| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| The Aboriginal Mother (The aboriginal mother : an Australian melody) | Isaac Nathan, composer Eliza Hamilton Dunlop, librettist |
D major | voice and piano | Romantic | Songs | ||||
| Thou Art Another's | Isaac Nathan, composer | F major | voice and piano | Romantic | Songs | ||||
| Queen of Evening | Isaac Nathan, composer Maurice Harcourt, librettist |
G major | 1836 | voice and piano | Romantic | Ballads | |||
| Don John of Austria | Isaac Nathan, composer Jacob Levi Montefiore, librettist |
C major (overture) | voices, mixed chorus and orchestra | Romantic | Operas | ||||
| The Aboriginal Father ~ A Native Song of the Maneroo Tribe (Koon-gi Kawel Gho) | Isaac Nathan, composer | D minor | voice and piano | Romantic | Songs | ![]() |
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| Hebrew Melodies (A Selection of Hebrew Melodies : Ancient and Modern / Newly arranged, Harmonized, corrected and Revised with appropriate Symphonies & accompaniments by I. Nathan ; the Poetry written expressly for the work by Lord Byron.) | Isaac Nathan, composer | voice and piano 2 voices and piano 3 voices and piano 4 voices and piano |
Romantic | Songs | |||||
| Hey diddle diddle (Hey-Diddle Diddle!) | Isaac Nathan, composer | 2 sopranos, alto, tenor, 2 basses and piano | Romantic | Songs | |||||
| Lectures on the Theory and Practice of Music (The First, Second, and Third of a Series of Lectures on the Theory and Practice of Music, delivered at the Sydney College, New South Wales, Giving an Historical Account of the Origin, Rise, and Progress of the Science, from the earliest period up to the present time, with Progressive Exercises for improvement on the Piano-forte, Harmony, and Modulation; and for the cultivation of the Human Voice, from the first rudiments to the most refined and elaborate details of a perfect mastery of the art: forming a work of instruction for the pupil, and a work of reference for the master. By I. Nathan, musical historian and theorist to his late Reverend Majesty, George IV., professor of singing and composer to her late Royal Highness, the Princess Charlotte of Wales. Author of the "Hebrew Melodies," the "Musurgia Vocalis," &c.) | Isaac Nathan, composer | Romantic | Music theory, Music history | ||||||
| The Southern Euphrosyne and Australian Miscellany (The Southern Euphrosyne and Australian Miscellany, containing Oriental Moral Tales, original anecdote, poetry, and music, an historical sketch, with examples of the native Aboriginal Melodies, put into modern rhythm, and harmonized as solos, quartettes, &c., together with several other original vocal pieces, arranged to a piano-forte accompaniment by the editor and sole proprietor, I. Nathan, author of "The Hebrew Melodies," "The Musurgia Vocalis," the successful music in "Sweethearts and Wives," "The Illustrious Stranger," "The King's Fool," &c.) | Isaac Nathan, composer | Romantic | Songs, Music criticism | ||||||
| Musurgia Vocalis (Musurgia Vocalis, an essay on the history and theory of music, and on the qualities, capabilities, and management of the human voice.) | Isaac Nathan, composer | Romantic | Music history, Music theory | ||||||
| Thou art not false, but thou art fickle | Isaac Nathan, composer George Gordon Byron, librettist |
G major | voice and piano | Romantic | Songs | ||||
| The Kiss, dear Maid, thy lip has left | Isaac Nathan, composer George Gordon Byron, librettist |
B flat major | voice and piano | Romantic | Songs | ||||
| My Life, I love you | Isaac Nathan, composer George Gordon Byron, librettist |
F major | voice and piano | Romantic | Songs | ||||
| This Rose to calm my Brother's cares | Isaac Nathan, composer George Gordon Byron, librettist |
A major | voice and piano | Romantic | Songs | ||||
| The Fair Haidee | Isaac Nathan, composer George Gordon Byron, librettist |
voice and piano | Romantic | Songs | |||||
| Bound where thou wilt, my barb | Isaac Nathan, composer George Gordon Byron, librettist |
A major | voice and piano | Romantic | Songs | ||||
| Leichhardt's Grave (Leichhardt's Grave; an elegiac ode, on the scarcely doubtful fate of the amiable and talented naturalist - Leichhardt - whose life there is too much reson to fear has been sacrificed in the cause of Science, whilst endeavouring to effect an overland route to Port Essington.) | Isaac Nathan, composer Robert Lynd, librettist |
voice and piano | Romantic | Elegies, Odes |
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