| Composition |
Published |
| Piano Sonata No. 8, Op. 13 (Beethoven, Ludwig van) for piano |
1857 |
| Agathe: Wenn die Schwalben heimwärts ziehn (No.1) from Arrangement of Agathe: Wenn die Schwalben heimwärts ziehn (No.1) from 7 Lieder aus dem Buche der Liebe, Op. 39 (Abt, Franz) for voice and piano |
1849 |
| La traviata (Verdi, Giuseppe) for voices, mixed chorus and orchestra |
|
| L'étincelle, Op. 20 (Gottschalk, Louis Moreau) for piano |
1854 |
| Columbia, Op. 34 (Gottschalk, Louis Moreau) for piano |
1860 |
| Holiday Schottische (Foster, Stephen) for piano |
|
| Old Folks at Home (Foster, Stephen) for voice and piano |
|
| 3 Preludes, Op. 8 (Mason, William) for piano |
1856 |
Violinschule (Spohr, Louis) for violin
2 violins |
1839 |
| Arrangement of The Star-Spangled Banner (Smith, John Stafford) for voice, mixed chorus and piano |
1861 |
| Arrangement of The Last Rose of Summer, Op. 159 (Herz, Henri) for piano 4 hands |
1855 |
| Samson, HWV 57 (Handel, George Frideric) for voices, mixed chorus and orchestra |
|
| Les gouttes d'eau, Op. 17 (Ascher, Joseph) for piano |
|
| Andante, Op. 21 (Meyer, Leopold de) for piano |
1845 |
| Andante, Op. 21 (Meyer, Leopold de) for piano |
1845 |
| Le prophète (Meyerbeer, Giacomo) for voices, mixed chorus and orchestra |
1851 |
| Les topazes, Op. 129 (Hünten, François) for piano |
|
| Méditation religieuse, Op. 6 (Satter, Gustav) for piano |
1857 |
| La Blonde, Op. 43 (Goldbeck, Robert) for piano |
|
| Banjo, Capriccio Characterisque (Strakosch, Maurice) for piano |
|
| Arrangement of Selections from The Bohemian Girl (Balfe, Michael William) for piano |
|
| Confidence (No.1) from 3 Impromptus, Op. 8 (Schulhoff, Julius) for piano |
|
| Arrangement of Dixie (Emmett, Daniel Decatur) for voice and piano |
|
| The Song of the Robin (Warren, George William) for piano |
|
Christ the Lord is Risen Today (Warren, George William) for soprano, alto, tenor, bass and organ
mixed chorus and organ
mixed chorus and piano |
|
| Le Bonheur, Op. 35 (Wels, Charles) for piano |
1857 |
| The Blossom Schottisch, Op. 8 (Dressler, William) for piano |
1852 |
| The Copyright Schottisch, Op. 63 (Dressler, William) for piano |
1855 |
| The Sea Steamer Schottisch, Op. 16 (Dressler, William) for piano |
1851 |
| Vaterlandslieder (Beyer, Ferdinand) for piano |
|
| The Sigh, Op. 21 (Wels, Charles) for piano |
1853 |
| I'll Never Forget Thee, Dear Mary (Bishop, Thomas Brigham) for voice and piano |
1866 |
| Jeanie with the Light Brown Hair (Foster, Stephen) for voice and piano |
1854 |
| Arrangement of Jeanie with the Light Brown Hair (Foster, Stephen) for voice and guitar |
1854 |
| Grand Triumphal March, Op. 14 (Wels, Charles) for piano |
1853 |
| Spring (Scharfenberg, William) for piano |
1847 |
| Le rêve, Op. 21 (Wallace, William Vincent) for piano |
|
| Magdalena Polka (Underner, John) for piano |
1849 |
| Les émeraudes, Op. 128 (Hünten, François) for piano |
|
| Variations: Gia del la mente (No.17) from Arrangement of Variations: Gia del la mente (No.17) from Le tre nozze (Alary, Giulio) for guitar |
1854 |
| Scenes from Martha, Op. 501 (Bellak, James) for piano |
1856 |
