nulz faulx tour (Guyot, Jean) for 4 voices |
— |
| En lieux d’esbatz m’assault mélancolie (Guyot, Jean) for 6 voices |
— |
| Vous perdez temps de me dire mal d’elle (Guyot, Jean) for 6 voices |
— |
| Vous estes si doulce et benigne (Guyot, Jean) for 6 voices |
— |
| Telle en mesdict qui pour soy la desire (Guyot, Jean) for 6 voices |
— |
| D’amours me plains et non de vous m’amye (Guyot, Jean) for 8 voices |
— |
| Tant seulement ton amour je demande (Guyot, Jean) for 8 voices |
— |
| Deus noster refugium (Campra, André) for voices, mixed chorus and orchestra |
— |
Regina cæli lætare (Robert, Pierre) for 8 voices
2 mixed chorus |
— |
| Enée et Didon (Campra, André) for 2 voices and continuo |
— |
| Gustate et videte (Isaac, Heinrich) for 4 voices |
— |
| Lauda Sion, SV 225 (Monteverdi, Claudio) for 3 voices |
— |
| Out of the Deep (Tomkins, Thomas) for 4 voices and organ |
— |
| Eram quasi agnus (Viadana, Lodovico da) for 4 voices |
— |
| Missa brevis (Lotti, Antonio) for 4 voices |
— |
| Pour voir ensemble (Regnard, François) for 4 voices |
— |
| Rozette (Sweelinck, Jan Pieterszoon) for 4 voices |
— |
| Surgens Jesus Dominus noster, LV 127 (Lassus, Orlande de) for 5 voices |
— |
| Te Christe (Widor, Charles-Marie) for 4 voices and organ |
— |
| Ave verum, CG 155 (Gounod, Charles) for 5 voices and organ |
— |
| Beati eritis (Croce, Giovanni) for 4 voices |
— |
| Hodie completi sunt (Gabrieli, Andrea) for 4 voices |
— |
| Hodie beata virgo Maria (Arcadelt, Jacob) for 4 voices |
— |
| Amor Jesu dulcissime (Nanino, Giovanni Bernardino) for 4 voices and organ |
— |
| Factus est repente (Festa, Costanzo) for 4 voices |
— |
| Nemo te condemnavit (Cardoso, Manuel) for 5 voices |
— |
| Aquam quam ego dabo (Cardoso, Manuel) for 5 voices |
— |
| Intervestilulum et altare (Cristo, Pedro de) for 4 voices |
— |
| Magnificat octavi toni (Anerio, Giovanni Francesco) for 4 voices and continuo |
— |
| Jubilate Deo omnis terra, NJE 17.7 (Josquin Desprez) for 4 voices |
— |
| Clamabat autem mulier Chananæa (De Ceballos, Rodrigo) for 4 voices |
— |
| O beata Maria (Guerrero, Pedro) for 4 voices |
— |
| Per signum crucis (Guerrero, Francisco) for 4 voices |
— |
| Posuerunt super caput ejus (De Ceballos, Rodrigo) for 4 voices |
— |
| Sub tuum præsidium (Morales, Cristóbal de) for 4 voices |
— |
| Hoc est præceptum meum (Guerrero, Francisco) for 5 voices |
— |
| Regina cæli lætare (Escobar, Pedro) for 4 voices |
— |
| Versa est in luctum (Peñalosa, Francisco de) for 4 voices |
— |
| Vivo ego dicit Dominus (Lobo, Alonso) for 4 voices |
— |
| Je suis quasi prêt d’enrager (Castro, Jean de) for 3 voices |
— |
| Comme un qui prend (Clereau, Pierre) for 3 voices |
— |
| Sus approchez ces lèvres vermeillettes (Janequin, Clément) for 4 voices |
— |
| Un jour Robin vint Margot empoingner (Janequin, Clément) for 4 voices |
— |
| Ha, bel accueil (Boni, Guillaume) for 4 voices |
— |
| J’espère et crains (Boni, Guillaume) for 4 voices |
— |
| Ah! je meurs (Castro, Jean de) for 4 voices |
— |
| Las, je me plains (Regnard, François) for 4 voices |
— |
| L’amour, la mort et la vie (Janequin, Clément) for 4 voices |
— |
| Fretillarde amoureuse pucette (Anonymous) for 4 voices |
— |
| O beauté vainement (Anonymous) for 4 voices |
— |
| Que n’est elle aupres de moy (Certon, Pierre) for 4 voices |
— |
| Tyrcis vouloit mourir (Anonymous) for 4 voices |
— |
