| Title click for details |
Creators | View on IMSLP | Key | Opus | Composed | Instrumentation | Code |
|---|---|---|---|---|---|---|---|
| La belle au bois dormant | Charles Silver (composer) and Michel Antoine Carré (librettist) and Paul Collin (librettist) | ![]() |
voices, mixed chorus and orchestra | ||||
| Yvette | André Gédalge (composer) and Michel Antoine Carré (librettist) | ![]() |
1891 | orchestra | |||
| Muguette | Edmond Missa (composer) and Michel Antoine Carré (librettist) and Georges Hartmann (librettist) | ![]() |
voices, mixed chorus and orchestra | ||||
| Pris au piège | André Gédalge (composer) and Michel Antoine Carré (librettist) | ![]() |
voices, mixed chorus and orchestra | ||||
| L'enfant prodigue | André Wormser (composer) and Michel Antoine Carré (librettist) | ![]() |
orchestra | ||||
| Rhena | Jean Baptiste van den Eeden (composer) and Michel Antoine Carré (librettist) | ![]() |
voices, mixed chorus and orchestra | ||||
| Le fakir de Bénarès | Léo Manuel (composer) and Michel Antoine Carré (librettist) | ![]() |
voices, mixed chorus and orchestra | ||||
| L'hôte | Edmond Missa (composer) and Michel Antoine Carré (librettist) | ![]() |
voices, mixed chorus and orchestra | ||||
| Dinah | Edmond Missa (composer) and Michel Antoine Carré (librettist) and Paul de Choudens (librettist) | ![]() |
voices, mixed chorus and orchestra | ||||
| Le clos | Charles Silver (composer) and Michel Antoine Carré (librettist) | ![]() |
voices, mixed chorus and orchestra | ||||
| Afgar, ou Les loisirs andalous | Charles Cuvillier (composer) and Michel Antoine Carré (librettist) and André Barde (librettist) | ![]() |
voices and orchestra | ||||
| Lettre d'enfant | Louis Ganne (composer) and Michel Antoine Carré (librettist) | ![]() |
G major | voice and piano | |||
| Le dernier des Marigny | Edmond Missa (composer) and Michel Antoine Carré (librettist) | ![]() |
voices and orchestra | ||||
| Les trois gosses | Edmond Missa (composer) and Michel Antoine Carré (librettist) | ![]() |
G major | voice and piano |
©2025 David P. Anderson