Works with John Michael Diack as arranger
| Arrangement of | Section | View on IMSLP | Composed | Type | Arranger | Instrumentation |
|---|---|---|---|---|---|---|
| Album für die Jugend, Op. 68 (Schumann, Robert) | Fröhlicher Landmann, von der Arbeit zurückkehrend (No.10) |  |
1848 | Pieces | John Michael Diack | voice and piano |
| L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) | Air: Haste thee, nymph (Part I No.6) | |
1740 | Secular oratorios | John Michael Diack | female chorus and piano |
| L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) | Air: Come and trip it (Part I No.7) | |
1740 | Secular oratorios | John Michael Diack | female chorus and piano |
| L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) | Air: Oh, Let the Merry Bells Ring Out (Part I No.23) | |
1740 | Secular oratorios | John Michael Diack | female chorus and piano |
| L'Allegro, il Penseroso ed il Moderato, HWV 55 (Handel, George Frideric) | Air: There let Hymen oft appear (Part II No.30) | |
1740 | Secular oratorios | John Michael Diack | female chorus and piano |
| Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) | Chorus: Ricevete, o padroncina (Act III, No.22) | |
1786 | Dramma giocoso | John Michael Diack | female chorus and piano |
| Le nozze di Figaro, K.492 (Mozart, Wolfgang Amadeus) | Chorus: Amati constanti (Act III, Finale) | |
1786 | Dramma giocoso | John Michael Diack | female chorus and piano |
| Rosamunde, D.797 (Schubert, Franz) | Hirtenchor. Hier auf den Fluren (No.7) | |
1823 | Incidental music | John Michael Diack | female chorus and piano |
| 16 Waltzes, Op. 39 (Brahms, Johannes) | Selections | |
1865 | Waltzes | John Michael Diack | female chorus and piano |
| 16 Waltzes, Op. 39 (Brahms, Johannes) | Waltz in A major (No.15) | |
1865 | Waltzes | John Michael Diack | female chorus and piano |
| Liederalbum für die Jugend, Op. 79 (Schumann, Robert) | Marienwürmchen (No.14) | |
1849 | Lieder | John Michael Diack | 3 voices |
| Lieder und Gesänge, Vol.II, Op. 51 (Schumann, Robert) | Volksliedchen (No.2) | |
1842 | Lieder | John Michael Diack | female chorus |
| Die Zauberflöte, K.620 (Mozart, Wolfgang Amadeus) | Selections | |
1791 | Singspiele | John Michael Diack | 3 voices, mixed chorus and orchestra |
| Serse, HWV 40 (Handel, George Frideric) | Aria: Ombra mai fu (Act I) | |
1737 | Opera seria | John Michael Diack | female chorus and piano |
| Symphony No. 9, D.944 (Schubert, Franz) | Scherzo (No.3) | |
1825 | Symphonies | John Michael Diack | female chorus and piano |
| Don Giovanni, K.527 (Mozart, Wolfgang Amadeus) | Giovinette che fate all'amore (Act I) | |
1787 | Opera buffa | John Michael Diack | female chorus and piano |
| Così fan tutte, K.588 (Mozart, Wolfgang Amadeus) | Trio: Soave sia il vento (Act I Scene 2) | |
1789 | Opera buffa | John Michael Diack | female chorus and piano |
| Susanna, HWV 66 (Handel, George Frideric) | Air: Ask if yon damas rose be sweet, (Act II, Scene 2, No.34) | |
1748 | Secular oratorios | John Michael Diack | female chorus and piano |
| The Triumph of Time and Truth, HWV 71 (Handel, George Frideric) | Act II: Dryads, Sylvans (Air and Chorus) | |
Secular oratorios | John Michael Diack | female chorus and piano | |
| The Triumph of Time and Truth, HWV 71 (Handel, George Frideric) | Act II: Pleasure submits to pain (Chorus) | |
Secular oratorios | John Michael Diack | female chorus and piano | |
| Alexander Balus, HWV 65 (Handel, George Frideric) | Air: Here amid the shady woods (Act III, Scene 1) | |
1747 | Sacred oratorios | John Michael Diack | female chorus and piano |
| Judas Maccabaeus, HWV 63 (Handel, George Frideric) | Duet: Come, ever-smiling liberty (Part I, No.13b) | |
1746 | Sacred oratorios | John Michael Diack | female chorus and piano |
| Acis and Galatea, HWV 49 (Handel, George Frideric) | Chorus: Oh the pleasure of the plains (Act 1, No.2) | |
1718 | Serenatas | John Michael Diack | female chorus and piano |
| Ottone, re di Germania, HWV 15 (Handel, George Frideric) | Gavotte | |
1722 | Operas | John Michael Diack | female chorus and piano |
| Bastien und Bastienne, K.50/46b (Mozart, Wolfgang Amadeus) | |
1768 | Singspiele | John Michael Diack | female chorus and piano | |
| Das Paradies und die Peri, Op. 50 (Schumann, Robert) | Chor der Houris. Schmücket die Stufen zu Allah’s Thron (Part III, No.18) | |
1843 | Secular oratorios | John Michael Diack | female chorus and piano |
| Non sa che sia dolore, BWV 209 (Bach, Johann Sebastian) | Aria: 'Ricetti gramezza e pavento' (No.5) | |
1729 | Secular cantatas | John Michael Diack | female chorus and piano |
| Schleicht, spielende Wellen, BWV 206 (Bach, Johann Sebastian) | Aria: 'Hört doch! der sanften Flöten Chor' (No.9) | |
1734 | Secular cantatas | John Michael Diack | female chorus and piano |
| Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian) | Aria: 'Entzucket uns beide, ihr Strahlen der Freude' (No.12) | |
1713 | Secular cantatas | John Michael Diack | female chorus and piano |
| Was mir behagt, ist nur die muntre Jagd, BWV 208 (Bach, Johann Sebastian) | Aria: 'Weil die wollenreichen Heerden' (No.13) | |
1713 | Secular cantatas | John Michael Diack | female chorus and piano |
| Violin Sonata in A major, HWV 361 (Handel, George Frideric) | Selections | |
1725 | Sonatas | John Michael Diack | female chorus and piano |
| Flocks are Sporting (Carey, Henry) | |
1739 | Pastorales | John Michael Diack | female chorus and piano | |
| Old Mother Hubbard (Hely-Hutchinson, Victor) | |
1925 | Songs | John Michael Diack | mixed chorus and piano | |
| Old Mother Hubbard (Hely-Hutchinson, Victor) | |
1925 | Songs | John Michael Diack | female chorus and piano | |
| 3 Nonsense Songs (Hely-Hutchinson, Victor) | The Owl and the Pussy-Cat | |
Songs | John Michael Diack | female chorus and piano | |
| Think on me (Scott, Alicia Ann, Lady John) | |
Songs | John Michael Diack | voice and piano |
©2025 David P. Anderson