Compositions with Marmaduke Overend as composer

Title click for details	Creators	Key	Opus	Composed	Instrumentation	Period/style	Type
A Brief Account of, and an Introduction to, 8 Lectures in the Science of Music, to be read as soon as 50 subscribers, at 1 Guinea each for the Course, shall have sent their Address for that Purpose; in which are proposed, to be demonstrated and to be explained The Radical Sources of Melody and Harmony, deduced from the Principles of the Philosophy of Sounds, from Arithmetical Calculations, and from Geometrical Divisions in the Construction of Monochords, to ascertain the different Scales of the several Genera of the Greeks and the Moderns; by a clear, a concise, and an intelligible Method, different from what has been attempted before.	Marmaduke Overend, composer					Classical	Music theory
12 Trio Sonatas, Op. 1 (XII Sonatas: for Two Violins and a Violoncello; The Basses of which are Correctly figured for the Harpsicord)	Marmaduke Overend, composer		Op.1		2 violins and continuo	Baroque	Sonatas
For fragrant sweets of genial Spring (Glee I. A Glee, for Three Voices, adapted to be Played by Two Performers or by One only, the Bass of which is figured for the Accompanyment of the Harpsichord or the Piano Forte)	Marmaduke Overend, composer	G major			3 voices 3 voices and continuo 3 voices and piano 3 voices and harpsichord 3 voices and piano 4 hands 3 voices and harpsichord 4 hands	Classical	Glees
How sweet the breath of milky kine (Glee II. [plus] A Catch for Three Voices - Let the wearied taste in sleep)	Marmaduke Overend, composer				3 voices, 2 violins and continuo 3 voices 3 voices and continuo	Classical	Glees, Catches
The morn is calm, the sky serene (A Hunting Cantata)	Marmaduke Overend, composer	F major			voice, 2 horns and continuo voice and keyboard	Classical	Secular cantatas
Now the social ev'nings bring (A Social Ode for the New Year)	Marmaduke Overend, composer	A major			voice, mixed chorus and continuo voice and continuo mixed chorus and continuo	Classical	Odes
Glory be to the Father (A canon)	Marmaduke Overend, composer			1765	2 sopranos, 2 altos, 2 tenors and 2 basses 8 voices and continuo	Classical	Canons, Sacred songs