Compositions with Thomas Morley as composer

Title click for details	Creators	Key	Opus	Composed	Instrumentation	Period/style	Type
April is in My Mistress' Face (Aprill is in My Mistris Face)	Thomas Morley, composer			1594	4 voices	Renaissance	Madrigals
A Plain and Easy Introduction to Practical Music ({{TPtr}} :A plaine and easie introduction to practicall musicke, set down in forme of a dialogue, devided into three partes, the first teacheth to sing with all things necessary for the knowledge of prickt-song. The second treateth of descante and to sing two parts in one upon a plainsong or ground, with other things necessary for a descanter. The third and last part entreateth of composition of three, foure, five or more parts with many profitable rules to that effect. With new songs of 2, 3, 4, and 5 parts)	Thomas Morley, composer				voice 2 voices 3 voices 4 voices 5 voices 6 voices 8 voices	Renaissance	Music theory, Methods, Songs, Canons
The First Booke of Canzonets to Two Voyces	Thomas Morley, composer		RISM A/I: M 3701		2 voices 2 viols	Renaissance	Canzonets, Fantasias
Canzonets, or Little Short Songs to Three Voyces	Thomas Morley, composer		RISM A/I: M 3691		mixed chorus soprano, alto and bass	Renaissance	Canzonets
The service for the burial of the dead	Thomas Morley, composer				soprano, alto, tenor and bass	Renaissance	Anthems, Funeral music
Nolo mortem peccatoris	Thomas Morley, composer John Redford, librettist	D minor			mixed chorus soprano, alto, tenor and bass	Renaissance	Anthems
Arise, awake	Thomas Morley, composer	G major			soprano, alto, 2 tenors and bass	Renaissance	Madrigals
Aire for 3 viols	Thomas Morley, composer				3 viols	Renaissance	Airs
Mi sfidate guerrera	Thomas Morley, composer				5 voices 5 Unspecified instruments	Renaissance	Madrigals, Pieces
Sing We and Chaunt It	Thomas Morley, composer Michael Drayton, librettist	G major			5 voices	Renaissance	Balletts
Pavan and Galliard for 5 Viols	Thomas Morley, composer				5 viols	Renaissance	Pavans, Galliards
The First Booke of Ayres ({{TPtr}} :The first booke of ayres. Or Little short songs, to sing and play to the lute, with the base viole Newly published by Thomas Morley Bachiler of Musicke, and one of the gent. of her Maiesties Royall Chappel. )	Thomas Morley, composer William Shakespeare, librettist		RISM A/I: M 3711		voice, lute and viol	Renaissance	Airs, Songs
Alman	Thomas Morley, composer	C major	FVB 152		harpsichord	Renaissance	Allemandes
Canzonets or Little Short Aers to Five and Sixe Voices	Thomas Morley, composer		RISM A/I: M 3710		5 voices 6 voices mixed chorus	Renaissance	Canzonets, Airs
You That Won't, to My Pipe's Sound	Thomas Morley, composer Michael Drayton, librettist				5 voices	Renaissance	Balletts
Now is the Month of Maying	Thomas Morley, composer Michael Drayton, librettist				5 voices	Renaissance	Balletts
Dainty Fine Sweet Nymph	Thomas Morley, composer	G major			5 voices	Renaissance	Balletts
Shoot, False Love, I Care Not	Thomas Morley, composer				5 voices	Renaissance	Balletts
Clorinda False	Thomas Morley, composer	G minor		1594	4 voices	Renaissance	Madrigals
See, See, Myne Own Sweet Jewell	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets
Joy, Joy doth so Arise	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Whether Away So Fast	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Ladie, Those Eyes	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Crewell You Pull Away to Soone	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Hould Out My Hart	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