| Vous que l’amour n’a touchés de ce trait (Le Jeune, Claude) for 5 voices |
— |
| Adoramus te (Kerle, Jacobus de) for 4 voices |
— |
| Asperges me (Kerle, Jacobus de) for 4 voices |
— |
| Ave benignissime Jesu (Regnart, Jacob) for 4 voices |
— |
| Dies est lætitiæ (Regnart, Jacob) for 4 voices |
— |
| Surrexit Pastor bonus (Monte, Philippe de) for 5 voices |
— |
| Hodie nobis cœlorum Rex (Monte, Philippe de) for 6 voices |
— |
| Peccantem me quotidie (Monte, Philippe de) for 5 voices |
— |
| Et valde mane (Robert, Pierre) for 4 voices and continuo |
— |
| Regina cæli (Robert, Pierre) for 5 voices, violin and continuo |
— |
| Splendor æternæ gloriæ (Robert, Pierre) for 3 voices and continuo |
— |
Tristis est anima mea (Martini, Giovanni Battista) for 2 tenors and bass
male chorus |
— |
| Memorare dulcissime Jesu (Robert, Pierre) for 3 voices and continuo |
— |
| Lapidabant Stephanum (Erbach, Christian) for 4 voices |
— |
| Caligaverunt oculi mei (Haydn, Michael) for 4 voices |
— |
| Inter vestibulum et altare (Perti, Giacomo Antonio) for 4 voices |
— |
| Salvum fac populum tuum, Domine (Scarlatti, Alessandro) for 4 voices |
— |
| Non tarde veniet, LV 1051 (Lassus, Orlande de) for 4 voices |
— |
13 Sonatas, Op. 1 (Guerrieri, Agostino) for violin and continuo
harp and continuo
lute and continuo
harp, violin and continuo
lute, violin and continuo
2 violins and continuo
3 violins and continuo
lute, 2 violins and continuo
2 violins, viol and continuo |
— |
| Sancta Maria (Cherubini, Luigi) for 4 voices and organ |
— |
| Salve Regina (Perosi, Lorenzo) for voice and organ |
— |
| O Maria madre beata (Zandonai, Riccardo) for female chorus and organ |
— |
| Benedicam Dominum in omni tempore (Praetorius, Michael) for 6 voices and continuo |
— |
| Herr kehre dich wieder zu uns (Praetorius, Michael) for voice and continuo |
— |
| Nu komm der Heiden Heiland (Praetorius, Michael) for 2 voices and continuo |
— |
| Wie schön leuchtet der Morgenstern (Praetorius, Michael) for 5 voices |
— |
| Missa Cantorum, LV Anh.80 (Lassus, Orlande de) for 4 voices |
— |
Meslanges, Livre 1 (Le Jeune, Claude) for 4 voices
5 voices
6 voices
8 voices
10 voices |
selections |
Cantates françaises sur des sujets tirés de l’Écriture, Livre 1 (Jacquet de La Guerre, Elisabeth) for soprano and continuo
soprano, violin and continuo |
— |
| Sonate a tré, due violini, e violone col basso per l’organo (Avitrano, Giuseppe Antonio) for 2 violins, violone and continuo |
— |
| Jerusalem gaude (Handl, Jacob) for 6 voices |
— |
| Missa “Sine nomine” (4 voices) (Viadana, Lodovico da) for 4 voices |
— |
Sinfonie musicali (Viadana, Lodovico da) for continuo and 8 Unspecified instruments
organ and 8 Unspecified instruments |
— |
| O fortunata rosa (D'India, Sigismondo) for 5 voices |
— |
| O fortunata rosa (Giovannelli, Ruggiero) for 5 voices |
— |
| Deh, scoprite il bel seno (Nenna, Pomponio) for 5 voices |
— |
| Devrò dunque morire (Vitali, Filippo) for 5 voices |
— |
| Dovrò dunque morire (Dentice, Scipione) for 5 voices |
— |
| Dovrò dunque morire (Nenna, Pomponio) for 5 voices |
— |
| Morir non può il mio core (Cifra, Antonio) for 5 voices |
— |
| Non è di gentil core (Vitali, Filippo) for 5 voices |
— |
| Riede la primavera (Montela, Giovan Domenico) for 4 voices |
— |
| Sei tu mio cor che vai gridando (Giovannelli, Ruggiero) for 5 voices |
— |
| Ave maris stella (Mendelssohn, Felix) for soprano and orchestra |
parts |
