| Title | The Boston Handel and Haydn Society Collection of Church Music | 
| Alternative title | The Boston Handel and Haydn Society Collection of Church Music; being a selection of the most approved Psalm and Hymn Tunes, Anthems, Sentences, Chants, &c. together with many beautiful extracts from the works of Haydn, Mozart, Beethoven, and other eminent composers. Harmonized for three and four voices, with a figured bass for the organ and piano forte. | 
| Creators | Lowell Mason (composer) | 
| Opus | |
| Instrumentation | 3 voices and organ 4 voices and organ 3 voices and piano 4 voices and piano | 
| Number of movements | — | 
| Keys | — | 
| Composed | — | 
| First published | 1822 | 
| Dedication | — | 
| Tempo markings | — | 
| Metronome markings | — | 
| Time signatures | — | 
| Average duration (sec) | — | 
| Number of measures | — | 
| Composition types | Psalms, Hymns, Anthems, Chants | 
| Language | English | 
| Period | Classical | 
| View on IMSLP |  | 
| Code |  | 
(No sections)
(No arrangements)
| Details | Section | Type | Publisher | Date | File | 
|---|---|---|---|---|---|
| view | Complete | — | Boston: Richardson and Lord | 1822 | Complete Score (1st ed) · view Complete Score (2nd ed) · view Complete Score (3rd ed) · view Complete Score (5th ed) · view Complete Score (6th ed) · view Complete Score (2nd ed) · view Complete Score (2nd ed) · view | 
| view | Complete | — | Boston: Thomas Badger | — | Volume 2 · view | 
| view | Complete | — | — | 1830 | Complete Score · view | 
| view | Complete | — | Boston: Richardson | — | Complete Score · view Complete Score · view | 
| view | Complete | — | Boston: Richardson | — | Complete Score · view | 
| view | Complete | — | Boston: Carter | — | Complete Score · view Complete Score · view Complete Score · view | 
| view | Complete | — | Boston: J. H. Wilkins & R. B. Carter | 1838 | Complete Score · view Complete Score · view | 
| view | Complete | selections | Oil on canvas | — | Eastport / Old Hundred · view Eastport / Old Hundred (detailed image) · view | 
(No recordings)
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