| The New York Ladies Schottisch (Dressler, William) for piano |
1851 |
| Farewell My Lilly Dear (Foster, Stephen) for voice, mixed chorus and piano |
1851 |
Hard Times Come Again No More (Foster, Stephen) for voice and piano
voice, mixed chorus and piano |
|
| Gentle Annie (Foster, Stephen) for voice, mixed chorus and piano |
|
| Willie, We Have Missed You (Foster, Stephen) for voice and piano |
|
| Arrangement of 4 Gesänge, Op. 74 (Taubert, Wilhelm) for voice and guitar |
1851 |
| Willie My Brave (Foster, Stephen) for voice and piano |
|
| Old Dog Tray (Foster, Stephen) for voice, mixed chorus and piano |
|
| Ring, Ring de Banjo! (Foster, Stephen) for voice and piano |
|
| Some Folks (Foster, Stephen) for voice and piano |
1855 |
| Autumn (Saroni, Herrman S.) for piano |
1847 |
Sweet Music I Invoke Thy Power (No.1) from Tribute (Heinrich, Anthony Philip) for orchestra
voices, mixed chorus and piano |
1846 |
City of Fraternal Love (No.2) from Tribute (Heinrich, Anthony Philip) for orchestra
voices, mixed chorus and piano |
1846 |
| Elmira (Abbey, Alonzo Judson) for piano |
1856 |
| Oh! Boys Carry Me 'Long (Foster, Stephen) for voice, mixed chorus and piano |
|
| Annie My Own Love (Foster, Stephen) for voice and piano |
1853 |
| Dolcy Jones (Foster, Stephen) for voice, mixed chorus and piano |
|
| Ellen Bayne (Foster, Stephen) for voice, mixed chorus and piano |
|
| Farewell! Old Cottage (Foster, Stephen) for voice and piano |
1851 |
| Lily Ray (Foster, Stephen) for voice and piano |
|
| Little Ella (Foster, Stephen) for voice and piano |
|
| Oleona (Saroni, Herrman S.) for piano |
1853 |
| Mary Loves the Flowers (Foster, Stephen) for voice and piano |
1850 |
| My Brodder Gum (Foster, Stephen) for voice, mixed chorus and piano |
1849 |
| Nelly Bly (Foster, Stephen) for voice, mixed chorus and piano |
1850 |
| Nelly Was a Lady (Foster, Stephen) for voice, mixed chorus and piano |
1849 |
| Old Memories (Foster, Stephen) for voice and piano |
|
| Once I Loved Thee Mary Dear (Foster, Stephen) for voice and piano |
|
| Crotchets & Quavers (Kleber, Henry) for piano |
1856 |
| The Village Maiden (Foster, Stephen) for voice and piano |
1855 |
| Way Down in CA-I-RO (Foster, Stephen) for voice, mixed chorus and piano |
1850 |
| Annie May (Kleber, Henry) for voice, mixed chorus and piano |
1853 |
| Wilt Thou Be Gone, Love (Foster, Stephen) for soprano, tenor and piano |
1851 |
| The Sontag Polka (Albert, Charles d') for piano |
|
| Cora Dean (Foster, Stephen) for voice, mixed chorus and piano |
|
| Don't Bet Your Money on de Shanghai (Foster, Stephen) for voice and piano |
|
| Down Among the Cane-Brakes (Foster, Stephen) for voice, mixed chorus and piano |
|
| Eulalie (Foster, Stephen) for voice and piano |
1851 |
| Farewell Sweet Mother (Foster, Stephen) for voice and piano |
1861 |
| For Thee, Love, for Thee (Foster, Stephen) for voice and piano |
1859 |
| The Glendy Burk (Foster, Stephen) for voice and piano |
1860 |
| The Hour for Thee and Me (Foster, Stephen) for 2 voices and piano |
|
| I Cannot Sing To-Night (Foster, Stephen) for voice and piano |
1852 |
| I'll Be Home To-Morrow (Foster, Stephen) for voice, mixed chorus and piano |
|
