| Composition |
Attributes |
| Mozart's fragment from Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra |
— |
| The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra |
vocal score |
| The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra |
— |
| Die beiden Grenadiere (No.1) from Romanzen und Balladen, Vol.II, Op. 49 (Schumann, Robert) for voice and piano |
— |
| Prima Pars from Sicut cervus (Palestrina, Giovanni Pierluigi da) for soprano, alto, tenor and bass |
— |
| Nachtviolen, D.752 (Schubert, Franz) for voice and piano |
— |
| H.M.S. Pinafore (Sullivan, Arthur) for voices, mixed chorus and orchestra |
— |
| Lydia (No.2) from 2 Songs, Op. 4 (Fauré, Gabriel) for voice and piano |
— |
| Song: Celia Has a Thousand Charms (No.10) from The Rival Sisters, Z.609 (Purcell, Henry) for soprano, strings and continuo |
vocal score |
Ave Maria (No.1) from 4 Pezzi sacri (Verdi, Giuseppe) for mixed chorus and orchestra
mixed chorus
female chorus |
— |
Ave Maria (No.1) from 4 Pezzi sacri (Verdi, Giuseppe) for mixed chorus and orchestra
mixed chorus
female chorus |
— |
| Uns ist ein Kind geboren (Kuhnau, Johann) for alto, tenor, bass, mixed chorus and orchestra |
— |
| Uns ist ein Kind geboren (Kuhnau, Johann) for alto, tenor, bass, mixed chorus and orchestra |
parts |
| Uns ist ein Kind geboren (Kuhnau, Johann) for alto, tenor, bass, mixed chorus and orchestra |
parts |
| Offertorium de Sanctissimo Sacramento (Mozart, Leopold) for soprano, tenor, mixed chorus, 3 trombones, 2 violins and continuo |
— |
Jephte (Carissimi, Giacomo) for 2 sopranos, alto, tenor, bass and continuo
mixed chorus and continuo |
— |
| O Mistress Mine (No.2) from 3 Shakespeare Songs, Op. 6 (Quilter, Roger) for voice and piano |
— |
Ave maris stella (Clari, Giovanni Carlo Maria) for tenor, 2 basses and organ
male chorus and organ |
— |
Exsultate justi (Viadana, Lodovico da) for 4 voices
4 voices and continuo |
— |
| Tantum ergo sacramentum (Clari, Giovanni Carlo Maria) for 2 sopranos and piano |
— |
| The Parting Glass (Van Schenkhof, Mark) for 2 tenors, baritone, bass, 2 male chorus, bagpipe and orchestra |
— |
| The Parting Glass (Van Schenkhof, Mark) for 2 tenors, baritone, bass, 2 male chorus, bagpipe and orchestra |
parts |
| Per la ricuperata salute di Ofelia (Various) for soprano and continuo |
— |