| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Elysium | Oley Speaks, composer Clinton Scollard, librettist |
G or E major (version for high or low voice) | voice and piano | Early 20th century | Songs | ||||
| April Rain (April Rain, song for high voice.) | Oley Speaks, composer Robert Loveman, librettist |
B flat major | voice and piano | Early 20th century | Songs | ||||
| Ashes of Roses | Oley Speaks, composer Elaine Goodale Eastman, librettist |
D major (high voice), B major (low voice) | voice and piano | Early 20th century | Songs | ||||
| Greeting | Oley Speaks, composer Frank Lebby Stanton, librettist |
A major (high voice), F major (low voice) | voice and piano | Early 20th century | Songs | ||||
| The Night Has a Thousand Eyes | Oley Speaks, composer Francis William Bourdillon, librettist |
C major (high voice), A major (low voice) | voice and piano | Early 20th century | Songs | ||||
| The King of Love My Shepherd Is | Oley Speaks, composer | D major (high voice), B major (low voice) | voice and piano | Early 20th century | Sacred songs | ||||
| The Hills of Kerry | Oley Speaks, composer Marjorie Pickthall, librettist |
F major (High Voice), E major (Low Voice) | voice and piano | Early 20th century | Songs | ||||
| Heaven is my Home | Oley Speaks, composer Thomas Taylor, librettist |
C major | voice and piano | Early 20th century | Sacred songs | ||||
| On the Road to Mandalay (On the road to Mandalay / from Kipling’s Barrack room ballads) | Oley Speaks, composer Rudyard Kipling, librettist |
C major | voice and piano | Early 20th century | Ballads | ||||
| For You, Dear Heart | Oley Speaks, composer Frank Lebby Stanton, librettist |
G major | voice and piano | Early 20th century | Songs | ||||
| When the Boys Come Home | Oley Speaks, composer | voice and piano | Early 20th century | Songs | |||||
| Pegging Along | Oley Speaks, composer Leslie Alan Taylor, librettist |
voice and piano | Early 20th century | Songs | |||||
| Roses after Rain | Oley Speaks, composer Frank Lebby Stanton, librettist |
voice and piano | Early 20th century | Songs | |||||
| Still, Still with Thee | Oley Speaks, composer Harriet Beecher Stowe, librettist |
voice and piano | Early 20th century | Sacred songs | |||||
| 3 Songs | Oley Speaks, composer | voice and piano | Early 20th century | Songs | |||||
| The Pilgrim | Oley Speaks, composer Lawrence Perry, librettist |
voice and piano | Early 20th century | Songs | |||||
| With the Dreams of May | Oley Speaks, composer Frank Lebby Stanton, librettist |
voice and piano | Early 20th century | Songs | |||||
| 2 Love-Songs | Oley Speaks, composer | voice and piano | Early 20th century | Songs | |||||
| Beloved, It Is Morn | Oley Speaks, composer Emily Hickey, librettist |
voice and piano | Early 20th century | Songs | |||||
| Everywhere | Oley Speaks, composer Stephen B. Cassin, librettist |
voice and piano | Early 20th century | Songs | |||||
| Summer Skies | Oley Speaks, composer Frank Lebby Stanton, librettist |
voice and piano | Early 20th century | Songs | |||||
| Since We Parted | Oley Speaks, composer | voice and piano | Romantic | Songs | |||||
| Gently, Lord, Oh Gently Lead Us (Hymn for Solo Voice (with piano)) | Oley Speaks, composer Thomas Hastings, librettist |
B flat major | voice and piano | Early 20th century | Sacred songs, Hymns | ||||
| Sylvia (Song (or Part-Song)) | Oley Speaks, composer Clinton Scollard, librettist |
voice and piano violin and piano cornet and piano piano mixed chorus and piano orchestra wind ensemble, brass ensemble and percussion |
Early 20th century | Songs | |||||
| How Long Wilt Thou Forget Me? (How long wilt thou forget me? : Psalm XIII : sacred song with piano accompaniment) | Oley Speaks, composer | voice and piano | Early 20th century | Psalms, Sacred songs | |||||
| More Love To Thee, O Christ (Hymn-Anthem) | Oley Speaks, composer Elizabeth Prentiss, librettist |
G major | soprano, mixed chorus and piano soprano, mixed chorus and organ |
Early 20th century | Hymns, Anthems | ||||
| Thou Wilt Keep Him In Perfect Peace (Thou wilt keep him in perfect peace (Isaiah XXVI: 3-Psalm CXXXIX: 11) : sacred song with piano acc.) | Oley Speaks, composer | A minor | voice and piano | Early 20th century | Sacred songs | ||||
| Twilight and Dawn (A Sacred Song for High Voice and Piano.) | Oley Speaks, composer Isaac Gregory Smith, librettist |
F major | voice and piano | Early 20th century | Sacred songs | ||||
| O Master, Let me Walk with Thee | Oley Speaks, composer Washington Gladden, librettist |
voice and piano | Early 20th century | Songs | |||||
| Now the Day is Over | Oley Speaks, composer | A flat major | mixed chorus and organ mixed chorus and piano |
Early 20th century | Secular choruses | ||||
| Morning | Oley Speaks, composer Frank Lebby Stanton, librettist |
voice and piano | Early 20th century | Songs | |||||
| 2 Songs | Oley Speaks, composer | voice and piano | Early 20th century | Songs | |||||
| 4 Songs | Oley Speaks, composer | voice and piano | Early 20th century | Songs | |||||
| In the End of the Sabbath | Oley Speaks, composer | Early 20th century | Anthems | ||||||
| Under the Wide and Starry Sky | Oley Speaks, composer Robert Louis Stevenson, librettist |
voice and piano | Early 20th century | Songs | |||||
| The Lane to Ballybree | Oley Speaks, composer Katherine Guilfoyle Edelman, librettist |
voice and piano | Romantic | Songs | |||||
| Hark! Hark, My Soul! | Oley Speaks, composer Frederick William Faber, librettist |
voice and piano | Early 20th century | Sacred songs |
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