| Trattenimenti per camera a 3, 4, 5 e 6 Strumenti, Op. 5 (Jacchini, Giuseppe Maria) for 2 trumpets, strings and continuo |
— |
| Sint dicte grates Christo (Verdelot, Philippe) for 7 voices |
— |
| Congregati sunt (Verdelot, Philippe) for 6 voices |
— |
| O dulcissime Domine Jesu (Verdelot, Philippe) for 5 voices |
— |
| Ave Sanctissima Maria (Verdelot, Philippe) for 6 voices |
— |
| Videns Dominus flentes sonores Lazari (Verdelot, Philippe) for 4 voices |
— |
| Gaudete omnes (Verdelot, Philippe) for 4 voices |
— |
| Laudate Dominum, RV 606 (Vivaldi, Antonio) for mixed chorus, strings and continuo |
— |
| In exitu Israel, RV 604 (Vivaldi, Antonio) for mixed chorus, strings and continuo |
parts |
| Missa Secunda (Hassler, Hans Leo) for 4 voices |
— |
| Responsoria, et alia ad officium Hebdomadæ Sanctæ spectantia (Gesualdo, Carlo) for 6 voices |
— |
| Mass in F major, Hob.XXII:1 (Haydn, Joseph) for 2 voices, mixed chorus and strings |
— |
| Trios de la Chambre (Lully, Jean-Baptiste) for continuo and 2 sopranos |
— |
| Spent' è d'amor, LV 371 (Lassus, Orlande de) for 5 voices |
— |
| Ben convenne, LV 373 (Lassus, Orlande de) for 5 voices |
— |
| Al dolce suon', LV 370 (Lassus, Orlande de) for 5 voices |
— |
| Ove d'altra montagna, LV 323 (Lassus, Orlande de) for 4 voices |
— |
| Pensier dicea che'l cor, LV 372 (Lassus, Orlande de) for 5 voices |
— |
| Domine, quando veneris, LV 351 (Lassus, Orlande de) for 5 voices |
— |
| Au Roi des rois, immortel, invisible (Sermisy, Claudin de) for 4 voices |
— |
La fiancée de Robin (Bourgault-Ducoudray, Louis-Albert) for soprano, mezzosoprano and alto
female chorus |
— |
| Vieille chanson (Fauré, Gabriel) for soprano, baritone and piano |
— |
Sancta Maria, succurre miseris, Op. 49 (Indy, Vincent d') for organ
harmonium |
— |
| Vive Henri IV (Roger-Ducasse, Jean) for |
— |
| Entre vous filles de quinze ans (Clemens non Papa, Jacobus) for 4 voices |
— |
| 6 Sonates à deux flûtes traversières sans basse, Op. 1 (Bourgoin, le cadet) for 2 flutes |
— |
| In die tribulationis (Morales, Cristóbal de) for 2 tenors and bass |
— |
| Sederunt in terra (Carpentras) for 3 voices |
— |
| Jaquin Jaquet (Clemens non Papa, Jacobus) for 4 voices |
— |
| Je ne me confesserai point (Mornable, Antoine) for 4 voices |
— |
| Martin menait son pourceau (Sermisy, Claudin de) for 4 voices |
— |
| O qu’heureuse est ma fortune (Bussy, Monsieur de) for 4 voices |
— |
| Si l’on doit prendre un bienfait pour offense (Gervaise, Claude) for 3 voices |
— |
| Have I found her (Bateson, Thomas) for 5 voices |
— |
| I Thought that Love, T 272 (Byrd, William) for 5 voices |
— |
| Noe pastores (Bouzignac, Guillaume) for 5 voices |
— |
Say Love, if ever Thou didst Find (Dowland, John) for 4 voices
voice and lute
voice, lute and viol
voice and viol
4 voices and lute
soprano, alto, tenor, bass and lute
2 voices and 2 lutes
2 lutes |
— |
| Stella refulget (Bouzignac, Guillaume) for 5 voices |
— |
| Comme lovers follow me (Morley, Thomas) for 4 voices |
— |
| Down in a Valley (Wilbye, John) for 5 voices |
— |
| Fusca in thy Starry Eyes (Tomkins, Thomas) for 5 voices |
— |
| Hope of my Heart (Ward, John) for 5 voices |
— |
| I will no more come to thee (Morley, Thomas) for 4 voices |
— |
| See the Shepherds’ Queen (Tomkins, Thomas) for 5 voices |
— |
Recueil de Motets anciens et modernes (Various) for 4 voices
mixed chorus |
— |
