Scores with D. Benjamin Miller as editor

Composition Score attributes
Mozart's fragment from Requiem in D minor, K.626 (Mozart, Wolfgang Amadeus) for soprano, alto, tenor, bass, mixed chorus and orchestra —
The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra vocal score
The Pirates of Penzance (Sullivan, Arthur) for voices, mixed chorus and orchestra —
Die beiden Grenadiere (No.1) from Romanzen und Balladen, Vol.II, Op. 49 (Schumann, Robert) for voice and piano —
Prima Pars from Sicut cervus (Palestrina, Giovanni Pierluigi da) for soprano, alto, tenor and bass —
Nachtviolen, D.752 (Schubert, Franz) for voice and piano —
H.M.S. Pinafore (Sullivan, Arthur) for voices, mixed chorus and orchestra —
Lydia (No.2) from 2 Songs, Op. 4 (Fauré, Gabriel) for voice and piano —
Song: Celia Has a Thousand Charms (No.10) from The Rival Sisters, Z.609 (Purcell, Henry) for soprano, strings and continuo vocal score
Ave Maria (No.1) from 4 Pezzi sacri (Verdi, Giuseppe) for mixed chorus and orchestra or mixed chorus or female chorus —
Ave Maria (No.1) from 4 Pezzi sacri (Verdi, Giuseppe) for mixed chorus and orchestra or mixed chorus or female chorus —
Uns ist ein Kind geboren (Kuhnau, Johann) for alto, tenor, bass, mixed chorus and orchestra —
Uns ist ein Kind geboren (Kuhnau, Johann) for alto, tenor, bass, mixed chorus and orchestra parts
Uns ist ein Kind geboren (Kuhnau, Johann) for alto, tenor, bass, mixed chorus and orchestra parts
Offertorium de Sanctissimo Sacramento (Mozart, Leopold) for soprano, tenor, mixed chorus, 3 trombones, 2 violins and continuo —
Jephte (Carissimi, Giacomo) for 2 sopranos, alto, tenor, bass and continuo or mixed chorus and continuo —
O Mistress Mine (No.2) from 3 Shakespeare Songs, Op. 6 (Quilter, Roger) for voice and piano —
Ave maris stella (Clari, Giovanni Carlo Maria) for tenor, 2 basses and organ or male chorus and organ —
Exsultate justi (Viadana, Lodovico da) for 4 voices or 4 voices and continuo —
Tantum ergo sacramentum (Clari, Giovanni Carlo Maria) for 2 sopranos and piano —
The Parting Glass (Van Schenkhof, Mark) for 2 tenors, baritone, bass, 2 male chorus, bagpipe and orchestra —
The Parting Glass (Van Schenkhof, Mark) for 2 tenors, baritone, bass, 2 male chorus, bagpipe and orchestra parts
Per la ricuperata salute di Ofelia (Various) for soprano and continuo —


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