Gedichte von Goethe in Compositionen (Friedlaender, Max)
| Title | Gedichte von Goethe in Compositionen |
| Creators | Max Friedlaender, composer Johann Wolfgang von Goethe, librettist |
| Opus | — |
| Instrumentation | voice and piano |
| Number of movements | 167 |
| Keys | — |
| Composed | — |
| First published | — |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Lieder |
| Language | German |
| Period | Classical |
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View |
| Code |  |
Sections
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| No. 1 | — | — | — |
| No. 2 | — | — | — |
| No. 3 | — | — | — |
| No. 4 | — | — | — |
| No. 5 | — | — | — |
| No. 6 | — | — | — |
| No. 7 | — | — | — |
| No. 8 | — | — | — |
| No. 9 | — | — | — |
| No. 10 | — | — | — |
| No. 11 | — | — | — |
| No. 12 | — | — | — |
| No. 13 | — | — | — |
| No. 14 | — | — | — |
| No. 15 | — | — | — |
| No. 16 | — | — | — |
| No. 17 | — | — | — |
| No. 18 | — | — | — |
| No. 19 | — | — | — |
| No. 20 | — | — | — |
| No. 21 | — | — | — |
| No. 22 | — | — | — |
| No. 23 | — | — | — |
| No. 24 | — | — | — |
| No. 25 | — | — | — |
| No. 26 | — | — | — |
| No. 27 | — | — | — |
| No. 28 | — | — | — |
| No. 29 | — | — | — |
| No. 30 | — | — | — |
| No. 31 | — | — | — |
| No. 32 | — | — | — |
| No. 33 | — | — | — |
| No. 34 | — | — | — |
| No. 35 | — | — | — |
| No. 36 | — | — | — |
| No. 37 | — | — | — |
| No. 38 | — | — | — |
| No. 39 | — | — | — |
| No. 40 | — | — | — |
| No. 41 | — | — | — |
| No. 42 | — | — | — |
| No. 43 | — | — | — |
| No. 44 | — | — | — |
| No. 45 | — | — | — |
| No. 46 | — | — | — |
| No. 47 | — | — | — |
| No. 48 | — | — | — |
| No. 49 | — | — | — |
| No. 50 | — | — | — |
| No. 51 | — | — | — |
| No. 52 | — | — | — |
| No. 53 | — | — | — |
| No. 54 | — | — | — |
| No. 55 | — | — | — |
| No. 56 | — | — | — |
| No. 57 | — | — | — |
| No. 58 | — | — | — |
| No. 59 | — | — | — |
| No. 60 | — | — | — |
| No. 61 | — | — | — |
| No. 62 | — | — | — |
| No. 63 | — | — | — |
| No. 64 | — | — | — |
| No. 65 | — | — | — |
| No. 66 | — | — | — |
| No. 67 | — | — | — |
| No. 68 | — | — | — |
| No. 69 | — | — | — |
| No. 70 | — | — | — |
| No. 71 | — | — | — |
| No. 72 | — | — | — |
| No. 73 | — | — | — |
| No. 74 | — | — | — |
| No. 75 | — | — | — |
| No. 76 | — | — | — |
| No. 77 | — | — | — |
| No. 78 | — | — | — |
| No. 79 | — | — | — |
| No. 80 | — | — | — |
| No. 81 | — | — | — |
| No. 82 | — | — | — |
| No. 83 | — | — | — |
| No. 84 | — | — | — |
| No. 85 | — | — | — |
| No. 86 | — | — | — |
| No. 87 | — | — | — |
| No. 88 | — | — | — |
| No. 89 | — | — | — |
| No. 90 | — | — | — |
| No. 91 | — | — | — |
| No. 92 | — | — | — |
| No. 93 | — | — | — |
| No. 94 | — | — | — |
| No. 95 | — | — | — |
| No. 96 | — | — | — |
| No. 97 | — | — | — |
| No. 98 | — | — | — |
| No. 99 | — | — | — |
| No. 100 | — | — | — |
| No. 101 | — | — | — |
| No. 102 | — | — | — |
| No. 103 | — | — | — |
| No. 104 | — | — | — |
| No. 105 | — | — | — |
| No. 106 | — | — | — |
| No. 107 | — | — | — |
| No. 108 | — | — | — |
| No. 109 | — | — | — |
| No. 110 | — | — | — |
| No. 111 | — | — | — |
| No. 112 | — | — | — |
| No. 113 | — | — | — |
| No. 114 | — | — | — |
| No. 115 | — | — | — |
| No. 116 | — | — | — |
| No. 117 | — | — | — |
| No. 118 | — | — | — |
| No. 119 | — | — | — |
| No. 120 | — | — | — |
| No. 121 | — | — | — |
| No. 122 | — | — | — |
| No. 123 | — | — | — |
| No. 124 | — | — | — |
| No. 125 | — | — | — |
| No. 126 | — | — | — |
| No. 127 | — | — | — |
| No. 128 | — | — | — |
| No. 129 | — | — | — |
| Anonymous: Der Rattenfänger (1810) | — | — | — |
| No. 131 | — | — | — |
| No. 132 | — | — | — |
| No. 133 | — | — | — |
| No. 134 | — | — | — |
| No. 135 | — | — | — |
| No. 136 | — | — | — |
| No. 137 | — | — | — |
| No. 138 | — | — | — |
| No. 139 | — | — | — |
| No. 140 | — | — | — |
| No. 141 | — | — | — |
| No. 142 | — | — | — |
| No. 143 | — | — | — |
| No. 144 | — | — | — |
| No. 145 | — | — | — |
| No. 146 | — | — | — |
| No. 147 | — | — | — |
| No. 148 | — | — | — |
| No. 149 | — | — | — |
| No. 150 | — | — | — |
| No. 151 | — | — | — |
| No. 152 | — | — | — |
| No. 153 | — | — | — |
| No. 154 | — | — | — |
| No. 155 | — | — | — |
| No. 156 | — | — | — |
| No. 157 | — | — | — |
| No. 158 | — | — | — |
| No. 159 | — | — | — |
| No. 160 | — | — | — |
| No. 161 | — | — | — |
| No. 162 | — | — | — |
| No. 163 | — | — | — |
| No. 164 | — | — | — |
| No. 165 | — | — | — |
| No. 166 | — | — | — |
| No. 167 | — | — | — |
Arrangements
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Scores
| Details | Section | Type | Publisher | Date | File (click to view) |
|---|---|---|---|---|---|
| View | Complete | — | Verlag der Goethe-Gesellschaft | 1896 | Band I Color Cover |
| View | Complete | — | Verlag der Goethe-Gesellschaft | 1916 | Band II Color Cover |
Recordings/Performances
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