| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Though Amaryllis Dance in Green | William Byrd, composer | mixed chorus 2 sopranos, alto, tenor and bass |
Renaissance | Songs | |||||
| This Sweet and Merry Month of May | William Byrd, composer | T 317 | 1590 | mixed chorus 2 sopranos, alto, 2 tenors and bass |
Renaissance | Madrigals | |||
| The Eagle's Force | William Byrd, composer | T 281 | 1611 | 2 sopranos and alto 2 sopranos and tenor |
Renaissance | Songs | |||
| Booke of Virginal Music | William Byrd, composer | 1591 | keyboard | Renaissance | Grounds, Marches, Galliards, Pavans, Voluntaries, Allemandes, Pieces | ||||
| Cantiones Sacrae I (Liber primus sacrarum cantionum) | William Byrd, composer | mixed chorus voices |
Renaissance | Sacred songs, Sacred choruses | |||||
| Mass for Five Voices | William Byrd, composer | T 3 | 1593 | soprano, alto, 2 tenors and bass | Renaissance | Masses | ![]() |
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| Second Service | William Byrd, composer | mixed chorus 2 sopranos, 2 altos, tenor, bass and organ |
Renaissance | Services | |||||
| The Great Service | William Byrd, composer | mixed chorus mixed chorus and organ |
Renaissance | Services | |||||
| Gradualia ac cantiones sacrae, Liber 2 (Gradualia: seu cantionum sacrarum, liber secundus) | William Byrd, composer | RISM A/I: B 5219 | 4 voices 5 voices 6 voices |
Renaissance | Graduals, Sacred songs | ![]() |
|||
| Mass for Four Voices | William Byrd, composer | T 1 | 1592 | soprano, alto, tenor and bass | Renaissance | Masses | ![]() |
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| Pavan and Two Galliards (The Earle of Salisbury) | William Byrd, composer | A minor | T 505 | 1613 | harpsichord | Renaissance | Pavans, Galliards | ![]() |
|
| Ave verum corpus | William Byrd, composer | G minor (?) | T 92 | mixed chorus soprano, alto, tenor and bass |
Renaissance | Hymns | ![]() |
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| Beata Virgo | William Byrd, composer | T 127 | 4 voices mixed chorus |
Renaissance | Sequences | ||||
| O magnum mysterium | William Byrd, composer | G major | mixed chorus soprano, alto, tenor and bass |
Baroque | Graduals, Motets | ![]() |
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| Ut, re, mi, fa, sol, la | William Byrd, composer | C major | T 525 | keyboard organ harpsichord |
Renaissance | Variations | |||
| Songs of Sundry Natures (Songs of Sundrie Natures) | William Byrd, composer | 3 voices 4 voices 5 voices 6 voices |
Renaissance | Songs | |||||
| Fantasias for 3 Viols | William Byrd, composer | 3 viols | Renaissance | Fantasias | |||||
| Of Flatt'ring Speech | William Byrd, composer George Whitney, librettist |
T 282 | 1611 | 3 voices | Renaissance | Songs | |||
| Gradualia ac cantiones sacrae, Liber 1 (Gradualia: ac cantiones sacrae, liber primus) | William Byrd, composer | RISM A/I: B 5217 | 1605 | 3 voices 4 voices 5 voices |
Renaissance | Graduals, Sacred songs | |||
| Callino Casturame | William Byrd, composer | C major | FVB 158 | keyboard harpsichord |
Renaissance | Variations | |||
| Mass for Three Voices | William Byrd, composer | T 2 | 1591 | soprano, tenor and bass | Renaissance | Masses | |||
| Come Jolly Swains | William Byrd, composer | 4 voices mixed chorus |
Renaissance | Songs | |||||
| In Nomine a 4 | William Byrd, composer | T 393 | 4 Unspecified instruments | Renaissance | In nomines | ||||
| Fantasias for 4 viols | William Byrd, composer | 4 viols | Renaissance | Fantasias | |||||
