Title
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| A Brief Account of, and an Introduction to, 8 Lectures in the Science of Music, to be read as soon as 50 subscribers, at 1 Guinea each for the Course, shall have sent their Address for that Purpose; in which are proposed, to be demonstrated and to be explained The Radical Sources of Melody and Harmony, deduced from the Principles of the Philosophy of Sounds, from Arithmetical Calculations, and from Geometrical Divisions in the Construction of Monochords, to ascertain the different Scales of the several Genera of the Greeks and the Moderns; by a clear, a concise, and an intelligible Method, different from what has been attempted before. |
Marmaduke Overend (composer) |
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| 12 Trio Sonatas, Op. 1 |
Marmaduke Overend (composer) |
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Op.1 |
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2 violins and continuo |
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| For fragrant sweets of genial Spring |
Marmaduke Overend (composer) |
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G major |
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3 voices
3 voices and continuo
3 voices and piano
3 voices and harpsichord
3 voices and piano 4 hands
3 voices and harpsichord 4 hands |
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| How sweet the breath of milky kine |
Marmaduke Overend (composer) |
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3 voices, 2 violins and continuo
3 voices
3 voices and continuo |
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| The morn is calm, the sky serene |
Marmaduke Overend (composer) |
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F major |
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voice, 2 horns and continuo
voice and keyboard |
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| Now the social ev'nings bring |
Marmaduke Overend (composer) |
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A major |
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voice, mixed chorus and continuo
voice and continuo
mixed chorus and continuo |
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| Glory be to the Father |
Marmaduke Overend (composer) |
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1765 |
2 sopranos, 2 altos, 2 tenors and 2 basses
8 voices and continuo |
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