| Jenny June (Foster, Stephen) for voice, mixed chorus and piano |
|
| Linger in Blissful Repose (Foster, Stephen) for voice and piano |
|
| Maggie by My Side (Foster, Stephen) for voice and piano |
|
| Molly Dear Good Night (Foster, Stephen) for voice and piano |
1861 |
| My Loved One and My Own (Foster, Stephen) for voice and piano |
1858 |
| None Shall Weep a Tear for Me (Foster, Stephen) for voice and piano |
|
| Our Willie Dear Is Dying (Foster, Stephen) for voice and piano |
|
| Poor Drooping Maiden (Foster, Stephen) for voice and piano |
|
| Sadly to Mine Heart Appealing (Foster, Stephen) for voice and piano |
|
| A Soldier in de Colored Brigade (Foster, Stephen) for voice, mixed chorus and piano |
1863 |
| Thou Art the Queen of My Song (Foster, Stephen) for voice and piano |
1859 |
| Virginia Belle (Foster, Stephen) for voice, mixed chorus and piano |
1860 |
| Where Has Lula gone (Foster, Stephen) for voice and piano |
1858 |
| The Wife (Foster, Stephen) for voice and piano |
1860 |
| Long, Long Ago (Bayly, Thomas Haynes) for voice and piano |
|
| Crown Diamonds (Bellak, James) for piano |
1856 |
| Byerly's Waltz (Byerly, William) for piano |
|
| The Cally Polka (Dodworth, Allen) for soprano and piano |
1846 |
| Arrangement of Kriegers Lust, Op. 26 (Gungl, Joseph) for piano |
1848 |
| Crystal Schottisch (Byerly, William) for piano |
|
| I'd Offer Thee This Hand of Mine (Chadwick, L. Thayer) for voice and piano |
1842 |
| Locomotive Quick Step (Chadwick, L. Thayer) for piano |
1865 |
| Willow Bank Waltz (Chadwick, L. Thayer) for piano |
1845 |
| Musical Compositions (Gungl, Joseph) for piano |
1849 |
| The Aeolian March (Dodworth, Allen) for piano |
1847 |
| The Bachelor's Button (Dodworth, Allen) for piano |
|
| Glen-Mary Quadrilles (Dodworth, Allen) for piano |
1847 |
| Arrangement of The Jenny Lind Polka (Dodworth, Allen) for piano |
1846 |
| The Hertzel Polka (Dodworth, Allen) for piano |
1851 |
| Leggat's March (Dodworth, Allen) for piano |
|
| Mahopac Lake Waltz (Dodworth, Allen) for piano |
|
| Ocean Wave Quick Step (Dodworth, Allen) for piano |
1843 |
| State Fencibles Quick Step (Dodworth, Allen) for piano |
1847 |
| The Young Bachelor's March (Dodworth, Allen) for piano |
1846 |
| Woodman Spare That Tree! (Russell, Henry) for voice and piano |
1837 |
| Arrangement of Woodman Spare That Tree! (Russell, Henry) for piano |
|
| Waugh's Quick Step (Dodworth, Allen) for piano |
1847 |
| Arrangement of The Indian Hunter (Russell, Henry) for piano 4 hands |
1845 |
| Arrangement of The Indian Hunter (Russell, Henry) for piano |
1844 |
| Olney's Quick Step (Dodworth, Allen) for piano |
1846 |
| Dream Life Polka (Adams, J. Willard) for piano |
1852 |
| The Comedy of Errors (Bishop, Henry Rowley) for voices, male chorus and orchestra |
|
| Belisario Waltz (Bellak, James) for piano |
|
| Eva Clair (Avery, H.) for voice, mixed chorus and piano |
1854 |
Hail to the Chief (Sanderson, James) for mixed chorus and piano
3 voices and piano |
|
| Arrangement of My Cot Beside the Sea (Glover, Stephen Ralph) for piano 4 hands |
|
| My Mary Dear (Glover, Stephen Ralph) for voice and piano |
1851 |
| Colonel May's Quickstep (Babcock, William John) for piano |