Songs of 3 parts from Songs of 3, 4, 5 and 6 parts (Tomkins, Thomas) for 3 voices
4 voices
5 voices
6 voices |
— |
| Morceaux choisis pour piano (Various) for piano |
— |
| La D’Esclignac (Balbastre, Claude-Bénigne) for harpsichord |
— |
| Salve regina misericordiæ (Obrecht, Jacob) for 6 voices |
— |
| Now Every Tree (Weelkes, Thomas) for 4 voices |
— |
| Say Gentle Nymphs (Morley, Thomas) for 4 voices |
— |
| Since My Tears and Lamenting (Morley, Thomas) for 4 voices |
— |
| Concertuum sacrorum (Scheidt, Samuel) for |
— |
| Jubilate Deo, Ch.16 (Gabrieli, Giovanni) for 8 voices |
— |
Beati immaculati, Ch.18 (Gabrieli, Giovanni) for 8 voices
8 voices and organ |
— |
| Laudate nomen Domini, Ch.19 (Gabrieli, Giovanni) for 8 voices |
— |
| Misericordias Domini, Ch.17 (Gabrieli, Giovanni) for 8 voices |
— |
| J’ai le rebours (Certon, Pierre) for 4 voices |
— |
| O dulce nomen (Moulinié, Étienne) for 5 voices and continuo |
— |
| Magnificat (Boesset, Jean-Baptiste) for 4 voices and continuo |
— |
| Veni sponsa, Vma Ms.571 (Anonymous) for 5 voices and continuo |
— |
| Verbum caro (Moulinié, Étienne) for 5 voices and continuo |
— |
18 String Trios (Haydn, Joseph) for 2 violins and cello
violin, viola and double bass |
parts |
| Beatus vir (Le Quoynte, Louis) for 3 voices, 2 violins, viola and organ |
— |
De profundis (Le Quoynte, Louis) for 3 voices, 2 violins, viola and organ
3 voices, 2 violins, viola and continuo |
— |
| Laudate Dominum (Le Quoynte, Louis) for 3 voices, 2 violins, viola and continuo |
— |
| Laudate pueri Dominum (Le Quoynte, Louis) for 3 voices, 2 violins, viola and continuo |
— |
Nocturno No. 1 in C major (Holzbauer, Ignaz) for flute, oboe, violin, viola, cello and double bass
flute, oboe, bassoon, violin, viola and double bass |
— |
| O Haupt voll Blut und Wunden (Mendelssohn, Felix) for 4 voices |
— |
| Secunda pars: Per illud ave from Benedicta es, coelorum regina, NJE 23.13 (Josquin Desprez) for 6 voices |
— |
| Exultate Deo (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Agnus Dei (Benet, John) for 3 voices |
— |
| Tenebræ factæ sunt (Van Weerbeke, Gaspar) for 4 voices |
— |
Quel fronte signorille (Dufay, Guillaume) for 3 voices
3 voices
2 voices
voice |
— |
| Jonas (Jacquet de La Guerre, Elisabeth) for voice, violin and continuo |
parts |
| Le Passage de la mer Rouge (Jacquet de La Guerre, Elisabeth) for voice, violin and continuo |
parts |
| Judith (Jacquet de La Guerre, Elisabeth) for voice, violin and continuo |
parts |
Cantates françoises à voix seule, avec symphonies. Livre premier (Stuck, Jean-Baptiste) for soprano, 2 violins and continuo
soprano, 2 violins, viola and continuo
soprano, flute, oboe, 2 violins and continuo
soprano, flute, 2 violins, viola and continuo |
— |
Pange lingua, SdB.40 (Brossard, Sébastien de) for soprano, 2 violins and continuo
soprano, bassoon, 2 violins and continuo |
parts |
O mysterium ineffabile, SdB.39 (Brossard, Sébastien de) for voice, 2 violins and continuo
voice, bassoon, 2 violins and continuo |
parts |
Lauda anima mea, SdB.41 (Brossard, Sébastien de) for baritone, 2 violins and continuo
baritone, bassoon, 2 violins and continuo |
— |
Fuge chara anima, SdB.42 (Brossard, Sébastien de) for alto, bassoon, 2 violins and continuo
alto, bassoon, 2 violins and organ
alto, 2 violins and continuo
alto, 2 violins and organ |
parts |
| In te Domine speravi (Gauzargues, Charles) for voices, mixed chorus and orchestra |