| Fantasia | William Byrd, composer | G major | T 456 | keyboard organ harpsichord |
Renaissance | Fantasias | |||
| Fantasias for 6 Viols | William Byrd, composer | 6 viols | Renaissance | Fantasias | |||||
| In Nomine a 5 | William Byrd, composer | T 399 | 5 Unspecified instruments | Renaissance | In nomines | ||||
| Ye sacred Muses | William Byrd, composer | 5 voices 5 viols |
Renaissance | Songs | |||||
| Constant Penelope | William Byrd, composer | voice 5 voices |
Renaissance | Songs | |||||
| Who Made Thee, Hob, Forsake the Plough (A Dialogue between two Shepherds) | William Byrd, composer | 6 voices 2 voices and 4 viols |
Renaissance | Songs | |||||
| Lullaby, My Sweet Little Baby | William Byrd, composer | voice 5 voices |
Renaissance | Lullabies | |||||
| My Mind to Me a Kingdom Is | William Byrd, composer Edward Dyer, librettist |
T 224 | voice 5 voices |
Renaissance | Songs | ||||
| Ne irascaris Domine (Behold, I Bring You ; Let Not Thy Wrath ; O Lord, Turn Thy Wrath) | William Byrd, composer | alto, 2 tenors and 2 basses mixed chorus |
Renaissance | Motets | |||||
| Psalmes, Songs, and Sonnets | William Byrd, composer | RISM A/I: B 5221 | 1611 | 3 voices 4 voices 5 voices 6 voices 3 viols 4 viols 5 viols 6 viols voice |
Renaissance | Psalms, Songs | |||
| Pavane | William Byrd, composer | keyboard | Baroque | Pavans | |||||
| Come, pretty babe | William Byrd, composer | voice and 4 viols | Baroque | Songs | |||||
| Content is rich | William Byrd, composer | voice and 4 viols | Baroque | Songs | |||||
| Fortune [My Foe] (Farewell My Delight) | William Byrd, composer | G minor | T 459 | keyboard harpsichord |
Renaissance | Variations | |||
| Pavan 'Ph. Tr.' and Galiard | William Byrd, composer | F major | T 506 | keyboard harpsichord |
Renaissance | Galliards | |||
| Coranto, FVB 218 (The First French Coranto*) | William Byrd, composer | A minor | T 449 | keyboard harpsichord |
Renaissance | Courantes | |||
| Memento homo (O Lord Give Ear) | William Byrd, composer | 6 voices | Renaissance | Motets | |||||
| Sing Joyfully Unto God Our Strength (Blow the Trumpet) | William Byrd, composer | 2 sopranos, 2 altos, tenor and bass 2 altos, 2 tenors and 2 basses mixed chorus |
Renaissance | Psalms, Anthems | |||||
| Pavana 'Bray' and Galiard | William Byrd, composer | D major | T 499 | keyboard harpsichord |
Renaissance | Galliards | |||
| When I Was Otherwise | William Byrd, composer | 5 voices mixed chorus |
Renaissance | Songs | |||||
| Methought of Late | William Byrd, composer | voice and 4 viols | Renaissance | Songs | |||||
| My Little Sweet Darling | William Byrd, composer | voice and 4 viols | Renaissance | Songs | |||||
| Susanna Fair (Susanna Faire Sometime Assaulted Was) | William Byrd, composer | T 239 | voice 5 voices |
Renaissance | Songs | ||||
| Why Do I Use My Paper Ink and Pen? | William Byrd, composer | voice 5 voices |
Renaissance | Songs | |||||
| From Virgin's Womb | William Byrd, composer | T 263 | 5 voices | Renaissance | Carols | ||||
| A Gigg (Jig) | William Byrd, composer | A minor | FVB 181 | harpsichord | Renaissance | Gigues | |||
| My Lord of Oxenfords Maske | William Byrd, composer | keyboard | Renaissance | Marches | |||||
| Qui Passe (for my ladye nevell) | William Byrd, composer | keyboard | Renaissance | Pieces | |||||
| Galliarda | William Byrd, composer | A minor | FVB 175 | keyboard harpsichord |
Renaissance | Galliards | |||
| Fantasia a 6 (Fantazia No.2) | William Byrd, composer | G minor | T 389 | 6 viols 6 Unspecified instruments |
Renaissance | Fantasias | |||