1847 |
| The Cavalry Band March (Glover, Stephen Ralph) for piano |
1845 |
| Bonnie Kitty (Baker, Everett L.) for voice and piano |
1855 |
| Winter (La Hache, Theodor von) for piano |
1847 |
| Summer (Timm, Henry Christian) for piano |
1847 |
| Little Red Riding Hood (Glover, Stephen Ralph) for voice and piano |
|
| Lucrezia Borgia Quadrille (Baker, Thomas) for piano |
1856 |
| All Things are Beautiful (Glover, Stephen Ralph) for 2 voices and piano |
1857 |
| Come Forth My Love (Baldwin, N. Andrew) for voice and guitar |
1841 |
| Les mois, Op. 98 (Croisez, Alexandre) for piano |
|
| Blanche & Lisette (Glover, Charles William) for soprano and piano |
|
| Be Watchful and Beware (Glover, Charles William) for voice and piano |
|
| La Mazurka (Glover, Charles William) for piano |
1843 |
| Dear Mother, I've Come Home to Die (Tucker, Henry L.) for voice, mixed chorus and piano |
1863 |
| Columbia Rules the Sea (Tucker, Henry L.) for voice and piano |
|
| Stand by the Flag (Tucker, Henry L.) for mixed chorus and piano |
|
| Arrangement of Ever of Thee (Hall, Foley) for mixed chorus and piano |
|
| No Thank You, Sir (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| The Forest Queen (Tucker, Henry L.) for voice and piano |
|
| The Maiden's Tear (Tucker, Henry L.) for voice and piano |
1850 |
| The Kingston Waltz (Tucker, Henry L.) for piano |
1851 |
| Come Maiden with Me (Tucker, Henry L.) for voice and piano |
|
| Give Me But Thy Heart Tho' Cold (Tucker, Henry L.) for voice, mixed chorus and piano |
|
| Our Own Robbie Burns (Tucker, Henry L.) for voice, mixed chorus and piano |
1856 |
| Concert Galop, Op. 11 (Mason, William) for piano |
1862 |
| Introduction and Variations on 'Meet Me By Moonlight' (Kiallmark, George) for piano |
|
| A Highland Minstrel Boy (Barnett, John) for voice and piano |
|
| Arrangement of Why Do I Weep (Barnett, John) for voice and guitar |
|
| Gold Fish Schottisch (Tucker, Henry L.) for piano |
|
| La redowa valse (Bassford, Samuel William) for piano |
1846 |
| Whimsical Polka (Tucker, Henry L.) for piano |
1855 |
| Strive and Wait and Pray, Op. 16 (Beames, Clare W.) for voice and piano |
1856 |
| May God Protect Columbia (Thomas, John Rogers) for voice, mixed chorus and piano |
1861 |
| Onward March to Victory (Thomas, John Rogers) for voice and piano |
1861 |
| The Owl (Thomas, John Rogers) for voice and piano |
1857 |
| The Soldier's Return (Thomas, John Rogers) for voice and piano |
1862 |
| Blue-Eyed Bell (Thomas, John Rogers) for voice and piano |
1865 |
| Comrades, Touch the Elbow (Thomas, John Rogers) for voice, mixed chorus and piano |
1862 |
Evangeline (Thomas, John Rogers) for voice and piano
5 voices and piano
voice, mixed chorus and piano |
1855 |
| The Cottage by the Sea (Thomas, John Rogers) for voice and piano |
1856 |
| The Moonlit Sea (Thomas, John Rogers) for voice, mixed chorus and piano |
1856 |
| Arrangement of I'm Not Myself at All (Lover, Samuel) for voice and piano |
1859 |
| My Dear My Native Home (Thomas, John Rogers) for voice, mixed chorus and piano |
1855 |
| We Were Boys and Girls Together (Thomas, John Rogers) for voice and piano |
