| Composition |
Score attributes |
| Canzoni per sonare con ogni sorte di stromenti (Raverii, Alessandro) for continuo and 4 Unspecified instruments or continuo and 5 Unspecified instruments or continuo and 8 Unspecified instruments or continuo and 16 Unspecified instruments or 8 trombones and continuo or 4 lutes, 4 viols and continuo |
selections |
| Sonata à 4 (Cima, Giovanni Andrea) for cornett, trombone, violin, violone and continuo |
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| Voce mea (Cima, Giovanni Andrea) for soprano, bass and continuo |
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| Vadam et circuibo (Cima, Giovanni Andrea) for 4 voices and continuo |
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| Sonata No. 2 (Castello, Dario) for continuo and 2 sopranos |
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| Sonata No. 8 (Castello, Dario) for bassoon, violin and continuo |
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| Sonata No. 9 (Castello, Dario) for bassoon, 2 violins and continuo |
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| Sonata No. 10 (Castello, Dario) for bassoon, 2 violins and continuo |
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| Sonata No. 11 (Castello, Dario) for bassoon, 2 violins and continuo |
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| Sonata No. 12 (Castello, Dario) for trombone, 2 violins and continuo |
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| Sonata No. 7 (Castello, Dario) for bassoon, violin and continuo |
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| Trio Sonata in A minor, HasB 5/1 (Bassani, Giovanni Battista) for 2 sopranos, bass and continuo |
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| Sonata No. 4 (Castello, Dario) for trombone, continuo and soprano |
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| Sonata No. 5 (Castello, Dario) for trombone, continuo and soprano |
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| Sonata No. 6 (Castello, Dario) for trombone, continuo and soprano |
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| Cantate Domino (Cima, Giovanni Andrea) for voices and continuo |
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| Quam pulchrae sunt (Cima, Giovanni Andrea) for soprano, bass and continuo |
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| Das newgebohrne Kindelein, BuxWV 13 (Buxtehude, Dietrich) for soprano, alto, tenor, bass, bassoon, 3 violins and continuo or mixed chorus, bassoon, 3 violins and continuo or soprano, alto, tenor, bass, 3 violins, violone and continuo or mixed chorus, 3 violins, violone and continuo or soprano, alto, tenor, bass, strings and continuo or mixed chorus, strings and continuo |
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| Sonata No. 1 (Castello, Dario) for continuo and 2 sopranos |
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| Sonata No. 3 (Castello, Dario) for continuo and 2 sopranos |
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| Veni sponsa Christi (Cima, Giovanni Paolo) for alto and continuo |
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| Surge propera (Cima, Giovanni Paolo) for continuo and 2 sopranos or soprano, tenor and continuo |
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| Ad te desiderat (Cima, Giovanni Paolo) for soprano, bass and continuo |
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| Adiuro vos, filiae Hierusalem (Cima, Giovanni Paolo) for soprano and continuo or tenor and continuo |
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| Beati (Cima, Giovanni Paolo) for soprano, bass and continuo |
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| Benedicam Dominum (Cima, Giovanni Paolo) for soprano, tenor and continuo |
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| Cantantibus organis (Cima, Giovanni Paolo) for alto and continuo |
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| Cantate Domino (Cima, Giovanni Paolo) for continuo and 2 basses |
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| Confitemini Domino (Cima, Giovanni Paolo) for soprano and continuo or tenor and continuo |
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| Cor mundum (Cima, Giovanni Paolo) for soprano, bass and continuo |
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| Exaudi Domine (Cima, Giovanni Paolo) for soprano, tenor and continuo |
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| Iubilate Deo (Cima, Giovanni Paolo) for soprano, alto and continuo |
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| Iustus ut palma florebit (Cima, Giovanni Paolo) for continuo and 2 basses |
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| Nativitas tua Dei genitrix (Cima, Giovanni Paolo) for soprano and continuo |
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| O Domine (Cima, Giovanni Paolo) for soprano, bass and continuo |
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| O dulcedo meliflua (Cima, Giovanni Paolo) for soprano and continuo |
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| O Sacrum (Cima, Giovanni Paolo) for continuo and 2 sopranos or soprano, tenor and continuo |
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| O vos omnes (Cima, Giovanni Paolo) for soprano, bass and continuo |
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| Quam pulchra es (Cima, Giovanni Paolo) for soprano, alto and continuo |
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| Concerti Ecclesiastici (Cima, Giovanni Paolo) for voice and continuo or 2 voices and continuo or 3 voices and continuo or 4 voices and continuo or 5 voices and continuo or 8 voices and continuo or cornett, trombone and continuo or soprano, bass and continuo or violin, violone and continuo or cornett, violin, violone and continuo or cornett, trombone, violin, violone and continuo or soprano, alto, tenor, bass and continuo |
