Works with Thomas Morley as composer
| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
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| April is in My Mistress' Face | Thomas Morley (composer) |  |
1594 | 4 voices |  |
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| A Plain and Easy Introduction to Practical Music | Thomas Morley (composer) | |
voice 2 voices 3 voices 4 voices 5 voices 6 voices 8 voices |
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| The First Booke of Canzonets to Two Voyces | Thomas Morley (composer) | |
RISM A/I: M 3701 | 2 voices 2 viols |
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| Canzonets, or Little Short Songs to Three Voyces | Thomas Morley (composer) | |
RISM A/I: M 3691 | mixed chorus soprano, alto and bass |
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| The service for the burial of the dead | Thomas Morley (composer) | |
soprano, alto, tenor and bass | |
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| Nolo mortem peccatoris | Thomas Morley (composer) and John Redford (librettist) | |
D minor | mixed chorus soprano, alto, tenor and bass |
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| Arise, awake | Thomas Morley (composer) | |
G major | soprano, alto, 2 tenors and bass | |
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| Aire for 3 viols | Thomas Morley (composer) | |
3 viols | |
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| Mi sfidate guerrera | Thomas Morley (composer) | |
5 voices 5 Unspecified instruments |
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| Sing We and Chaunt It | Thomas Morley (composer) and Michael Drayton (librettist) | |
G major | 5 voices | |
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| Pavan and Galliard for 5 Viols | Thomas Morley (composer) | |
5 viols | |
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| The First Booke of Ayres | Thomas Morley (composer) and William Shakespeare (librettist) | |
RISM A/I: M 3711 | voice, lute and viol | |
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| Alman | Thomas Morley (composer) | |
C major | FVB 152 | harpsichord | |
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| Canzonets or Little Short Aers to Five and Sixe Voices | Thomas Morley (composer) | |
RISM A/I: M 3710 | 5 voices 6 voices mixed chorus |
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| You That Won't, to My Pipe's Sound | Thomas Morley (composer) and Michael Drayton (librettist) | |
5 voices | |
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| Now is the Month of Maying | Thomas Morley (composer) and Michael Drayton (librettist) | |
5 voices | |
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| Dainty Fine Sweet Nymph | Thomas Morley (composer) | |
G major | 5 voices | |
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| Shoot, False Love, I Care Not | Thomas Morley (composer) | |
5 voices | |
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| Clorinda False | Thomas Morley (composer) | |
G minor | 1594 | 4 voices | |
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| See, See, Myne Own Sweet Jewell | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Joy, Joy doth so Arise | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Whether Away So Fast | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Ladie, Those Eyes | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Crewell You Pull Away to Soone | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Hould Out My Hart | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| God Morrow, Fayre Ladies | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Springtime Manteleth Every Bough | Thomas Morley (composer) | |
mixed chorus soprano, alto and bass |
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| Blow, Shepherds, Blow | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Deep Lamenting, Grief Betraying | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Farewell, Disdainfull | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Thirsis, Let Some Pittie Moue Thee | Thomas Morley (composer) | |
1593 | mixed chorus 2 sopranos and alto |
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| Now Must I Dye | Thomas Morley (composer) | |
1593 | mixed chorus 2 sopranos and tenor |
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| Lady, if I through Griefe | Thomas Morley (composer) | |
D minor | 1593 | mixed chorus soprano, alto and bass |
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| Doe You Not Know? | Thomas Morley (composer) | |
D minor | 1593 | mixed chorus soprano, alto and tenor |
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| Where Art Thou, Wanton? | Thomas Morley (composer) | |
F major | 1593 | mixed chorus 2 sopranos and alto |
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| What Ayles My Darling? | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Say Deere, Will You Not Have Me? | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Arise, Get up My Deere | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Love Learnes by Laughing | Thomas Morley (composer) | |
1602 | mixed chorus soprano, alto and bass |
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| This Love is But a Wanton Fit | Thomas Morley (composer) | |
1602 | mixed chorus soprano, alto and bass |
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| O Sleep, Fond Fancy | Thomas Morley (composer) | |
1602 | mixed chorus soprano, alto and bass |
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| Cease Myne Eyes | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and tenor |
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| Though Philomena Lost Her Love | Thomas Morley (composer) | |
1602 | soprano, alto and bass mixed chorus |
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| O Flye Not, O Take Some Pittie | Thomas Morley (composer) | |
1593 | mixed chorus soprano, alto and bass |
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| Madrigals to 5 voyces | Thomas Morley (composer) | |
5 voices | |
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| Madrigals to 4 voyces, Book 1 | Thomas Morley (composer) | |
RISM A/I: M 3695 | soprano, alto, tenor and bass | |
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| The Triumphes of Oriana | Thomas Morley (composer) | |
1601 | 5 voices 6 voices |
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| Consort Lessons, Book 1 | Thomas Morley (composer) | |
consort ensemble recorder, 2 lutes, cittern and 2 viols |
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| Sweet Nymphe come to thy lover | Thomas Morley (composer) | |
F major | 1595 | 2 sopranos | |
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| Fantasie à 2 'Il Doloroso' | Thomas Morley (composer) | |
