| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| If You Have a Sweetheart | Charles Beach Hawley, composer Frederick Herman Martens, librettist |
A flat major | voice and piano | Early 20th century | Songs | ||||
| Songs | Reginald De Koven, composer Frederick Herman Martens, librettist |
Op.370 | voice and piano | Early 20th century | Songs | ||||
| With Dawn Beyond the Hills | Emil Rhode, composer Frederick Herman Martens, librettist |
voice and piano | Early 20th century | Songs | |||||
| The Dance of Swords | Charles Gilbert Spross, composer Frederick Herman Martens, librettist |
voice and piano | Early 20th century | Dances | |||||
| I Praise the Lord | Charles Gilbert Spross, composer Frederick Herman Martens, librettist |
voice and piano | Early 20th century | Sacred songs | |||||
| Nourah (A Saracen Romance) | Charles Gilbert Spross, composer Frederick Herman Martens, librettist |
voice and piano | Early 20th century | Romances | |||||
| Swords and Scissors, or Napoleon Caught Napping (A Military-Millinery Operetta) | Will C. Macfarlane, composer Frederick Herman Martens, librettist |
voices, mixed chorus and orchestra | Early 20th century | Operettas | |||||
| Little Almond-Eyes (An Operetta in Two Acts) | Will C. Macfarlane, composer Frederick Herman Martens, librettist |
voices, mixed chorus and orchestra | Early 20th century | Operettas | |||||
| Lord Howe's Masquerade (A Revolutionary Legend) | Nathaniel Clifford Page, composer Frederick Herman Martens, librettist |
baritone, mixed chorus and orchestra | Early 20th century | Secular cantatas | |||||
| The Last Dance | Harriet Ware, composer Frederick Herman Martens, librettist |
voice and piano | Early 20th century | Songs | |||||
| Alice in Wonderland (A choral ballad for solo voice ad lib. and two-part chorus with pianoforte or orchestral accompaniment) | Nathaniel Clifford Page, composer Lewis Carroll, librettist Frederick Herman Martens, librettist |
voice, female chorus and piano voice, female chorus and orchestra female chorus and piano female chorus and orchestra |
Romantic | Ballads | |||||
| Contest of the Nations (Operetta with Dances : one act : for soli and chorus, mixed voices or S.S.A.B) | Nathaniel Clifford Page, composer Frederick Herman Martens, librettist |
voices, mixed chorus and orchestra | Romantic | Operettas | |||||
| The Pageant of the Pilgrims | Nathaniel Clifford Page, composer Frederick Herman Martens, librettist |
mixed chorus and orchestra | Early 20th century | Sacred cantatas | |||||
| Old Plantation Days (Choral Cycle) | Nathaniel Clifford Page, composer Frederick Herman Martens, librettist |
mixed chorus and piano | Early 20th century | Secular choruses | |||||
| Pocahontas (Two Part Cantata) | Francesco Bartolomeo de Leone, composer Frederick Herman Martens, librettist |
female chorus, flute and piano | Early 20th century | Secular cantatas | |||||
| Dreams | Frank H. Grey, composer Frederick Herman Martens, librettist |
F major | voice and piano | Early 20th century | Songs | ||||
| 8 Songs | Arthur Walter Kramer, composer Frederick Herman Martens, librettist |
Op.34 | voice and piano | Early 20th century | Songs, Carols | ||||
| Love Immortal | William Christopher O'Hare, composer Frederick Herman Martens, librettist |
D flat major | voice and piano | Early 20th century | Songs | ||||
| Onowa (a legend of the Iroquis cantata for soprano solo, chorus and orchestra) | Franz Carl Bornschein, composer Frederick Herman Martens, librettist |
voice, mixed chorus and orchestra | Early 20th century | Secular cantatas | |||||
| Se-a-wan-a (The Cherry Maid) | Thomas William Lester, composer Frederick Herman Martens, librettist |
Op.73 | voices, female chorus and orchestra | Early 20th century | Operettas |
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