— |
| Sancta Maria virgo (Anonymous) for 3 voices |
— |
| Polyphonic Settings (Dunstaple, John) for 3 voices |
— |
| Chansons françaises à cinq voix (Arcadelt, Jacob) for 5 voices |
— |
Chansons polyphoniques (Sermisy, Claudin de) for 2 voices
3 voices
4 voices |
— |
Chansons polyphoniques (Sermisy, Claudin de) for 2 voices
3 voices
4 voices |
— |
Laudate Dominum (Robert, Pierre) for 7 voices, mixed chorus, strings and continuo
7 voices, mixed chorus, strings and organ |
— |
6 Villanelles (1555) (Lassus, Orlande de) for 4 voices
mixed chorus |
— |
| O Lucia miau miau, LV 101 (Lassus, Orlande de) for 3 voices |
— |
6 Sinfonie a due strumenti (Valvasensi, Lazaro) for cornett, trombone and continuo
guitar, violin and continuo
flute, violin and continuo |
— |
12 Sonate per 2 violini e basso continuo, Op. 2 (Vitali, Giovanni Battista) for 2 violins and continuo
2 violins, cello and organ |
— |
12 Sonate per 2 violini e basso continuo, Op. 2 (Vitali, Giovanni Battista) for 2 violins and continuo
2 violins, cello and organ |
— |
| Cantata morale 'Care selve beate', SdB.76 (Brossard, Sébastien de) for soprano, 2 violins and continuo |
— |
| Leandro, SdB.77 (Brossard, Sébastien de) for 3 voices, 2 violins and continuo |
— |
6 Sonatas, Op. 2 (Buterne, Charles) for soprano and continuo
vielle and continuo
musette and continuo
violin and continuo
flute and continuo
oboe and continuo
viol and continuo
2 sopranos
2 vielles
2 musettes
2 violins
2 flutes
2 oboes
2 viols |
parts |
| He that hath my commandments (Giles, Nathaniel) for 5 voices |
— |
| Messe des morts, H.10 (Charpentier, Marc-Antoine) for voices, mixed chorus and orchestra |
— |
| Suonate a due violini col suo basso continuo per l’organo, opera seconda (Albergati, Pirro Capacelli Conte) for 2 violins and continuo |
— |
Missus est angelus Gabriel, LV 218 (Lassus, Orlande de) for 5 voices
6 voices |
— |
Tantum ergo (Le Quoynte, Louis) for 2 sopranos, alto, tenor, bass and 5 Unspecified instruments
2 sopranos, alto, tenor, bass, 2 violins, viola, cello and organ |
— |
Confitebor tibi Domine (Le Quoynte, Louis) for 2 sopranos, alto, tenor, bass and 5 Unspecified instruments
2 sopranos, alto, tenor, bass, 2 violins, viola, cello and organ |
— |
Magnificat (Le Quoynte, Louis) for 2 sopranos, alto, tenor, bass and 5 Unspecified instruments
2 sopranos, alto, tenor, bass, 2 violins, viola, cello and organ |
— |
Le Bouquet (Dupuits, Jean-Baptiste) for voice, vielle and continuo
voice, flute and continuo
voice, continuo and soprano |
— |
| Pan et Syrinx (Dupuits, Jean-Baptiste) for voice, violin and continuo |
— |
Les faveurs du sommeil (Dupuits, Jean-Baptiste) for voice, flute and continuo
voice, violin and continuo |
— |
| L’Inconstance (Dupuits, Jean-Baptiste) for voice, violin and continuo |
— |
| Sonata No.1 from 6 Flute Sonatas (Lyon, Desmarais de) for flute and continuo |
— |
| Au premier jour du joly moys de may (Janequin, Clément) for 4 voices |
— |
| J’ay double dueil qui vivement me poinct (Janequin, Clément) for 4 voices |
— |
| O dur amour qui cueurs humains faict cuyre (Janequin, Clément) for 4 voices |
— |
| Ung pélerin que les Turcs avoient pris (Janequin, Clément) for 4 voices |
— |
| Un jour Catin (Janequin, Clément) for 4 voices |
— |
| Le triomphe de Bachus (Anonymous) for bass and orchestra |
— |
| Le renouveau (Koechlin, Charles) for soprano, alto, tenor and bass |
— |