God Morrow, Fayre Ladies (God Morrow, Fayre Ladies of the May)	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Springtime Manteleth Every Bough	Thomas Morley, composer				mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Blow, Shepherds, Blow	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Deep Lamenting, Grief Betraying	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Farewell, Disdainfull	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Thirsis, Let Some Pittie Moue Thee	Thomas Morley, composer			1593	mixed chorus 2 sopranos and alto	Renaissance	Canzonets, Songs
Now Must I Dye	Thomas Morley, composer			1593	mixed chorus 2 sopranos and tenor	Renaissance	Canzonets, Songs
Lady, if I through Griefe	Thomas Morley, composer	D minor		1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Doe You Not Know?	Thomas Morley, composer	D minor		1593	mixed chorus soprano, alto and tenor	Renaissance	Canzonets, Songs
Where Art Thou, Wanton?	Thomas Morley, composer	F major		1593	mixed chorus 2 sopranos and alto	Renaissance	Canzonets, Songs
What Ayles My Darling?	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Say Deere, Will You Not Have Me?	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Arise, Get up My Deere	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Love Learnes by Laughing	Thomas Morley, composer			1602	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
This Love is But a Wanton Fit	Thomas Morley, composer			1602	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
O Sleep, Fond Fancy	Thomas Morley, composer			1602	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Cease Myne Eyes	Thomas Morley, composer			1593	mixed chorus soprano, alto and tenor	Renaissance	Canzonets, Songs
Though Philomena Lost Her Love	Thomas Morley, composer			1602	soprano, alto and bass mixed chorus	Renaissance	Canzonets
O Flye Not, O Take Some Pittie	Thomas Morley, composer			1593	mixed chorus soprano, alto and bass	Renaissance	Canzonets, Songs
Madrigals to 5 voyces	Thomas Morley, composer				5 voices	Renaissance	Madrigals
Madrigals to 4 voyces, Book 1 (Madrigals to foure voyces)	Thomas Morley, composer		RISM A/I: M 3695		soprano, alto, tenor and bass	Renaissance	Madrigals
The Triumphes of Oriana (Madrigales)	Thomas Morley, composer			1601	5 voices 6 voices	Renaissance	Madrigals
Consort Lessons, Book 1 (The First Booke of Consort Lessons, made by divers exquisite Authors, for 6 Instruments to play together, the Treble Lute, the Pandora, the Cittern, the Base-Violl, the Flute & Treble Violl)	Thomas Morley, composer				consort ensemble recorder, 2 lutes, cittern and 2 viols	Renaissance	Lessons
Sweet Nymphe come to thy lover	Thomas Morley, composer	F major		1595	2 sopranos	Renaissance	Canzonets
Fantasie à 2 'Il Doloroso'	Thomas Morley, composer	F major		1595	soprano and tenor	Renaissance	Fantasias
Fantasie à 2 'La Girandola'	Thomas Morley, composer			1595	2 sopranos	Renaissance	Fantasias
Fantasie à 2 'Il Rondinella'	Thomas Morley, composer			1595	soprano and tenor	Renaissance	Fantasias
Fantasie à 2 'La Sirena'	Thomas Morley, composer			1595	2 sopranos	Renaissance	Fantasias
About the Maypole	Thomas Morley, composer Michael Drayton, librettist				5 voices	Renaissance	Balletts
Leave Alas! This Tormenting	Thomas Morley, composer Michael Drayton, librettist				5 voices	Renaissance	Balletts
Lo, She Flies (Lo, She Flies When I Woo Her)	Thomas Morley, composer				5 voices mixed chorus	Renaissance	Balletts, Madrigals
My Bonny Lass She Smileth	Thomas Morley, composer Michael Drayton, librettist				5 voices	Renaissance	Balletts, Madrigals
Fire! Fire! (Fyer, Fyer!)	Thomas Morley, composer				5 voices mixed chorus	Renaissance	Balletts, Madrigals
Singing Alone	Thomas Morley, composer				5 voices mixed chorus	Renaissance	Balletts, Madrigals
No, No, Nigella	Thomas Morley, composer				5 voices mixed chorus	Renaissance	Balletts, Madrigals
I Saw My Lovely Phillis	Thomas Morley, composer				5 voices mixed chorus	Renaissance	Balletts, Madrigals
