Scores with René Matei as editor

Composition Score attributes
Missa L’homme armé (Ockeghem, Johannes) for mixed chorus or soprano, alto, tenor and bass
Practica musicae (Gaffurius, Franchinus) selections
Dodecachordon (Glareanus, Henricus) selections
De arte canendi (Heyden, Sebald)
De arte canendi (Heyden, Sebald) selections
Instrumental canons from Compendium musicae (Gumpelzhaimer, Adam) for 2 voices or 3 voices or 4 voices
Clausula 'Vir(-go)' from Magnus Liber Organi (Various) for voice or 2 voices or 3 voices or 4 voices
Trent Codices (Various) selections
Bicinia gallica, latina, germanica, Tomus 1 (Rhau, Georg) for 2 voices or 3 voices selections
Canzoni francese a due voci, Libro 1 (Gardano, Antonio) for 2 voices selections
Missa L'homme armé super voces musicales, NJE 6.3 (Josquin Desprez) for 4 voices
Quel fronte signorille (Dufay, Guillaume) for 3 voices or 3 voices or 2 voices or voice
Missa L'homme armé (La Rue, Pierre de) for 4 voices
Dona i ardenti (Dufay, Guillaume) for 3 voices
Anima mea liquefacta est (Power, Leonel) for 3 voices
Monsieur (Anonymous) for 3 voices
Ce j'eusse fait ce que je pence (Lantins, Hugo de) for 3 voices
Vince con lena (Bartolomeo da Bologna) for 3 voices
Contrapuncti (Tinctoris, Johannes) for 2 Unspecified instruments
Ideoque quod nascetur (Isaac, Heinrich) for 4 voices
Musica (Alcuin)
Piae vocis laudes (Isaac, Heinrich) for 4 voices
Dico ego opera (Isaac, Heinrich) for 4 voices or mixed chorus
Amans ames (Cordier, Baude) for soprano and 2 tenors
Missa 'Si dedero' (Obrecht, Jacob) for 4 voices
Bicinium (Bellermann, Heinrich) for soprano and tenor or soprano and tenor
Fuga in subdiapente (Anonymous) for soprano and tenor or soprano and tenor
De touz max (De Champagne, Thibaut) for voice


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