| Composition |
Attributes |
| L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) for soprano, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| 15 Inventions, BWV 772-786 (Bach, Johann Sebastian) for keyboard |
— |
| Aria: What though I trace (Act I, No.10) from Solomon, HWV 67 (Handel, George Frideric) for voices, mixed chorus and orchestra |
vocal score |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Aria: Ombra mai fu (Act I) from Serse, HWV 40 (Handel, George Frideric) for voices and orchestra |
vocal score |
| Aria: Dal fugor di questa spada from Giulio Cesare in Egitto, HWV 17 (Handel, George Frideric) for 2 sopranos, 4 altos, 2 basses and orchestra |
vocal score |
| Overture from Saul, HWV 53 (Handel, George Frideric) for voices, mixed chorus and orchestra |
parts |
| Saul, HWV 53 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Saul, HWV 53 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Air: If guiltless blood be your intent (Act II, Scene 4, No.44) from Susanna, HWV 66 (Handel, George Frideric) for voices, mixed chorus and orchestra |
vocal score |
| Athalia, HWV 52 (Handel, George Frideric) for 3 sopranos, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Belshazzar, HWV 61 (Handel, George Frideric) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
selections, vocal score |
| The Triumph of Time and Truth, HWV 71 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Deborah, HWV 51 (Handel, George Frideric) for 3 sopranos, 2 altos, tenor, 3 basses, mixed chorus and orchestra |
selections, vocal score |
| Alexander Balus, HWV 65 (Handel, George Frideric) for voices, mixed chorus and orchestra |
vocal score |
| Samson, HWV 57 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Samson, HWV 57 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| As with rosy steps the morn (Act I, Sc.4, No.18) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra |
vocal score |
| Angels, ever bright and fair (Act I, Sc.5, Nos.23-24) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra |
vocal score |
| Lord, to Thee each night and day (Act III, Sc.1, No.54) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra |
vocal score |
| Hercules, HWV 60 (Handel, George Frideric) for soprano, mezzosoprano, alto, tenor, bass and orchestra |
vocal score |
| Hercules, HWV 60 (Handel, George Frideric) for soprano, mezzosoprano, alto, tenor, bass and orchestra |
selections, vocal score |
| Israel in Egypt, HWV 54 (Handel, George Frideric) for soprano, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Judas Maccabaeus, HWV 63 (Handel, George Frideric) for soprano, mezzosoprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra |
selections, vocal score |
| Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra |
vocal score |
| Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Acis and Galatea, HWV 49 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Acis and Galatea, HWV 49 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Aria: Revenge, Timotheus cries (Act II, No.24) from Alexander's Feast, HWV 75 (Handel, George Frideric) for voices, mixed chorus and orchestra |
parts |
| Joshua, HWV 64 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
parts |
| Joshua, HWV 64 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Joshua, HWV 64 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| An Occasional Oratorio, HWV 62 (Handel, George Frideric) for 2 sopranos, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Esther, HWV 50b (Handel, George Frideric) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
selections, vocal score |
| Esther, HWV 50b (Handel, George Frideric) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra |
selections, vocal score |
| Jephtha, HWV 70 (Handel, George Frideric) for 2 sopranos, mezzosoprano, alto, tenor, bass, mixed chorus and orchestra |
selections, vocal score |
| Lotario, HWV 26 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
selections, vocal score |
| Aria: ''È prezzo leggiero'' from Poro, re dell'Indie, HWV 28 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
vocal score |
| Aria: ''Non lasciar'' from Floridante, HWV 14 (Handel, George Frideric) for 2 sopranos, 2 altos, 2 basses and orchestra |
vocal score |
| Admeto, HWV 22 (Handel, George Frideric) for voices, mixed chorus and orchestra |
selections, vocal score |
| Orlando, HWV 31 (Handel, George Frideric) for 2 sopranos, 2 altos, bass and orchestra |
selections, vocal score |
| Aria: 'Al sen ti stringo e parto' (Act III) from Ariodante, HWV 33 (Handel, George Frideric) for voices and orchestra |
vocal score |
| Aria: Sì, tra i ceppi from Berenice, HWV 38 (Handel, George Frideric) for 2 sopranos, 3 altos, tenor, bass and orchestra |
vocal score |
| Aria: ''Nel riposo e nel contento'' from Deidamia, HWV 42 (Handel, George Frideric) for 3 sopranos, alto, 2 basses and orchestra |
vocal score |
| Rodelinda, regina de' Longobardi, HWV 19 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
selections, vocal score |
| Radamisto, HWV 12 (Handel, George Frideric) for 7 voices and orchestra |
selections, vocal score |
| Radamisto, HWV 12 (Handel, George Frideric) for 7 voices and orchestra |
selections, vocal score |
| Cara sposa, amante cara (Act I) from Rinaldo, HWV 7a (Handel, George Frideric) for 3 sopranos, 2 altos, bass and orchestra |
vocal score |
| Alessandro, HWV 21 (Handel, George Frideric) for voices, male chorus and orchestra |
selections, vocal score |
| Aria: ''Tu mia speranza'' from Amadigi di Gaula, HWV 11 (Handel, George Frideric) for voices and orchestra |
vocal score |
| Aria: Lascia ch'io pianga (Act II) from Rinaldo, HWV 7b (Handel, George Frideric) for 3 sopranos, 2 altos, bass and orchestra |
vocal score |
| Ezio, HWV 29 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra |
vocal score |
| Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra |
selections, vocal score |
| Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra |
selections, vocal score |
| Mass in A major, BWV 234 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra |
vocal score |
| O Come, Let Us Sing unto the Lord, HWV 253 (Handel, George Frideric) for soprano, 2 tenors, mixed chorus and orchestra |
— |
| 80 Songs and Airs (Bach, Johann Sebastian) for voice and piano |
— |