| Fantasia a 6 (Fantazia No.1) | William Byrd, composer | T 390 | 6 viols 6 Unspecified instruments |
Renaissance | Fantasias | ||||
| Christ rising again/Christ is risen again | William Byrd, composer | 6 voices | Renaissance | Sacred songs, Anthems | |||||
| Descendit de coelis | William Byrd, composer | T 48 | 6 voices | Renaissance | Motets | ||||
| Laudate pueri Dominum | William Byrd, composer | 6 voices | Renaissance | Psalms | |||||
| Solve jubente Deo | William Byrd, composer | 6 voices | Renaissance | Graduals | |||||
| If in thine heart | William Byrd, composer | 6 voices | Renaissance | Songs | |||||
| Monsieur's Alman & Variatio | William Byrd, composer | G major | T 433 | harpsichord | Renaissance | Allemandes | |||
| In Fields Abroad | William Byrd, composer | F major | T 232 | 1570 | 5 voices voice |
Renaissance | Songs | ||
| O That Most Rare Breast | William Byrd, composer | G minor | 1586 | voice 5 voices |
Renaissance | Songs | |||
| While Phoebus Us'd to Dwell | William Byrd, composer | D minor | 1570 | voice and 4 Unspecified instruments | Renaissance | Songs | |||
| Where Fancy Fond | William Byrd, composer | C major | voice 5 voices |
Renaissance | Songs | ||||
| If women could be fair | William Byrd, composer | 5 voices voice |
Renaissance | Songs | |||||
| La Verginella | William Byrd, composer Lodovico Ariosto, librettist |
G minor | T 234 | voice 5 voices |
Renaissance | Songs | |||
| Who Likes to Love | William Byrd, composer | voice 5 voices |
Renaissance | Songs | |||||
| I Joy Not in no Earthly Bliss | William Byrd, composer | T 221 | voice and 4 Unspecified instruments 5 voices |
Renaissance | Songs | ||||
| Come to me, grief, for ever | William Byrd, composer | G minor | 1586 | voice 5 voices |
Renaissance | Songs | |||
| Venite exultemus Domino | William Byrd, composer | T 164 | 1607 | 6 voices | Renaissance | Psalms, Motets | |||
| Laudate Dominum omnes gentes | William Byrd, composer | T 163 | 6 voices | Renaissance | Sacred songs | ||||
| Galliard Mistress Mary Brownlo (Galiardo Mris Marye Brownlo) | William Byrd, composer | C major | T 460 | 1613 | harpsichord | Renaissance | Galliards | ||
| Pavan and Galliard 'Sir William Petre' (The Tenth Pavan and its Galliard) | William Byrd, composer | G minor | T 498 | 1611 | harpsichord | Renaissance | Pavans, Galliards | ||
| The Carman's Whistle (The Whistlinge Carman) | William Byrd, composer | C major | T 444 | keyboard harpsichord |
Renaissance | Pieces | |||
| Lady Montegle's Paven (Lady Monteagle's Pavan) | William Byrd, composer | G major | T 503 | keyboard harpsichord |
Renaissance | Pavans | |||
| Fantasia | William Byrd, composer | G major | T 457 | harpsichord organ |
Renaissance | Fantasias | |||
| Dies sanctificatus | William Byrd, composer | 4 voices | Renaissance | Graduals | |||||
| Out of the orient crystal skies | William Byrd, composer | voice and 4 viols | Renaissance | Songs | |||||
| The Queen's Alman (The Queenes alman) | William Byrd, composer | G minor | T 436 | keyboard harpsichord |
Renaissance | Allemandes | |||
| Justorum animae | William Byrd, composer | T 86 | 5 voices | Renaissance | Motets, Sacred songs | ||||
| My Ladye Nevells Grownde | William Byrd, composer | T 469 | 1591 | harpsichord | Renaissance | Grounds | |||
| O admirabile commercium (O admirabile commertium) | William Byrd, composer | T 125 | 1607 | 4 voices | Renaissance | Graduals, Motets | |||
| Ah silly Soul | William Byrd, composer | T 307 | 1611 | voice and 5 viols | Renaissance | Songs | |||