| Ave verum (Ropartz, Guy) for 3 voices and organ |
— |
Ascende læta, RV 635 (Vivaldi, Antonio) for soprano, 2 violins, viola and continuo
soprano, strings and continuo |
— |
| Tout vient à poinct qui peult attendre (Ropartz, Guy) for female chorus |
— |
| Les fourriers d’esté sont venuz (Ropartz, Guy) for female chorus |
— |
| 6 Chansons populaires du Bourbonnais (Ropartz, Guy) for |
— |
| Au bois (Ropartz, Guy) for male chorus |
— |
| L’amour endormy (Anonymous) for 2 violins, continuo and bass |
— |
Assumpta est Maria (Aichinger, Gregor) for 3 voices
mixed chorus |
— |
6 Trio Sonatas, Op. 3 (Hasse, Johann Adolph) for 2 flutes and continuo
2 violins and continuo |
— |
| 11 Pièces latines à deux voix (Lassus, Orlande de) for 2 voices |
— |
| Audi filia (Scarlatti, Alessandro) for 5 voices and orchestra |
— |
| Pièces profanes à quatre voix (Josquin Desprez) for 4 voices |
— |
| Pièces profanes à quatre voix (Josquin Desprez) for 4 voices |
— |
| Pièces profanes à quatre voix (Josquin Desprez) for 4 voices |
— |
| Pièces profanes à quatre voix (Josquin Desprez) for 4 voices |
— |
Dixit Dominus a quattro voci concertato (Scarlatti, Alessandro) for soprano, alto, tenor, bass, mixed chorus, 3 violins and continuo
soprano, alto, tenor, bass, strings and continuo |
— |
| Cantata pastorale per la Nativita (Scarlatti, Alessandro) for voice, strings and continuo |
parts |
| Motet et Chansons (Attaingnant) (Passereau, Pierre) for 4 voices |
— |
Arrangement of Ave verum (Pergolesi, Giovanni Battista) for voice and piano
voice and organ |
— |
Deus noster refugium (Robert, Pierre) for 7 voices, mixed chorus, strings and continuo
7 voices, mixed chorus, strings and organ |
— |
| Quare fremuerunt gentes (Robert, Pierre) for 8 voices, mixed chorus, strings and continuo |
— |
| Pseaumes mis en musique à grand chœur (Campra, André) for voices, mixed chorus and orchestra |
— |
Sacrarum cantionum, Liber 6 (Waelrant, Hubert) for 5 voices
6 voices |
— |
| Une mosche de Bischaye, NJE 28.35 (Josquin Desprez) for 4 voices |
— |
Exaudiat te Dominus, LWV 77 No. 15 (Lully, Jean-Baptiste) for 5 voices, mixed chorus, strings and continuo
5 voices, mixed chorus and orchestra |
vocal score |
Notus in Judæa Deus (Lully, Jean-Baptiste) for voices, mixed chorus, strings and continuo
voices, mixed chorus and orchestra |
— |
| Sicut cervus ad fontes (Brossard, Sébastien de) for voice and continuo |
— |
| Antiphona in honorem beate Genovesae, H.29 (Charpentier, Marc-Antoine) for soprano and continuo |
— |
| Amor, senza il tuo dono (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Dunque divin spiracolo (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| O Manna saporito (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Signor, dammi scienza (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| O Jesu dolce (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Giammai non resti (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Quanto più t'offebd' io (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| S'io non Ti conoscessi (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Per questo, Signor mio (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| E tu, anima mia (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Non basta ch' una volta (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |
| Ma so ben, Signor mio (Palestrina, Giovanni Pierluigi da) for 5 voices |
— |