1855 |
| The Hopes Gone by (Thomas, John Rogers) for voice and piano |
1855 |
| Say a Kind Word When You Can (Thomas, John Rogers) for voice, mixed chorus and piano |
1856 |
| Annie Law (Thomas, John Rogers) for voice and piano |
1857 |
| I Wish Somebody'd Come (Thomas, John Rogers) for voice and piano |
1857 |
| The Standard of Freedom (Thomas, John Rogers) for voice and piano |
1862 |
| Fantasia and Variations on the Vesper Hymn, Op. 35 (Browne, Augusta) for piano |
|
| The Spanish Victory (Converse, Charles Crozat) for guitar |
1854 |
| A Prayer for the Absent (Maeder, James Gaspard) for voice and piano |
1863 |
| Music at Nightfall (Nelson, Sydney) for 2 voices and piano |
1843 |
| Oh! Breathe Not Her Name (Phillips, Austin) for voice and piano |
1847 |
| Thy Heart is My Home (Phillips, Austin) for voice and piano |
1843 |
| Peter's Highland March (Peters, William Cumming) for piano |
1839 |
| Arrangement of Peter's Highland March (Peters, William Cumming) for piano 4 hands |
1845 |
| Pensez a moi (Drake, James G.) for voice and piano |
|
| Arrangement of Friendship Quick Step (Grafulla, Claudio S.) for piano |
|
| Arrangement of Manual of Arms Polka (Grafulla, Claudio S.) for piano |
1862 |
| Arrangement of Quick Step (Grafulla, Claudio S.) for piano |
1846 |
| Sleeping I Dreamed Love (Hewitt, John Hill) for |
1844 |
| Jephtha (Hewitt, John Hill) for |
|
The Bird Waltz (Panormo, Francis) for piano
harp |
|
| Et Cetera (Hewitt, John Hill) for voice and piano |
1851 |
| I'm Only Sixteen (Hewitt, John Hill) for voice and piano |
1851 |
| It Wont Bear Mentioning (Hewitt, John Hill) for voice and piano |
1851 |
| They Said Thou Wer't Another's (Hewitt, John Hill) for voice and piano |
1851 |
| The Loved of Other Years (Schreiner, Hermann L.) for voice and piano |
1853 |
| The Florilla Waltz (Kleber, Henry) for piano |
1851 |
| The Opera Schottisch (Kleber, Henry) for piano |
1853 |
| The Rainbow Schottisch (Kleber, Henry) for piano |
1852 |
| Spring Is Coming (Kleber, Henry) for voice and piano |
1853 |
| Moonlight Mazurka (Kleber, Henry) for piano |
|
| La Bellona Polka de Concert (Kleber, Henry) for piano |
1854 |
| Album Leaves (Kleber, Henry) for piano |
1854 |
| The Elena Polka (Kleber, Henry) for piano |
1852 |
| The Ruby Schottisch (Kleber, Henry) for piano |
1853 |
| The Troubador Mazurka (Kleber, Henry) for piano |
|
| They Sleep in the Grave Together (Kleber, Henry) for voice, mixed chorus and piano |
1853 |
| The Sapphire Polka (Kleber, Henry) for piano |
1854 |
| I Take Your Hand in Mine Willie (Kleber, Henry) for voice and piano |
|
| Will No Maiden Marry Me (Kleber, Henry) for voice and piano |
1852 |
| L'Innocence (Kleber, Henry) for piano |
1855 |
| Unfurl the Glorious Banner (Kleber, Henry) for voice, mixed chorus and piano |
1856 |
| The Pearl Polka (Kleber, Henry) for piano |
|
| Katy Darling's Farewell to Dermot (Kleber, Henry) for voice and piano |
1852 |
| The Challenge March (Kleber, Henry) for piano |
1853 |
Variations on 'Dandy Jim from Carolina' (Coppock, William R.) for piano
harp |
1842 |
Introduction and Variations on 'Jessie the Flow'r o' Dumblane' (Coppock, William R.) for piano
