Scores with René Matei as editor

Composition Score attributes
Missa L’homme armé (Ockeghem, Johannes) for mixed chorus or soprano, alto, tenor and bass —
Practica musicae (Gaffurius, Franchinus) selections
Dodecachordon (Glareanus, Henricus) selections
De arte canendi (Heyden, Sebald) —
De arte canendi (Heyden, Sebald) selections
Instrumental canons from Compendium musicae (Gumpelzhaimer, Adam) for 2 voices or 3 voices or 4 voices —
Clausula 'Vir(-go)' from Magnus Liber Organi (Various) for voice or 2 voices or 3 voices or 4 voices —
Trent Codices (Various) selections
Bicinia gallica, latina, germanica, Tomus 1 (Rhau, Georg) for 2 voices or 3 voices selections
Canzoni francese a due voci, Libro 1 (Gardano, Antonio) for 2 voices selections
Missa L'homme armé super voces musicales, NJE 6.3 (Josquin Desprez) for 4 voices —
Quel fronte signorille (Dufay, Guillaume) for 3 voices or 3 voices or 2 voices or voice —
Missa L'homme armé (La Rue, Pierre de) for 4 voices —
Dona i ardenti (Dufay, Guillaume) for 3 voices —
Anima mea liquefacta est (Power, Leonel) for 3 voices —
Monsieur (Anonymous) for 3 voices —
Ce j'eusse fait ce que je pence (Lantins, Hugo de) for 3 voices —
Vince con lena (Bartolomeo da Bologna) for 3 voices —
Contrapuncti (Tinctoris, Johannes) for 2 Unspecified instruments —
Ideoque quod nascetur (Isaac, Heinrich) for 4 voices —
Musica (Alcuin) —
Piae vocis laudes (Isaac, Heinrich) for 4 voices —
Dico ego opera (Isaac, Heinrich) for 4 voices or mixed chorus —
Amans ames (Cordier, Baude) for soprano and 2 tenors —
Missa 'Si dedero' (Obrecht, Jacob) for 4 voices —
Bicinium (Bellermann, Heinrich) for soprano and tenor or soprano and tenor —
Fuga in subdiapente (Anonymous) for soprano and tenor or soprano and tenor —
De touz max (De Champagne, Thibaut) for voice —


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