| Whyle that the Sunne | William Byrd, composer | 4 voices | Renaissance | Songs | |||||
| Psalmes, Sonets and Songs ({{TPtr}} :Psalmes, sonets, & songs of sadnes and pietie, made into musicke of fiue parts : whereof, some of them going abroad among diuers, in vntrue coppies, are heere truely corrected, and th [sic] other being songs very rare & newly composed, are heere published, for the recreation of all such as delight in musick) | William Byrd, composer | 5 voices | Renaissance | Psalms, Songs | |||||
| Unto the Hills Mine Eyes I Lift | William Byrd, composer | 6 voices | Renaissance | Anthems | |||||
| Quodcunque ligaveris | William Byrd, composer | 6 voices | Renaissance | Sacred songs, Motets | |||||
| Deo gratias | William Byrd, composer | T 107 | 1605 | 4 voices | Renaissance | Motets | |||
| Ego sum panis vivus | William Byrd, composer | T 135 | 1607 | 4 voices | Renaissance | Sacred songs | |||
| How Vain the Toils (In Vain the Toils) | William Byrd, composer | T 308 | 1611 | voice and 5 viols | Renaissance | Sacred songs | |||
| Be unto Me | William Byrd, composer | 4 voices | Renaissance | Sacred songs | |||||
| From Citheron the Warlike Boy is Fled | William Byrd, composer | 4 voices | Renaissance | Madrigals | |||||
| The Battell | William Byrd, composer | T 485, 441, 463 | 1581 | keyboard | Renaissance | Pieces | |||
| Hodie Simon Petrus | William Byrd, composer | T 160 | 1607 | 6 voices | Renaissance | Motets, Antiphons | |||
| Afflicti pro peccatis | William Byrd, composer | 6 voices | Renaissance | Motets | |||||
| Praise Our Lord all Ye Gentiles | William Byrd, composer | T 305 | 1611 | 6 voices | Renaissance | Psalms | |||
| Miserere mihi Domine | William Byrd, composer | 6 voices | Renaissance | Miserere | |||||
| O God that Guides the Cheerful Sun (A Carol for New Year's Day) | William Byrd, composer | 1611 | 6 voices | Renaissance | Carols, Anthems | ||||
| The Bells | William Byrd, composer | C major | T 442 | keyboard harpsichord |
Renaissance | Pieces | |||
| Triumph, with Pleasant Melody | William Byrd, composer | 1580 | 5 voices | Renaissance | Songs | ||||
| Lord in Thy Wrath Reprove Me Not | William Byrd, composer | T 218 | 1580 | 4 voices | Renaissance | Psalms | |||
| Care for thy Soul | William Byrd, composer | 1580 | 5 voices | Renaissance | Songs | ||||
| Prostrate, O Lord, I lie | William Byrd, composer | voice and 4 Unspecified instruments | Renaissance | Psalms | |||||
| Lord Hear My Prayer | William Byrd, composer | T 249 | 3 voices | Renaissance | Songs | ||||
| Lord in thy Rage | William Byrd, composer | T 245 | soprano, alto and tenor | Renaissance | Psalms | ||||
| Right blest are they | William Byrd, composer | T 246 | 3 voices | Renaissance | Songs | ||||
| Lord in Thy Wrath Correct Me Not | William Byrd, composer | T 247 | 3 voices | Renaissance | Sacred songs | ||||
| O God which art most merciful | William Byrd, composer | T 248 | 3 voices | Renaissance | Sacred songs | ||||
| From Depth of Sin | William Byrd, composer | T 251 | 3 voices | Renaissance | Sacred songs | ||||
| Susanna Fayre | William Byrd, composer | T 253 | 3 voices | Renaissance | Songs | ||||
| The Nightingale | William Byrd, composer | T 254 | 3 voices | Renaissance | Songs | ||||
| Upon a Summer's Day | William Byrd, composer | T 256 | 3 voices | Renaissance | Songs | ||||
| When Younglings First | William Byrd, composer | T 255 | 3 voices | Renaissance | Songs | ||||
| Attend mine Humble Prayer | William Byrd, composer | T 251 | 3 voices | Renaissance | Songs | ||||