harp |
|
Variations on 'Come Sing Me That Sweet Air Again' (Coppock, William R.) for piano
harp |
1846 |
Sacred Songs (Hopkins Jr., John Henry) for voice and harp
voice and piano |
|
| I Miss Thee from my Side, Beloved (Knight, Joseph Philip) for voice and piano |
1849 |
| Land Ho! (Knight, Joseph Philip) for voice and piano |
1840 |
| Where Hudsons Wave (Knight, Joseph Philip) for voice and piano |
1839 |
| Arrangement of The Balmoral Polka (Lanner, Joseph) for piano |
1850 |
| Knickerbocker Waltzes (Lanner, Joseph) for piano |
|
| Arrangement of The Boz Waltzes (Lanner, Joseph) for piano |
1842 |
| Bye and Bye (Root, George Frederick) for voice, mixed chorus and piano |
1855 |
| My Prairie Home (Root, George Frederick) for voice, mixed chorus and piano |
1856 |
| Fi, Hi, Hi (Horn, Evan) for voice, mixed chorus and piano |
1851 |
| Falling Leaves, Op. 133 (Müller, Julius E.) for piano |
1860 |
| Grand Capricio de Concert, Op. 93 (Loretz, John M.) for piano |
1864 |
| Appeal of the Reformed Inebriate (Webster, Joseph Philbrick) for voice, mixed chorus and piano |
|
| O Lord Our Governor (Stevenson, John) for bass, mixed chorus and organ |
|
| Green Old Hills (Webster, Joseph Philbrick) for mixed chorus and piano |
|
| The Ivy and Elm (Webster, Joseph Philbrick) for voice and piano |
1852 |
Oh How I Love My Mountain Home (Webster, Joseph Philbrick) for voice, mixed chorus and piano
2 voices, mixed chorus and piano |
|
| The Sailor Boy's Song of the Sea (Webster, Joseph Philbrick) for voice, mixed chorus and piano |
1853 |
A School for the Flute (Nicholson, Charles) for flute
flute and piano |
|
La bataille de Marengo, Op. 8 (Viguerie, Bernard) for piano
violin, cello and piano |
|
| Arrangement of The Yellow Rose of Texas (K., J.) for voice and guitar |
|
| Something to Love Me (Hime, Edward Lawrence) for voice and piano |
|
| Redowa Waltz (Jullien, Louis Antoine) for piano |
1846 |
| Olga (Jullien, Louis Antoine) for piano |
1853 |
| The Guirlande Polka (Jullien, Louis Antoine) for piano |
1848 |
| The Queens Polka (Jullien, Louis Antoine) for piano |
|
| The Elephant Polka (Jullien, Louis Antoine) for piano |
1848 |
The Butterfly Waltz (Jullien, Louis Antoine) for piano
flute, violin and piano |
1856 |
| The Crusaders Quadrille (Jullien, Louis Antoine) for piano |
|
| The Ravenswood Waltzes (Jullien, Louis Antoine) for piano |
1853 |
| The Fourth Polka (Jullien, Louis Antoine) for piano |
|
| Wandering Melodies Waltzes (Gungl, Joseph) for piano |
1850 |
| Narrangansett-Walzer, Op. 86 (Gungl, Joseph) for piano |
1849 |
| Wind of the Winter Night (Russell, Henry) for voice and piano |
1836 |
| Come Brothers Arouse (Russell, Henry) for voice and piano |
|
| My Mother's Bible (Russell, Henry) for voice and piano |
1841 |
| Man the Life Boat! (Russell, Henry) for voice and piano |
1846 |
| The Ivy Green (Russell, Henry) for voice and piano |
1838 |
| Some Love to Roam O'er the Dark Sea Foam (Russell, Henry) for voice and piano |
1836 |
| A Sober Spouse for Me (Russell, Henry) for voice and piano |
1844 |
| The Old Bell (Russell, Henry) for mixed chorus and piano |
1847 |
| The Chieftain's Daughter (Russell, Henry) for voice and piano |