I Love, alas, I Love Thee (Innamorato sono)	Thomas Morley, composer				5 voices mixed chorus	Renaissance	Balletts, Madrigals
What Saith My Daintie Darling?	Thomas Morley, composer				5 voices mixed chorus	Renaissance	Balletts, Madrigals
Fantasia for keyboard (Fantasia)	Thomas Morley, composer		FVB 124		keyboard harpsichord organ	Renaissance	Fantasias
Fantasie à 2 'Il Grillo'	Thomas Morley, composer			1595	2 Unspecified instruments	Renaissance	Fantasias
Fantasie à 2 'Il Lamento'	Thomas Morley, composer			1595	2 Unspecified instruments	Renaissance	Fantasias
Go Ye My Canzonets	Thomas Morley, composer			1595		Renaissance	Canzonets
Fantasie à 2 'La Caccia'	Thomas Morley, composer			1595	2 Unspecified instruments	Renaissance	Fantasias
Fantasie à 2 'La Sampogna'	Thomas Morley, composer			1595	2 Unspecified instruments	Renaissance	Fantasias
Fantasie à 2 'La Torello' (La Tortorella)	Thomas Morley, composer			1595	2 Unspecified instruments	Renaissance	Fantasias
Eheu! Sustulerunt Dominum	Thomas Morley, composer				4 voices	Renaissance	Motets
Thus Saith My Galatea	Thomas Morley, composer				5 voices	Renaissance	Balletts
Laboravi in gemitu	Thomas Morley, composer				6 voices	Renaissance	Motets
Aria a quattro ('canon')	Thomas Morley, composer					Renaissance	Arias
Out of the Deep	Thomas Morley, composer				5 voices 6 voices	Renaissance	Anthems
Hard by a crystal fountain	Thomas Morley, composer	G major		1599	6 voices	Renaissance	Madrigals
When Lo by Break of Morning (When Loe, by Breake of Morning)	Thomas Morley, composer			1595		Renaissance	Canzonets
I Go before My Darling (I Goe before My Darling)	Thomas Morley, composer			1595		Renaissance	Canzonets
Miraculous Love's Wounding	Thomas Morley, composer			1595		Renaissance	Canzonets
Lo, here another Love (Lo Heere Another Love)	Thomas Morley, composer			1595		Renaissance	Canzonets
Leave now, Mine Eyes (Leave now, Mine Eyes Lamenting)	Thomas Morley, composer			1595		Renaissance	Canzonets
Fire and Lightning from Heaven (Fyre and Lightning)	Thomas Morley, composer			1595		Renaissance	Canzonets
Flora wilt Thou Torment Me? (Flora Wilt Thou Torment Mee?)	Thomas Morley, composer			1595		Renaissance	Canzonets
In Nets of Golden Wire (In Nets of Golden Wyers)	Thomas Morley, composer			1595		Renaissance	Canzonets
O Thou that art so Cruel (O Thou that art so Cruell)	Thomas Morley, composer			1595		Renaissance	Canzonets
I Should for Grief and Anguish (I Should for Greife)	Thomas Morley, composer			1595		Renaissance	Canzonets
It Was a Lover and His Lass	Thomas Morley, composer William Shakespeare, librettist	G major		1600	soprano, lute and viol	Renaissance	Songs
Nancie	Thomas Morley, composer	C major	FVB 12		keyboard harpsichord	Renaissance	Pieces
Goe from my window	Thomas Morley, composer	G major	FVB 9		keyboard	Renaissance	Pieces
Comme lovers follow me	Thomas Morley, composer				4 voices	Renaissance	Madrigals
I will no more come to thee	Thomas Morley, composer				4 voices	Renaissance	Madrigals
Say gentle nymps	Thomas Morley, composer				4 voices	Renaissance	Madrigals
Since my tears and lamenting	Thomas Morley, composer				4 voices	Renaissance	Madrigals
Pavana & Galiarda	Thomas Morley, composer	A minor	FVB 153-154		keyboard	Renaissance	Pavans, Galliards
Pavan & Galliarda	Thomas Morley, composer	F major	FVB 169-170		keyboard	Renaissance	Pavans, Galliards
La Volta	Thomas Morley, composer	G major	FVB 159		keyboard	Renaissance	Pieces
Besides a fountain	Thomas Morley, composer				4 voices	Renaissance	Madrigals
Why Sit I Here, Alas, Complaining?	Thomas Morley, composer			1594	4 voices	Renaissance	Madrigals
In Dew of Roses	Thomas Morley, composer			1594	4 voices	Renaissance	Madrigals
In Every Place	Thomas Morley, composer			1594	4 voices	Renaissance	Madrigals
Help, I Fall	Thomas Morley, composer			1594	4 voices	Renaissance	Madrigals