Works with Ebenezer Prout as editor

Scores

Composition Attributes
L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) for soprano, tenor, bass, mixed chorus and orchestra selections, vocal score
15 Inventions, BWV 772-786 (Bach, Johann Sebastian) for keyboard
Aria: What though I trace (Act I, No.10) from Solomon, HWV 67 (Handel, George Frideric) for voices, mixed chorus and orchestra vocal score
Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra selections, vocal score
Messiah, HWV 56 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra selections, vocal score
Aria: Ombra mai fu (Act I) from Serse, HWV 40 (Handel, George Frideric) for voices and orchestra vocal score
Aria: Dal fugor di questa spada from Giulio Cesare in Egitto, HWV 17 (Handel, George Frideric) for 2 sopranos, 4 altos, 2 basses and orchestra vocal score
Overture from Saul, HWV 53 (Handel, George Frideric) for voices, mixed chorus and orchestra parts
Saul, HWV 53 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Saul, HWV 53 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Air: If guiltless blood be your intent (Act II, Scene 4, No.44) from Susanna, HWV 66 (Handel, George Frideric) for voices, mixed chorus and orchestra vocal score
Athalia, HWV 52 (Handel, George Frideric) for 3 sopranos, alto, tenor, bass, mixed chorus and orchestra selections, vocal score
Belshazzar, HWV 61 (Handel, George Frideric) for soprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra selections, vocal score
The Triumph of Time and Truth, HWV 71 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Deborah, HWV 51 (Handel, George Frideric) for 3 sopranos, 2 altos, tenor, 3 basses, mixed chorus and orchestra selections, vocal score
Alexander Balus, HWV 65 (Handel, George Frideric) for voices, mixed chorus and orchestra vocal score
Samson, HWV 57 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Samson, HWV 57 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
As with rosy steps the morn (Act I, Sc.4, No.18) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra vocal score
Angels, ever bright and fair (Act I, Sc.5, Nos.23-24) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra vocal score
Lord, to Thee each night and day (Act III, Sc.1, No.54) from Theodora, HWV 68 (Handel, George Frideric) for voices, mixed chorus and orchestra vocal score
Hercules, HWV 60 (Handel, George Frideric) for soprano, mezzosoprano, alto, tenor, bass and orchestra vocal score
Hercules, HWV 60 (Handel, George Frideric) for soprano, mezzosoprano, alto, tenor, bass and orchestra selections, vocal score
Israel in Egypt, HWV 54 (Handel, George Frideric) for soprano, alto, tenor, bass, mixed chorus and orchestra selections, vocal score
Judas Maccabaeus, HWV 63 (Handel, George Frideric) for soprano, mezzosoprano, 2 altos, tenor, 2 basses, mixed chorus and orchestra selections, vocal score
Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra vocal score
Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Semele, HWV 58 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Acis and Galatea, HWV 49 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Acis and Galatea, HWV 49 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Aria: Revenge, Timotheus cries (Act II, No.24) from Alexander's Feast, HWV 75 (Handel, George Frideric) for voices, mixed chorus and orchestra parts
Joshua, HWV 64 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra parts
Joshua, HWV 64 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra selections, vocal score
Joshua, HWV 64 (Handel, George Frideric) for 2 sopranos, alto, tenor, bass, mixed chorus and orchestra selections, vocal score
An Occasional Oratorio, HWV 62 (Handel, George Frideric) for 2 sopranos, tenor, bass, mixed chorus and orchestra selections, vocal score
Esther, HWV 50b (Handel, George Frideric) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra selections, vocal score
Esther, HWV 50b (Handel, George Frideric) for soprano, alto, 2 tenors, bass, mixed chorus and orchestra selections, vocal score
Jephtha, HWV 70 (Handel, George Frideric) for 2 sopranos, mezzosoprano, alto, tenor, bass, mixed chorus and orchestra selections, vocal score
Lotario, HWV 26 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra selections, vocal score
Aria: ''È prezzo leggiero'' from Poro, re dell'Indie, HWV 28 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra vocal score
Aria: ''Non lasciar'' from Floridante, HWV 14 (Handel, George Frideric) for 2 sopranos, 2 altos, 2 basses and orchestra vocal score
Admeto, HWV 22 (Handel, George Frideric) for voices, mixed chorus and orchestra selections, vocal score
Orlando, HWV 31 (Handel, George Frideric) for 2 sopranos, 2 altos, bass and orchestra selections, vocal score
Aria: 'Al sen ti stringo e parto' (Act III) from Ariodante, HWV 33 (Handel, George Frideric) for voices and orchestra vocal score
Aria: Sì, tra i ceppi from Berenice, HWV 38 (Handel, George Frideric) for 2 sopranos, 3 altos, tenor, bass and orchestra vocal score
Aria: ''Nel riposo e nel contento'' from Deidamia, HWV 42 (Handel, George Frideric) for 3 sopranos, alto, 2 basses and orchestra vocal score
Rodelinda, regina de' Longobardi, HWV 19 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra selections, vocal score
Radamisto, HWV 12 (Handel, George Frideric) for 7 voices and orchestra selections, vocal score
Radamisto, HWV 12 (Handel, George Frideric) for 7 voices and orchestra selections, vocal score
Cara sposa, amante cara (Act I) from Rinaldo, HWV 7a (Handel, George Frideric) for 3 sopranos, 2 altos, bass and orchestra vocal score
Alessandro, HWV 21 (Handel, George Frideric) for voices, male chorus and orchestra selections, vocal score
Aria: ''Tu mia speranza'' from Amadigi di Gaula, HWV 11 (Handel, George Frideric) for voices and orchestra vocal score
Aria: Lascia ch'io pianga (Act II) from Rinaldo, HWV 7b (Handel, George Frideric) for 3 sopranos, 2 altos, bass and orchestra vocal score
Ezio, HWV 29 (Handel, George Frideric) for soprano, 3 altos, tenor, bass and orchestra vocal score
Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra selections, vocal score
Alcina, HWV 34 (Handel, George Frideric) for voices and orchestra selections, vocal score
Mass in A major, BWV 234 (Bach, Johann Sebastian) for soprano, alto, bass, mixed chorus and orchestra vocal score
O Come, Let Us Sing unto the Lord, HWV 253 (Handel, George Frideric) for soprano, 2 tenors, mixed chorus and orchestra
80 Songs and Airs (Bach, Johann Sebastian) for voice and piano


©2025 David P. Anderson