| The Greedy Hawk | William Byrd, composer Geoffrey Whitney, librettist |
T 256/262 | 3 voices | Renaissance | Songs | ||||
| Constitues eos principes | William Byrd, composer | T 157 | 1607 | 6 voices | Renaissance | Graduals, Sacred songs, Offertories | |||
| Tu es Petrus | William Byrd, composer | T 159 | 1607 | 6 voices | Renaissance | Graduals, Sacred songs, Motets | |||
| Jesu nostra redemptio | William Byrd, composer | T 137 | 1607 | 4 voices | Renaissance | Sacred songs, Motets | |||
| Puer natus est nobis | William Byrd, composer | T 119 | 1607 | 4 voices | Renaissance | Graduals, Sacred songs | |||
| Emendemus in melius | William Byrd, composer | 5 voices | Renaissance | Responsories | |||||
| Preludium a 5 | William Byrd, composer | T 386 | 5 Unspecified instruments 5 viols |
Renaissance | Preludes | ||||
| In Nomine a 5 | William Byrd, composer | T 396 | 5 Unspecified instruments | Renaissance | In nomines | ||||
| In Nomine a 5 | William Byrd, composer | T 397 | 5 Unspecified instruments | Renaissance | In nomines | ||||
| In Nomine a 5 | William Byrd, composer | T 398 | 5 Unspecified instruments | Renaissance | In nomines | ||||
| In Nomine a 5 | William Byrd, composer | T 395 | 5 Unspecified instruments | Renaissance | In nomines | ||||
| Beata viscera Mariæ Virginis | William Byrd, composer | T 66 | 5 voices | Renaissance | Sacred songs | ||||
| 14 Pieces for Keyed Instruments | William Byrd, composer | various | 1623 | keyboard | Renaissance | Pieces | |||
| O Mistress Mine (O Mistris Myne) | William Byrd, composer | G major | T 488 | keyboard harpsichord |
Renaissance | Pieces | |||
| Memento salutis auctor | William Byrd, composer | T 110 | 3 voices | Renaissance | Sacred songs | ||||
| Viderunt omnes | William Byrd, composer | T 120 | 4 voices | Renaissance | Sacred songs | ||||
| Alleluia, Cognoverunt discipuli | William Byrd, composer | T 134 | 4 voices | Renaissance | Sacred songs | ||||
| Hodie Christus natus est | William Byrd, composer | T 124 | 4 voices | Renaissance | Sacred songs | ||||
| O quam suavis | William Byrd, composer | T 136 | 4 voices | Renaissance | Sacred songs | ||||
| Viderunt omnes (Viderunt omnes fines terrae) | William Byrd, composer | T 123 | 4 voices | Renaissance | Sacred songs | ||||
| Tui sunt coeli | William Byrd, composer | T 122 | 4 voices | Renaissance | Offertories, Motets | ||||
| Quem terra, pontus | William Byrd, composer | T 108 | 3 voices | Renaissance | Sacred songs | ||||
| O gloriosa Domina | William Byrd, composer | T 109 | 3 voices | Renaissance | Sacred songs | ||||
| Ave maris stella | William Byrd, composer | T 111 | 3 voices | Renaissance | Sacred songs | ||||
| Regina coeli | William Byrd, composer | T 112 | 3 voices | Renaissance | Sacred songs | ||||
| Alleluia, Verspere autem | William Byrd, composer | T 113 | 3 voices | Renaissance | Sacred songs | ||||
| Angelus Domini descendit | William Byrd, composer | T 115 | 3 voices | Renaissance | Sacred songs | ||||
| Post dies octo | William Byrd, composer | T 116 | 3 voices | Renaissance | Sacred songs | ||||
| Turbarum voces | William Byrd, composer | T 117 | 3 voices | Renaissance | Sacred songs | ||||
| Hodie beata Virgo | William Byrd, composer | T 106 | 4 voices | Renaissance | Motets | ||||
| Senex puerum portabat | William Byrd, composer | T 105 | 4 voices | Renaissance | Motets | ||||
| Salve sola Dei genetrix | William Byrd, composer | T 104 | 4 voices | Renaissance | Motets | ||||
| Ave Regina caelorum | William Byrd, composer | T 101 | 4 voices | Renaissance | Motets | ||||