F major | 1595 | soprano and tenor | |
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| Fantasie à 2 'La Girandola' | Thomas Morley (composer) | |
1595 | 2 sopranos | |
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| Fantasie à 2 'Il Rondinella' | Thomas Morley (composer) | |
1595 | soprano and tenor | |
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| Fantasie à 2 'La Sirena' | Thomas Morley (composer) | |
1595 | 2 sopranos | |
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| About the Maypole | Thomas Morley (composer) and Michael Drayton (librettist) | |
5 voices | |
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| Leave Alas! This Tormenting | Thomas Morley (composer) and Michael Drayton (librettist) | |
5 voices | |
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| Lo, She Flies | Thomas Morley (composer) | |
5 voices mixed chorus |
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| My Bonny Lass She Smileth | Thomas Morley (composer) and Michael Drayton (librettist) | |
5 voices | |
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| Fire! Fire! | Thomas Morley (composer) | |
5 voices mixed chorus |
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| Singing Alone | Thomas Morley (composer) | |
5 voices mixed chorus |
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| No, No, Nigella | Thomas Morley (composer) | |
5 voices mixed chorus |
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| I Saw My Lovely Phillis | Thomas Morley (composer) | |
5 voices mixed chorus |
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| I Love, alas, I Love Thee | Thomas Morley (composer) | |
5 voices mixed chorus |
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| What Saith My Daintie Darling? | Thomas Morley (composer) | |
5 voices mixed chorus |
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| Fantasia for keyboard | Thomas Morley (composer) | |
FVB 124 | keyboard harpsichord organ |
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| Fantasie à 2 'Il Grillo' | Thomas Morley (composer) | |
1595 | 2 Unspecified instruments | |
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| Fantasie à 2 'Il Lamento' | Thomas Morley (composer) | |
1595 | 2 Unspecified instruments | |
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| Go Ye My Canzonets | Thomas Morley (composer) | |
1595 | |
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| Fantasie à 2 'La Caccia' | Thomas Morley (composer) | |
1595 | 2 Unspecified instruments | |
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| Fantasie à 2 'La Sampogna' | Thomas Morley (composer) | |
1595 | 2 Unspecified instruments | |
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| Fantasie à 2 'La Torello' | Thomas Morley (composer) | |
1595 | 2 Unspecified instruments | |
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| Eheu! Sustulerunt Dominum | Thomas Morley (composer) | |
4 voices | |
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| Thus Saith My Galatea | Thomas Morley (composer) | |
5 voices | |
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| Laboravi in gemitu | Thomas Morley (composer) | |
6 voices | |
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| Aria a quattro ('canon') | Thomas Morley (composer) | |
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| Out of the Deep | Thomas Morley (composer) | |
5 voices 6 voices |
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| Hard by a crystal fountain | Thomas Morley (composer) | |
G major | 1599 | 6 voices | |
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| When Lo by Break of Morning | Thomas Morley (composer) | |
1595 | |
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| I Go before My Darling | Thomas Morley (composer) | |
1595 | |
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| Miraculous Love's Wounding | Thomas Morley (composer) | |
1595 | |
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| Lo, here another Love | Thomas Morley (composer) | |
1595 | |
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| Leave now, Mine Eyes | Thomas Morley (composer) | |
1595 | |
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| Fire and Lightning from Heaven | Thomas Morley (composer) | |
1595 | |
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| Flora wilt Thou Torment Me? | Thomas Morley (composer) | |
1595 | |
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| In Nets of Golden Wire | Thomas Morley (composer) | |
1595 | |
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| O Thou that art so Cruel | Thomas Morley (composer) | |
1595 | |
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| I Should for Grief and Anguish | Thomas Morley (composer) | |
1595 | |
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| It Was a Lover and His Lass | Thomas Morley (composer) and William Shakespeare (librettist) | |
G major | 1600 | soprano, lute and viol | |
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| Nancie | Thomas Morley (composer) | |
C major | FVB 12 | keyboard harpsichord |
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| Goe from my window | Thomas Morley (composer) | |
G major | FVB 9 | keyboard | |
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| Comme lovers follow me | Thomas Morley (composer) | |
4 voices | |
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| I will no more come to thee | Thomas Morley (composer) | |
4 voices | |
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| Say gentle nymps | Thomas Morley (composer) | |
4 voices | |
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| Since my tears and lamenting | Thomas Morley (composer) | |
4 voices | |
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| Pavana & Galiarda | Thomas Morley (composer) | |
A minor | FVB 153-154 | keyboard | |
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| Pavan & Galliarda | Thomas Morley (composer) | |
F major | FVB 169-170 | keyboard | |
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| La Volta | Thomas Morley (composer) | |
G major | FVB 159 | keyboard | |
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| Besides a fountain | Thomas Morley (composer) | |
4 voices | |
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| Why Sit I Here, Alas, Complaining? | Thomas Morley (composer) | |
1594 | 4 voices | |
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| In Dew of Roses | Thomas Morley (composer) | |
1594 | 4 voices | |
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| In Every Place | Thomas Morley (composer) | |
1594 | 4 voices | |
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| Help, I Fall | Thomas Morley (composer) | |
1594 | 4 voices | |
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