| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Choral Orchestration | Cecil Forsyth, composer | voices, mixed chorus and orchestra | Early 20th century | Orchestration, Music theory | |||||
| Mr. Alphabet’s Holiday (A Boy’s Dream - Humorous Song for Male Voices) | Cecil Forsyth, composer | A major | male chorus and piano | Early 20th century | Secular choruses | ||||
| Orchestration | Cecil Forsyth, composer | Early 20th century | Orchestration, Music theory | ||||||
| Tell Me Not of a Lovely Lass | Cecil Forsyth, composer | voice and piano | Early 20th century | Songs | |||||
| The Watcher | Cecil Forsyth, composer | voice and piano | Early 20th century | Songs | |||||
| A Masque | Cecil Forsyth, composer | voice and piano | Early 20th century | Songs | |||||
| The Return | Cecil Forsyth, composer | voice and piano | Early 20th century | Songs | |||||
| The Bell-Man (Stratford, April 23, 1616) | Cecil Forsyth, composer | voice and piano | Early 20th century | Songs | |||||
| Remember | Cecil Forsyth, composer Christina Rossetti, librettist |
voice and piano | Early 20th century | Songs | |||||
| God's Acre | Cecil Forsyth, composer Erwin Clarkson Garrett, librettist |
voice and piano | Early 20th century | Sacred songs | |||||
| Oh, Red is the English Rose | Cecil Forsyth, composer Charles Alexander Richmond, librettist |
voice and piano | Early 20th century | Songs | |||||
| Bring Her Again, O Western Wind | Cecil Forsyth, composer William Ernest Henley, librettist |
voice and piano | Early 20th century | Songs | |||||
| Variations from the Nursery Rhyme Old King Cole (Wherein Is Inculcated a Moral: Meden Agan) | Cecil Forsyth, composer Cecil Forsyth, librettist |
mixed chorus and piano mixed chorus and strings |
Early 20th century | Variations | |||||
| Lady Anne (A Polite Tale; Choral Ballad for women's voices) | Cecil Forsyth, composer Cecil Forsyth, librettist |
female chorus and piano | Early 20th century | Secular choruses, Ballads | |||||
| In Old Japan (Ballade of a Toyokuni Colour-Print) | Cecil Forsyth, composer William Ernest Henley, librettist |
tenor, male chorus and piano | Early 20th century | Ballads | |||||
| Chanson Celtique (Chanson celtique : pour alto (viola) ou violon ou violoncelle, avec accompagnement de piano ou d'orchestre) | Cecil Forsyth, composer | 1905 | viola and orchestra | Romantic | Chansons | ||||
| Broken Threads | Cecil Forsyth, composer Walter Savage Landor, librettist |
voice and piano | Early 20th century | Songs | |||||
| Twilight Night | Cecil Forsyth, composer Christina Rossetti, librettist |
mixed chorus | Early 20th century | Secular choruses | |||||
| The Dark Road (Theme for Viola Solo and String Orchestra) | Cecil Forsyth, composer | viola and strings | Early 20th century | Pieces | |||||
| Tinker, Tailor (Choral Ballad) | Cecil Forsyth, composer The composer, librettist |
soprano, alto, mixed chorus and orchestra | Romantic | Ballads | |||||
| Says Jane | Cecil Forsyth, composer Walter De la Mare, librettist |
voice and piano | Early 20th century | Songs |
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