| Alma Redemptoris Mater | William Byrd, composer | T 100 | 4 voices | Renaissance | Motets | ||||
| Haec dies | William Byrd, composer | T 114 | 3 voices | Renaissance | Sacred songs | ||||
| Adorna thalamum tuum | William Byrd, composer | 1605 | 3 voices | Renaissance | Sacred songs | ||||
| In manus tuas | William Byrd, composer | T 102 | 4 voices | Renaissance | Motets | ![]() |
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| Laetania | William Byrd, composer | T 103 | 4 voices | Renaissance | Motets | ||||
| Is Love a Boy? | William Byrd, composer | T 258 | 4 voices | Renaissance | Songs | ||||
| O lux beata Trinitas | William Byrd, composer | 6 voices | Renaissance | Motets | |||||
| Aspice Domine (Aspice Domine quia facta) | William Byrd, composer | T 7 | 6 voices | Renaissance | Motets | ||||
| O Lord My God | William Byrd, composer | G minor | 1589 | 4 voices | Renaissance | Sacred songs, Anthems | |||
| A feigned friend | William Byrd, composer | 4 voices 4 viols |
Renaissance | Songs | |||||
| Miserere mei Deus | William Byrd, composer | 5 voices | Renaissance | Motets, Psalms | |||||
| Fair Britain Isle (An Elegy for Henry, Prince of Wales, d. 1612) | William Byrd, composer | voice and 4 viols | Renaissance | Elegies | |||||
| Prelude in C major (Preludium) | William Byrd, composer | C major | T 517 | 1613 | harpsichord organ keyboard |
Renaissance | Preludes | ||
| Prelude in G minor (Preludium) | William Byrd, composer | G minor | T 515 | 1613 | keyboard harpsichord |
Renaissance | Preludes | ||
| As I beheld I saw a herdman wild | William Byrd, composer | 5 voices | Renaissance | Songs | |||||
| Libera me, Domine, et pone me juxta te | William Byrd, composer | T 18 | 1575 | 5 voices | Renaissance | Sacred songs | |||
| Gaudeamus omnes in Domino (All Saints) (In festo omnium Sanctorum) | William Byrd, composer Catholic Liturgy, librettist |
F major | 5 voices | Renaissance | Sacred songs | ||||
| Jhon come kisse me now (John Come Kiss Me Now) | William Byrd, composer | G major | T 480 - FVB 10 | keyboard harpsichord |
Renaissance | Variations | |||
| Miserere in 3 parts (Miserere in 3 parts Clarifica me pater*) | William Byrd, composer | A minor | T 447 | keyboard organ harpsichord |
Renaissance | Pieces | |||
| I Thought that Love | William Byrd, composer | T 272 | 5 voices | Renaissance | Songs | ||||
| Sellinger's Round (Sellenger's Round) | William Byrd, composer | G major | FVB 64 | keyboard | Renaissance | Variations | |||
| The Hunt's Up | William Byrd, composer | C major | FVB 59 | keyboard | Renaissance | Pieces | |||
| Pavana & Galiardas 'Passamezzo' (Pavana Passamezzo - Galiardas Passamezzo) | William Byrd, composer | G minor | FVB 56-57 | keyboard | Renaissance | Pavans, Galliards, Passamezzos | |||
| Fantasia | William Byrd, composer | A minor | FVB 100 & 52 | keyboard | Renaissance | Fantasias | |||
| Alman | William Byrd, composer | C major | FVB 63 | keyboard | Renaissance | Allemandes | |||
| All in a Garden Green | William Byrd, composer | D minor | FVB 104 | keyboard | Renaissance | Pieces | |||
| The Woods So Wild | William Byrd, composer | FVB 67 | 1590 | keyboard | Renaissance | Pieces | |||
| Tregian's Ground (Treg[ian's] Ground) | William Byrd, composer | A minor | FVB 60 | keyboard | Renaissance | Grounds | |||
| Ut, mi, re ((Fantasia)) | William Byrd, composer | C major | FVB 102 | keyboard | Renaissance | Pieces | |||
| Walsingham | William Byrd, composer | G minor | FVB 68 | keyboard | Renaissance | Pieces | |||