1841 |
| The Merry Spring (Russell, Henry) for voice and piano |
1834 |
| I Love the Night (Russell, Henry) for voice and piano |
1837 |
| The Dismissed (Russell, Henry) for voice and piano |
1841 |
| Bohemian Girl Quadrilles (Dodworth, Allen) for piano |
1844 |
| A Merry Gipsy Girl Again (Glover, Charles William) for voice and piano |
|
20 Anthems (Chapple, Samuel) for soprano, alto, tenor, bass and organ
4 voices and piano |
|
| My Darling on the Sea (Hewitt, George Washington) for voice and piano |
1852 |
| Bime Bome Bell Gallop (Bellak, James) for piano |
1858 |
| Oh! My Bravest & Best I Resign Thee (Bishop, Henry Rowley) for voice and piano |
1832 |
| She's Black, but That's No Matter (Paul, Howard) for voice and piano |
|
| Arrangement of Friedrichs-Marsch, Op. 145 (Gungl, Joseph) for piano |
1862 |
| When Other Friends Are Round Thee (Horn, Charles Edward) for voice and piano |
|
| The Confederates Waltzes (La Hache, Theodor von) for piano |
|
| Fille du regiment (Bellak, James) for piano |
1857 |
| The Last Broadside (Buckley, Frederick) for voice and piano |
|
| La favorite, Op. 59 (Messemaeckers, Louis) for piano |
1852 |
| Duetto: Amor si tenero from Evellina (Coccia, Carlo) for voices and orchestra |
|
| Dixie for the Union (Emmett, Daniel Decatur) for voice and piano |
|
| I'll Follow Thee (Farmer, Henry) for voice and piano |
|
| Martha (Bellak, James) for piano |
|
| Dear Land of My Fathers (Guernsey, Wellington) for voice and piano |
|
| L'orleana (Helmsmüller, F.B.) for piano |
|
| The Lightfooted Galop (Helmsmüller, F.B.) for piano |
|
| Medianoche Galop (Helmsmüller, F.B.) for piano |
|
| It Is Recorded (Holmes, Fred. B.) for voice, mixed chorus and piano |
|
| Wouldn't You Like to Know? (Hutchinson, John Wallace) for voice and piano |
|
| Brother's Fainting at the Door (Isaacs, P. B.) for voice, mixed chorus and piano |
|
| When I Would Die (Laurence, G. F. H.) for voice and piano |
|
| Softly Now the Light of Day (Lloyd, Thomas Spencer) for soprano, alto, mixed chorus and piano |
|
For God and Liberty (Millard, Harrison) for 5 voices and piano
voice, mixed chorus and piano |
|
| Savannah Volunteer Guard's Quick Step (Miller, E.) for piano |
|
| Dearest to Thee (Phelps, Ellsworth C.) for voice and piano |
|
| I Cannot Call Her Mother (Sinclair, R.) for voice and piano |
|
| The Yankee Quilting Party (Sterry, John A.) for voice and piano |
|
| Medley Overture (Taylor, George C.) for piano |
|
| Jack Frost Galop (Warren, George William) for piano |
|
| Norah McShane (Wetmore, William J.) for voice and piano |
|
| Student-Songs (Willis, Richard Storrs) for voice, mixed chorus and piano |
|
| In the Days When We Went Gipsying (Sporle, Nathan James) for voice and piano |
1839 |
| Ev'ry Land My Home (Sporle, Nathan James) for voice and piano |
|
| The Meeting (Kollmann, Ernest) for voice and piano |
|
| Mary's Welcome Home (Tucker, Henry L.) for voice and piano |
1860 |
| Jeannette and Jeannot Quadrille (Glover, Charles William) for piano |
|
| Arrangement of There is No Home Like My Own (Malibrán, María) for harp |
|
| Ne-La-Me (Heinrich, Anthony Philip) for voice and piano |
1846 |