Compositions with Arthur Somervell as composer
| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
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| A Shropshire Lad (Song Cycle from "A Shropshire Lad") | Arthur Somervell, composer Alfred Edward Housman, librettist |
voice and piano | Romantic | Songs |  |
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| A Cycle of Songs from Tennyson's 'Maud' | Arthur Somervell, composer Alfred Tennyson, librettist |
voice and piano | Romantic | Songs |  |
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| The Knave of Hearts (The knave of hearts. An operetta for children in three acts.) | Arthur Somervell, composer Alfred Tennyson, librettist |
voices, mixed chorus and orchestra | Early 20th century | Operettas | |
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| Normandy (Symphonic Variations) | Arthur Somervell, composer | G | 1912 | piano and orchestra | Early 20th century | Concertos, Variations | |
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| King Thrushbeard (An Operetta in Two Acts for Young People) | Arthur Somervell, composer Claude Aveling, librettist |
voices, mixed chorus and orchestra | Early 20th century | Operettas | |
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| The Enchanted Palace (An Operetta for Schools and Classes in Two Acts) | Arthur Somervell, composer | voices, mixed chorus and orchestra | Romantic | Operettas | |
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| Five Old Songs | Arthur Somervell, composer | ; #G minor #C minor #D major #B major #F minor | voice and piano | Romantic | Songs | |
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| Christmas | Arthur Somervell, composer | 1926 | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred oratorios | |
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| Silent Worship (Non lo dirò col labbro) | Arthur Somervell, composer | G major | Romantic | Songs | |
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| 12 Marches for Schools | Arthur Somervell, composer | piano | Early 20th century | Marches | |
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| The Passion of Christ (An oratorio for church use) | Arthur Somervell, composer | soprano, alto, tenor, bass, mixed chorus and orchestra | Romantic | Sacred oratorios, Passions | |
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| Wind Flowers (Cycle of Quartets, Solos and Duet) | Arthur Somervell, composer | soprano, alto, tenor, bass and piano alto and piano soprano, alto and piano |
Romantic | Songs | |
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| Violin Sonata | Arthur Somervell, composer | violin and piano | Early 20th century | Sonatas | |
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| 1000 Exercises (One Thousand Exercises (Original and Collected) to Accompany "Fifty Steps in Sight Singing") | Arthur Somervell, composer | voice | Romantic | Exercises | |
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| In the Forest (Suite of 4 Pieces for Piano) | Arthur Somervell, composer | piano | Early 20th century | Suites | |
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| Princess Zara (An Operetta for Young People) | Arthur Somervell, composer Claude Aveling, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |
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| By the Sea (Au Bord de la Mer, 6 Sketches for the Pianoforte) | Arthur Somervell, composer | piano | Romantic | Sketches | |
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| Violin Concerto | Arthur Somervell, composer | violin and orchestra | Early 20th century | Concertos | |
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| Ode to the Sea | Arthur Somervell, composer Laurence Binyon, librettist |
soprano, mixed chorus and orchestra | Romantic | Odes | |
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| 6 Preludes | Arthur Somervell, composer | piano | Early 20th century | Preludes | |
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| River Sketches | Arthur Somervell, composer | piano | Early 20th century | Sketches | |
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| Songs of the Four Nations (Various) (A Collection of Fifty National Airs A collection of old songs of the people of England, Scotland, Ireland and Wales, for the most part never before published with complete words and accs.) |
Arthur Somervell, composer | Romantic | Folksongs | |
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| 2 Conversations about Bach | Arthur Somervell, composer | 2 violins and piano | Early 20th century | Pieces | |
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| Suite of Four Pieces | Arthur Somervell, composer | violin and piano | Romantic | Suites | |
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| Air | Arthur Somervell, composer | D major | 1890 | violin and piano | Romantic | Airs | |
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| A Kingdom by the Sea | Arthur Somervell, composer Edgar Allan Poe, librettist |
voice and piano | Romantic | Songs | |
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| Shepherd's Cradle Song (Schlaf', kindchen, schlaf') | Arthur Somervell, composer | voice and piano | Romantic | Lullabies | |
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| With still increasing blessings | Arthur Somervell, composer John Campbell, librettist |
D major | 1899 | soprano, alto, tenor and bass mixed chorus mixed chorus and piano |
Romantic | Songs | |
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| 5 Songs of Innocence | Arthur Somervell, composer William Blake, librettist |
1894 | voice and piano | Romantic | Songs | |
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| The Dove (Welsh Air) | Arthur Somervell, composer | violin and piano | Romantic | Airs, Folksongs | |
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| What You Will | Arthur Somervell, composer | D major | piano violin and piano cello and piano flute and piano |
Early 20th century | Pieces | |
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| A Broken Arc (Song Cycle) | Arthur Somervell, composer Robert Browning, librettist |
voice and piano | Early 20th century | Songs | |
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| James Lee's Wife (Song Cycle Selected from the Poem by Robert Browning Set to Music for Contralto Solo and Orchestra) | Arthur Somervell, composer Robert Browning, librettist |
alto and orchestra | Romantic | Songs | |
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| Mass | Arthur Somervell, composer | C minor | 1889 | Romantic | |
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| No longer mourn for me (Madrigal) | Arthur Somervell, composer William Shakespeare, librettist |
B flat major | soprano, alto, tenor and bass | Romantic | Madrigals | |
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| Ode on the Intimations of Immortality (Meditation for solo, chorus and orchestra on Wordsworth's "Ode on the intimation of immortality") | Arthur Somervell, composer William Wordsworth, librettist |
1907 | baritone, mixed chorus and orchestra | Romantic | Odes | |
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| The Power of Sound | Arthur Somervell, composer William Wordsworth, librettist |
1895 | Romantic | |
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