| Fantasia | William Byrd, composer | C major | FVB 103 | keyboard | Renaissance | Fantasias | |||
| Galliard | William Byrd, composer | D minor | FVB 164 | keyboard | Renaissance | Galliards | |||
| Malt's come downe | William Byrd, composer | G major | FVB 150 | keyboard | Renaissance | Pieces | |||
| The Maydens Song | William Byrd, composer | G major | FVB 126 | keyboard | Renaissance | Songs | |||
| A Medley | William Byrd, composer | F major | FVB 173 | keyboard | Renaissance | Pieces | |||
| The Ghost | William Byrd, composer | G major | FVB 162 | keyboard harpsichord |
Renaissance | Pieces | |||
| Pavana & Galliarda | William Byrd, composer | G minor | FVB 165-166 | keyboard | Renaissance | Pavans, Galliards | |||
| Pavana & Galliarda | William Byrd, composer | A minor | FVB 174-175 | keyboard | Renaissance | Pavans, Galliards | |||
| Alman | William Byrd, composer | G major | FVB 156 | keyboard | Renaissance | Allemandes | |||
| The Quadran Paven & Galiard to the Quadran Paven | William Byrd, composer | G major | FVB 133-134 | keyboard | Renaissance | Pavans, Galliards | |||
| Alman | William Byrd, composer | G minor | FVB 163 | keyboard | Renaissance | Allemandes | |||
| Rowland | William Byrd, composer | G minor | FVB 160 | keyboard | Renaissance | Pieces | |||
| Miserere a 4 (Miserere in 4 parts) | William Byrd, composer | D minor | FVB 177 | keyboard | Renaissance | Miserere | |||
| La Volta | William Byrd, composer | G major | FVB 155 | keyboard | Renaissance | Pieces | |||
| Wolseys Wilde | William Byrd, composer | C major | FVB 157 | keyboard | Renaissance | Pieces | ![]() |
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| Pavana & Galiarda | William Byrd, composer | C minor | FVB 167-168 | keyboard | Renaissance | Pavans, Galliards | |||
| Sr. Jhon Grayes Galiard (Sir John Grayes Galiard) | William Byrd, composer | D minor | FVB 191 | keyboard | Renaissance | Galliards | |||
| Gipseis Round (Gipsei's Round) | William Byrd, composer | FVB 216 | keyboard | Renaissance | Rondos | ||||
| Coranto | William Byrd, composer | C major | FVB 241 | keyboard | Renaissance | Courantes | |||
| The Earle of Oxfords Marche | William Byrd, composer | G major | FVB 259 | keyboard | Renaissance | Marches | |||
| Pavana & Galiarda | William Byrd, composer | A minor | FVB 252-253 | keyboard | Renaissance | Pavans, Galliards | |||
| Pavana & Galiarda | William Byrd, composer | D minor | FVB 254-255 | keyboard | Renaissance | Pavans, Galliards | |||
| Pavana Fantasia & Galiarda | William Byrd, composer | G major | FVB 257-258 | keyboard | Renaissance | Pavans, Fantasias, Galliards | |||
| Pavana | William Byrd, composer | C major | FVB 256 | keyboard | Renaissance | Pavans | |||
| Pavana. Canon (Pavana. Canon. Two parts in one) | William Byrd, composer | G major | FVB 275 | keyboard | Renaissance | Pavans, Canons | |||
| Pescodd Time | William Byrd, composer | C major | FVB 276 | keyboard | Renaissance | Pieces | |||
| Vigilate, T 27 | William Byrd, composer | 5 voices | Renaissance | Motets | |||||
| O sacrum convivium | William Byrd, composer | 4 voices | Renaissance | Antiphons | |||||
| Browning (The Leaves be Green) | William Byrd, composer | T 387 | 5 viols | Renaissance | Variations | ||||
| Christus resurgens | William Byrd, composer | 4 voices | Renaissance | Sacred songs | |||||
| Have mercy upon me O God | William Byrd, composer | 6 voices and 4 viols | Renaissance | Psalms, Anthems | |||||
| Peccantem me quotidie | William Byrd, composer | 5 voices | Renaissance | Sacred songs | |||||
