Composition: Trattenimenti per camera, Op. 22 (Cazzati, Maurizio)
| Title | Trattenimenti per camera |
| Alternative title | Trattenimenti per camera d'arie, correnti, e balletti, a due violini, e violone, se piace, con passacaglio, ciaccona, & un capriccio sopra 12 note |
| Creators | Maurizio Cazzati (composer) |
| Opus | Op.22 |
| Instrumentation | 2 violins and continuo |
| Number of movements | — |
| Keys | — |
| Composed | — |
| First published | 1660 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Suites, Airs, Courantes, Balletti, Chaconnes |
| Period | Baroque |
| View on IMSLP |  |
| Code |  |
Sections
(No sections)
Arrangements
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Complete | trumpet, violin and organ | Michel Rondeau |
Scores
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | — | — | Complete Score · view Engraving files (PMX/laTeX/shell-script ) · view |
| view | Complete | Arrangement for trumpet, violin and organ |
— | — | Complete score · view Trumpet (C) · view Trumpet (D) · view Violin · view Organ · view Engraving files (Finale & XML) · view |
Recordings/Performances
| Details | Type | Arranged for | Files |
|---|---|---|---|
| view | Synthesized | — | 1. Aria Prima Parte, Seconda Parte, Terza et Ultima Parte · file 2. Ballo del Aria, Sua Corrente · file 3. Ballo delle Dame, Sua Corrente · file 4.Ballo de Cavaglieri, Sua Corrente · file 5. Ballo de Contadini, Sua Corrente · file 6. Ballo de Tedeschi, Sua Corrente · file 7. Ballo de Sateri, Sua Corrente · file 8. Ballo de Matracini, Sua Corrente · file 9. Ballo delle Ombre, Sua Corrente · file 10. Ballo delle Nonfe, Sua Corrente · file 11. 12. Brando primo, Brando secondo · file 13. Passacaglio · file 14. Ciaccona · file |
| view | Synthesized | For Trumpet, Violin and Organ (Rondeau) | Virtual performance · file Virtual performance · file |
©2025 David P. Anderson