Title | A Pilgrimes Solace |
Alternative title | Wherein is contained musicall harmonie of 3. 4. and 5 parts, to be sung and plaid with the lute and viols. |
Creators | John Dowland (composer) |
Opus | |
Instrumentation | voice and lute soprano, alto, tenor, bass and lute soprano, alto, tenor, bass and lute |
Number of movements | 21 |
Keys | — |
Composed | — |
First published | 1612 |
Dedication | Theophilus, Lord Walden |
Tempo markings | — |
Metronome markings | — |
Time signatures | — |
Average duration (sec) | — |
Number of measures | — |
Composition types | Songs, Sacred songs, Galliards |
Language | English |
Period | Renaissance |
View on IMSLP | ![]() |
Code | ![]() |
Title click for details |
Metronome | Key | Measures |
---|---|---|---|
Disdaine me still, that I may ever love | — | — | — |
Sweete stay a while, why will you rise? | — | — | — |
To aske for all thy love, and thy whole heart t'were madnesse | — | — | — |
Love those beames that breede | — | — | — |
Shall I strive with wordes to move | — | — | — |
Were every thought an eye | — | — | — |
Stay time a while thy flying | — | — | — |
Tell me true Love where shall I seeke thy being. | — | — | — |
Goe nightly cares, the enemy to rest | — | — | — |
From silent night, true register of moanes | — | — | — |
Lasso vita mia mi fa morire | — | — | — |
In this trembling shadow | — | — | — |
If that a Sinners sighes be Angels foode | — | — | — |
Thou mighty God | — | — | — |
When Davids life by Saul was often sought | — | — | — |
When the poore Criple by the poole did lye | — | — | — |
Where Sinne sore wounding | — | — | — |
My heart and tongue were twinnes | — | — | — |
Up merry mates, to Neptunes prayse | — | — | — |
Welcome blacke night | — | — | — |
Cease these false sports | — | — | — |
(No arrangements)
Details | Section | Type | Publisher | Date | File |
---|---|---|---|---|---|
view | Complete | — | — | 1612 | Complete Score · view |
view | Complete | — | — | 1612 | Complete Score · view |
view | Complete | — | — | — | Nos.14-16. Thou mighty God · view |
(No recordings)
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