| How long shall mine enemies | William Byrd, composer | 5 voices | Renaissance | Anthems, Psalms | |||||
| Tristitia et anxietas | William Byrd, composer | 5 voices | Renaissance | Sacred songs, Motets | |||||
| Pavans for Consort Reconstructions | William Byrd, composer | Renaissance | Pavans | ||||||
| Passione Domine secundum Joannem | William Byrd, composer | 3 voices | Renaissance | Passions | |||||
| I will give laud | William Byrd, composer | lute | Renaissance | Pieces | |||||
| Deus, venerunt gentes | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Domine tu jurasti | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Salve Regina | William Byrd, composer Catholic Liturgy, librettist |
2 altos, 2 tenors and bass | Renaissance | Motets, Sacred songs | |||||
| Siderum rector | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Da mihi auxilium | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Diliges Dominum Deum | William Byrd, composer | 8 voices | Renaissance | Sacred songs, Motets | |||||
| Infelix ego | William Byrd, composer Girolamo Savonarola, librettist |
6 voices | Renaissance | Motets, Sacred songs | |||||
| Attollite portas principes vestras | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Tribue Domine | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Libera me, Domine, de morte aeterna | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| This day Christ was born (A Carol for Christmas Day) | William Byrd, composer | 6 voices | Renaissance | Carols, Sacred songs | |||||
| Domine secundum actum meum | William Byrd, composer | 6 voices | Renaissance | Motets, Sacred songs | |||||
| Vidimus stellam ejus in Oriente | William Byrd, composer | 4 voices | Renaissance | Motets, Sacred songs | |||||
| Fantasia a 4, T 380 | William Byrd, composer | T 380 | soprano, alto, tenor and bass | Renaissance | Fantasias | ||||
| Defecit in dolore vita mea | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Of gold all burnish'd | William Byrd, composer | 5 voices | Renaissance | Songs | |||||
| All as a Sea | William Byrd, composer | 5 voices voice and 4 viols |
Renaissance | Songs | |||||
| O you that hear this voice | William Byrd, composer Philip Sidney, librettist |
5 voices voice and 4 viols |
Renaissance | Songs | |||||
| O God give ear and do apply | William Byrd, composer | 5 voices | Renaissance | Psalms | |||||
| What pleasure have great princes | William Byrd, composer | 5 voices voice and 4 viols |
Renaissance | Songs | |||||
| Help Lord, for wasted are those men | William Byrd, composer | Renaissance | |||||||
| Compel the Hawk to sit | William Byrd, composer Thomas Churchyard, librettist |
5 voices | Renaissance | Songs | |||||
| O Domine adjuva me | William Byrd, composer | Renaissance | |||||||
| Vide, Domine | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Memento Domine | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Domine praestolamur | William Byrd, composer | Renaissance | |||||||
| Aspice Domine de sede sancta tua | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| In resurrectione tua Domine | William Byrd, composer | 5 voices | Renaissance | Motets, Sacred songs | |||||
| Laetentur coeli | William Byrd, composer | 5 voices | Renaissance | Sacred songs, Motets | |||||
| O quam gloriosum est regnum | William Byrd, composer | Renaissance | |||||||
| Tribulationes civitatum | William Byrd, composer | Renaissance | |||||||
| Domine, secundum multitudinem | William Byrd, composer | Renaissance |
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