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| Gustate et videte (Cima, Giovanni Paolo) for 2 sopranos, bass and continuo or soprano, tenor, bass and continuo |
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| Vidi speciosam (Cima, Giovanni Paolo) for 2 sopranos, tenor and continuo |
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| Vulnerasti cor meum (Cima, Giovanni Paolo) for soprano, tenor, bass and continuo |
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| Mirabile mysterium (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Misericordias tuas (Cima, Giovanni Paolo) for 2 sopranos, alto, tenor, bass and continuo |
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| Sonata for Violin and Violone (Cima, Giovanni Paolo) for violin, violone and continuo |
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| Ardens est (Cima, Giovanni Paolo) for soprano, tenor, bass and continuo |
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| Assumpta est Maria (Cima, Giovanni Paolo) for 2 sopranos, 2 altos, 2 tenors, 2 basses and continuo |
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| Beata es Virgo Maria (Cima, Giovanni Paolo) for 2 sopranos, bass and continuo |
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| Capriccio (Cima, Giovanni Paolo) for soprano, bass and continuo |
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| Confitebor (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Ecce Maria (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Egrediamur (Cima, Giovanni Paolo) for soprano, alto, tenor and bass or soprano, alto, tenor, bass and continuo |
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| Exaudi Deus (Cima, Giovanni Paolo) for soprano, alto, bass and continuo |
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| Falsa Bordoni (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Gaudeamus omnes in Domino (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Haec dies (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Laudate Dominum (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Magnificat Quinti Toni (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Magnificat Sesti Toni (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Messa (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Non turbetur (Cima, Giovanni Paolo) for soprano, alto, bass and continuo |
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| O altitudo divitiarum (Cima, Giovanni Paolo) for soprano, alto, tenor and continuo or alto, tenor, bass and continuo |
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| Ornaverunt (Cima, Giovanni Paolo) for 2 sopranos, alto, tenor, bass and continuo |
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| Quae est illa (Cima, Giovanni Paolo) for 2 sopranos, tenor and continuo |
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| Sonata à 4 (Cima, Giovanni Paolo) for soprano, alto, tenor, bass and continuo |
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| Sonata for Cornetto and Trombone (Cima, Giovanni Paolo) for cornett, trombone and continuo or violin, violone and continuo |
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| Sonata for Violin, Cornetto and Violone (Cima, Giovanni Paolo) for cornett, violin, violone and continuo |
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| Violin Sonata in C major, F 1475.03 (Fontana, Giovanni Battista) for violin and continuo |
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| Violin Sonata in C major, F 1475.01 (Fontana, Giovanni Battista) for violin and continuo |
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| Canzon à basso solo, F 8.07c (Frescobaldi, Girolamo) for bass and continuo |
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| Canzon à canto e basso, F 8.19c (Frescobaldi, Girolamo) for soprano, bass and continuo |
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| Canzon à canto e basso, F 8.20c (Frescobaldi, Girolamo) for soprano, bass and continuo |
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| Canzon à canto e basso, F 8.22c (Frescobaldi, Girolamo) for soprano, bass and continuo |
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| Canzon à canto e basso, F 8.23c (Frescobaldi, Girolamo) for soprano, bass and continuo |
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| Canzon à canto e basso, F 8.24c (Frescobaldi, Girolamo) for soprano, bass and continuo |
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| Canzon à due bassi e canto, F 8.26c (Frescobaldi, Girolamo) for continuo, soprano and 2 basses |
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| Canzon à due bassi e canto, F 8.28c (Frescobaldi, Girolamo) for continuo, soprano and 2 basses |
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| Canzon à due bassi e canto, F 8.29c (Frescobaldi, Girolamo) for continuo, soprano and 2 basses |
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| Canzon à due bassi, F 8.15c (Frescobaldi, Girolamo) for continuo and 2 basses |
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| Canzon à due bassi, F 8.16c (Frescobaldi, Girolamo) for continuo and 2 basses |
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| Canzon à due bassi, F 8.17c (Frescobaldi, Girolamo) for continuo and 2 basses |
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| Canzon à due bassi, F 8.18c (Frescobaldi, Girolamo) for continuo and 2 basses |
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| Canzon à due canti e basso, F 8.30c (Frescobaldi, Girolamo) for 2 sopranos, bass and continuo |
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| Canzon à due canti e basso, F 8.31c (Frescobaldi, Girolamo) for 2 sopranos, bass and continuo |
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| Canzon à due canti e basso, F 8.32c (Frescobaldi, Girolamo) for 2 sopranos, bass and continuo |
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| Canzon à due canti e basso, F 8.33c (Frescobaldi, Girolamo) for 2 sopranos, bass and continuo |
