| Title | Cantiques, chants, psaumes et hymnes |
| Alternative title | Cantiques de Salomon Rossi: chants, psaumes et hymnes à 3, 4, 5, 6, 7 et 8 voix |
| Creators | Salamone Rossi (composer) |
| Opus | |
| Instrumentation | 3 voices 4 voices 5 voices 6 voices 7 voices 8 voices |
| Number of movements | 30 |
| Keys | — |
| Composed | — |
| First published | — |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Psalms, Hymns, Canticles |
| Language | Hebrew |
| Period | Baroque |
| View on IMSLP | ![]() |
| Code |
| Title click for details |
Metronome | Key | Measures |
|---|---|---|---|
| Bar’chu èt adonai, à 3 (→benediction) | — | — | — |
| Jit gaddal, à 3 (→elevation) | — | — | — |
| שיר המעלות - Psalm 128, à3 | — | — | — |
| Mizmor leasaf – Psalm 82, à3 | — | — | — |
| Lamna tsêach – Psalm 12, à3 | — | — | — |
| Naaritse cha vehak, à4 (Hymn→sanctification) | — | — | — |
| Adon ōlam aschér, à4, (Hymn) | — | — | — |
| Psalm 67, à4 | — | — | — |
| Psalm 80, à4 | — | — | — |
| Al na ha rot Babel – Psalm 137, à4 | — | — | — |
| Psalm 146, à4 | — | — | — |
| Psalm 8, à5 | — | — | — |
| Psalm 100, à5 | — | — | — |
| Psalm 126, à5 | — | — | — |
| Psalm 128, à5 | — | — | — |
| Haschkibenu adonai, à5 (evening hymn) | — | — | — |
| Yesusum midbar vetsiyah, à5 | — | — | — |
| Psalm 128, à6 | — | — | — |
| Psalm 121, à6 | — | — | — |
| Psalm 118, 20, à6 | — | — | — |
| Psalm 118, 26, à6 | — | — | — |
| Psalm 29, à6 | — | — | — |
| Eftach na sefattai, à7 | — | — | — |
| Eftach schir bisfatai, à8 | — | — | — |
| En kêlohênu, à8 | — | — | — |
| Yigdal élohim, à8 | — | — | — |
| Adon ōlam aschér, à8, (Hymn) | — | — | — |
| Psalm 112, à8 | — | — | — |
| Psalm 58, à8 | — | — | — |
| L’mi échpots laāsot, à8 (→wedding) | — | — | — |
(No arrangements)
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | Paris: S. Naumbourg | — | Complete Score · view |
(No recordings)
©2025 David P. Anderson