Works with René Matei as editor

Scores

Composition Attributes
Missa L’homme armé (Ockeghem, Johannes) for mixed chorus
soprano, alto, tenor and bass
Practica musicae (Gaffurius, Franchinus) for selections
Dodecachordon (Glareanus, Henricus) for selections
De arte canendi (Heyden, Sebald) for
De arte canendi (Heyden, Sebald) for selections
Instrumental canons from Compendium musicae (Gumpelzhaimer, Adam) for 2 voices
3 voices
4 voices
Clausula 'Vir(-go)' from Magnus Liber Organi (Various) for voice
2 voices
3 voices
4 voices
Trent Codices (Various) for selections
Bicinia gallica, latina, germanica, Tomus 1 (Rhau, Georg) for 2 voices
3 voices
selections
Canzoni francese a due voci, Libro 1 (Gardano, Antonio) for 2 voices selections
Missa L'homme armé super voces musicales, NJE 6.3 (Josquin Desprez) for 4 voices
Quel fronte signorille (Dufay, Guillaume) for 3 voices
3 voices
2 voices
voice
Missa L'homme armé (La Rue, Pierre de) for 4 voices
Dona i ardenti (Dufay, Guillaume) for 3 voices
Anima mea liquefacta est (Power, Leonel) for 3 voices
Monsieur (Anonymous) for 3 voices
Ce j'eusse fait ce que je pence (Lantins, Hugo de) for 3 voices
Vince con lena (Bartolomeo da Bologna) for 3 voices
Contrapuncti (Tinctoris, Johannes) for 2 Unspecified instruments
Ideoque quod nascetur (Isaac, Heinrich) for 4 voices
Musica (Alcuin) for
Piae vocis laudes (Isaac, Heinrich) for 4 voices
Dico ego opera (Isaac, Heinrich) for 4 voices
mixed chorus
Amans ames (Cordier, Baude) for soprano and 2 tenors
Missa 'Si dedero' (Obrecht, Jacob) for 4 voices
Bicinium (Bellermann, Heinrich) for soprano and tenor
soprano and tenor
Fuga in subdiapente (Anonymous) for soprano and tenor
soprano and tenor
De touz max (De Champagne, Thibaut) for voice


©2025 David P. Anderson