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| Canzon à due canti e basso, F 8.34c (Frescobaldi, Girolamo) for 2 sopranos, bass and continuo |
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| Canzon à due canti, F 8.12c (Frescobaldi, Girolamo) for continuo and 2 sopranos |
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| Canzon à quattro, F 8.46c (Frescobaldi, Girolamo) for soprano, alto, tenor, bass and continuo |
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| Canzon à quattro, F 8.47c (Frescobaldi, Girolamo) for soprano, alto, tenor, bass and continuo |
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| Canzon à basso solo, F 8.06c (Frescobaldi, Girolamo) for bass and continuo |
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| Canzon à quattro, F 8.42c (Frescobaldi, Girolamo) for soprano, alto, tenor, bass and continuo |
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| Canzon à quattro sopra Rugier, F 8.44c (Frescobaldi, Girolamo) for soprano, alto, tenor, bass and continuo |
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| Canzon à quattro sopra Romanesca, F 8.45c (Frescobaldi, Girolamo) for soprano, alto, tenor, bass and continuo |
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| Canzon à canto solo, F 8.01c (Frescobaldi, Girolamo) for soprano and continuo |
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| Canzon à canto solo, F 8.02c (Frescobaldi, Girolamo) for soprano and continuo |
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| Canzon à canto solo, F 8.04c (Frescobaldi, Girolamo) for soprano and continuo |
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| Canzon à due canti e due bassi, F 8.39c (Frescobaldi, Girolamo) for continuo, 2 sopranos and 2 basses |
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| Canzon à due canti e due bassi, F 8.35c (Frescobaldi, Girolamo) for continuo, 2 sopranos and 2 basses |
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| Canzon à due canti e due bassi, F 8.38c (Frescobaldi, Girolamo) for continuo, 2 sopranos and 2 basses |
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| Canzon à due canti e due bassi, F 8.40c (Frescobaldi, Girolamo) for continuo, 2 sopranos and 2 basses |
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| Canzon à canto solo, F 8.05c (Frescobaldi, Girolamo) for soprano and continuo |
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| Canzon à due canti, F 8.14c (Frescobaldi, Girolamo) for continuo and 2 sopranos |
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| Canzon à canto e basso, F 8.21c (Frescobaldi, Girolamo) for soprano, bass and continuo |
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| Canzon à due canti, F 8.10c (Frescobaldi, Girolamo) for continuo and 2 sopranos |
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| Canzon à due canti, F 8.11c (Frescobaldi, Girolamo) for continuo and 2 sopranos |
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| Canzoni da sonare a una, due, tre et quattro (Frescobaldi, Girolamo) for soprano and continuo or bass and continuo or soprano, bass and continuo or continuo and 2 sopranos or continuo and 2 basses or continuo, soprano and 2 basses or 2 sopranos, bass and continuo or continuo, 2 sopranos and 2 basses or soprano, alto, tenor, bass and continuo |
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| Canzon à quattro, F 8.48c (Frescobaldi, Girolamo) for soprano, alto, tenor, bass and continuo |
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| Canzon à due bassi e canto, F 8.25c (Frescobaldi, Girolamo) for continuo, soprano and 2 basses |
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| Canzon à basso solo, F 8.09c (Frescobaldi, Girolamo) for bass and continuo |
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| Quel fior che all'alba ride, HWV 154 (Handel, George Frideric) for soprano and continuo |
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| Dies ist der Gotteskinder Last, TWV 1:356 (Telemann, Georg Philipp) for voice, oboe and continuo |
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| Canzon vigesimanona à 8, F 8.54 (Frescobaldi, Girolamo) for 2 sopranos, 2 altos, 2 tenors, 2 basses and continuo |
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| Poi che ad Irene (Gabrielli, Domenico) for soprano and continuo |
vocal score |
| Recorder Sonata in A minor, Op. 2 No. 9 (Valentine, Robert) for recorder and continuo or flute and continuo |
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| Recorder Sonata in E minor, Op. 2 No. 7 (Valentine, Robert) for recorder and continuo or flute and continuo |
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| Canzon terzadecima à 4, F 8.52 (Frescobaldi, Girolamo) for continuo and 4 Unspecified instruments or soprano, alto, tenor, bass and continuo |
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| Canzon vigesimaprima à 5, F 8.53 (Frescobaldi, Girolamo) for 2 sopranos, alto, tenor, bass and continuo or continuo and 5 Unspecified instruments |
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| All'ombra di sospetto, RV 678 (Vivaldi, Antonio) for soprano, flute and continuo |
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| Prime parte: Giunto è pur Lidia from Giunto è pur Lidia, il mio, F 5.11 (Frescobaldi, Girolamo) for 5 voices |
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| Seconda parte: Ecco l’ora, ecco ch’io from Giunto è pur Lidia, il mio, F 5.11 (Frescobaldi, Girolamo) for 5 voices |
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| Terza parte: Lidia ti lasso ahi lasso from Giunto è pur Lidia, il mio, F 5.11 (Frescobaldi, Girolamo) for 5 voices |
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| Passacalle (Falconieri, Andrea) for 2 violins, cello and continuo or 3 viols and continuo |
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| L'Austria (Falconieri, Andrea) for 2 violins, cello and continuo or 3 viols and continuo |
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