| Composition | Published | 
| Armonia ecclesiastica de concerti, Op. 1 (Grancini, Michel Angelo) for voice and continuo 2 voices and continuo
 3 voices and continuo
 4 voices and continuo
 4 Unspecified instruments
 keyboard
 | 1622 | 
| La regola del contraponto, e della musical compositione (Angleria, Camillo) for 2 Unspecified instruments 3 Unspecified instruments
 4 Unspecified instruments
 5 Unspecified instruments
 | 1622 | 
| Sacri concerti (Rusca, Claudia Francesca) for soprano and continuo tenor and continuo
 continuo and 2 sopranos
 2 tenors and continuo
 soprano, tenor and continuo
 soprano, alto and continuo
 alto, tenor and continuo
 soprano, violin, violone and continuo
 tenor, violin, violone and continuo
 violone, continuo and soprano
 tenor, violone and continuo
 soprano, trombone, violin and continuo
 tenor, trombone, violin and continuo
 trombone, continuo and soprano
 tenor, trombone and continuo
 2 sopranos, bass and continuo
 2 tenors, bass and continuo
 soprano, alto, violin, violone and continuo
 soprano, alto, violone and continuo
 soprano, alto, trombone and continuo
 soprano, alto, trombone, violin and continuo
 2 sopranos, alto, tenor, bass and continuo
 soprano, alto, tenor and bass
 soprano, alto, tenor, bass and continuo
 soprano, alto, tenor, bass and continuo
 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 continuos
 2 mixed chorus and 2 continuos
 2 sopranos, 2 altos, 2 tenors, 2 basses and 2 organs
 2 mixed chorus and 2 organs
 | 1630 |