Composition |
Published |
Armonia ecclesiastica de concerti, Op. 1 (Grancini, Michel Angelo) for voice and continuo 2 voices and continuo 3 voices and continuo 4 voices and continuo 4 Unspecified instruments keyboard |
1622 |
La regola del contraponto, e della musical compositione (Angleria, Camillo) for 2 Unspecified instruments 3 Unspecified instruments 4 Unspecified instruments 5 Unspecified instruments |
1622 |
Sacri concerti (Rusca, Claudia Francesca) for soprano and continuo tenor and continuo continuo and 2 sopranos 2 tenors and continuo soprano, tenor and continuo soprano, alto and continuo alto, tenor and continuo soprano, violin, violone and continuo tenor, violin, violone and continuo violone, continuo and soprano tenor, violone and continuo soprano, trombone, violin and continuo tenor, trombone, violin and continuo trombone, continuo and soprano tenor, trombone and continuo 2 sopranos, bass and continuo 2 tenors, bass and continuo soprano, alto, violin, violone and continuo soprano, alto, violone and continuo soprano, alto, trombone and continuo soprano, alto, trombone, violin and continuo 2 sopranos, alto, tenor, bass and continuo soprano, alto, tenor and bass soprano, alto, tenor, bass and continuo soprano, alto, tenor, bass and continuo 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 continuos 2 mixed chorus and 2 continuos 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 organs 2 mixed chorus and 2 organs |
1630 |