| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Psyche (The English Opera) | Matthew Locke, composer Thomas Shadwell, librettist |
1673 | voices and orchestra | Baroque | Operas | ||||
| The Tempest | Matthew Locke, composer Thomas Shadwell, librettist |
1667 | Baroque | Incidental music | |||||
| Little Consort of 3 Parts (Matthew Locke His Little Consort of 3 Parts: Containing Pavans, Ayres, Corants and Sarabands, for Viols or Violins. In 2 several Varieties: The first 20 are for 2 Trebles and a Basse: The last 20 for Treble, Tenor & Basse. To be performed either alone or with Theorbo's and Harpsecord.) | Matthew Locke, composer | 3 viols 3 viols and continuo 2 violins and viol 2 violins, viol and continuo violin and 2 viols violin, 2 viols and continuo |
Baroque | Suites, Pavans, Airs, Courantes, Sarabandes | |||||
| Melothesia (Certain General Rules for Playing upon a Continued Bass. With A choice Collection of Lessons for the Harpsicord and Organ of all Sorts: never before Published. All carefully reviewed by M. Locke, Composer in Ordinary to His Majesty, and Organist of Her Majesties Chappel.) | Matthew Locke, composer | harpsichord organ continuo keyboard |
Baroque | Methods, Lessons, Suites | |||||
| Broken Consort | Matthew Locke, composer | 3 viols 2 sopranos and bass |
Renaissance | Trios | |||||
| Flatt Consort (The Flat Consort for My Cousin Kemble) | Matthew Locke, composer | 3 viols | Renaissance | Dances, Suites | |||||
| Consort of Four Parts | Matthew Locke, composer | H 136 | 1660 | 4 viols 4 viols and continuo |
Renaissance | Suites | |||
| The Present Practice of Musick (The present practice of musick vindicated against the exceptions and new way of attaining musick lately publish'd by Thomas Salmon, M.A. To which is added Duellum Musicum by John Phillips, Gent. Together with a letter from John Playford to Mr. T. Salmon by way of Confutation of his Essay) | Matthew Locke, composer | Baroque | Music criticism, Music history | ||||||
| Ne'er Trouble Thyself (Glee for 3 voices) | Matthew Locke, composer | G major | 1667 | 2 sopranos and bass | Baroque | Glees | |||
| Suite in D minor | Matthew Locke, composer | D minor | 1650 | 4 viols 4 viols and continuo |
Baroque | Suites | |||
| 8 Suites in Four Parts | Matthew Locke, composer | 1677 | 4 viols | Baroque | Suites | ||||
| Music for his Majesty's Sackbuts and Cornets | Matthew Locke, composer | C major | Baroque | ||||||
| My Lodging Is On The Cold Ground (The Celebrated Mad song in "The Rivals") | Matthew Locke, composer Thomas Moore, librettist |
1665 | Classical | ||||||
| Saraband | Matthew Locke, composer | E flat major | Baroque |
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