Composition |
Published |
7 Stücke, Op. 145 (Reger, Max) for organ |
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Aria: Ombra mai fu (Act I) from Arrangement of Aria: Ombra mai fu (Act I) from Serse, HWV 40 (Handel, George Frideric) for violin and piano violin, piano and harmonium |
1905 |
In Memoriam, Op. 91 (Gernsheim, Friedrich) for organ and strings |
1915 |
Der Rattenfänger von Hameln, Op. 260 (Sartorio, Arnoldo) for piano |
1896 |
3 Geistliche Gesänge, Op. 91 (Lorenz, Karl Adolf) for female chorus |
1913 |
Karfreitag, Op. 84 (Lorenz, Karl Adolf) for soprano, alto and organ soprano, alto and harmonium soprano, alto and piano soprano, mezzosoprano and organ soprano, mezzosoprano and harmonium soprano, mezzosoprano and piano female chorus and organ female chorus and harmonium female chorus and piano |
1911 |
Winfried, Op. 30 (Lorenz, Karl Adolf) for soprano, tenor, baritone, bass, mixed chorus and orchestra |
1916 |
Arrangement of Symphony No. 4, Op. 43 (Glass, Louis) for piano 4 hands |
1914 |
Morija, Op. 9 (Faisst, Clara) for voice and piano voice and organ |
1905 |
Rose im Thal (Faisst, Clara) for voice and piano voice and organ |
1904 |
Arrangement of Mignon (Morley, Oscar) for piano |
1895 |
3 Fest-Fantasien für Himmelfahrt und Pfingsten, Op. 110 (Gulbins, Max) for organ |
1922 |
3 Festfantasien, Op. 105 (Gulbins, Max) for organ |
1919 |
2 Kleine Fantasien, Op. 221 (Reinecke, Carl) for piano |
1893 |
Arrangement of 4 Geistliche Lieder, Op. 71 (Becker, Albert) |
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