Composition: Fantasias of 3 Parts (Gibbons, Orlando)
| Title | Fantazies of III parts |
| Alternative title | Fantasies of Three Parts. (...) Cut in Copper, the like not heretofore extant. |
| Creators | Orlando Gibbons (composer) |
| Opus | |
| Instrumentation | alto, tenor and bass 3 viols |
| Number of movements | — |
| Keys | — |
| Composed | — |
| First published | 1620 |
| Dedication | Mr. Edward Wray |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Fantasias |
| Period | Renaissance |
| View on IMSLP |  |
| Code |  |
Sections
(No sections)
Arrangements
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Complete | 3 guitars | Bernd Goldau |
Scores
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | London: at the Bell | — | Complete Parts · view Complete Parts · view Altus & Bassus · view |
| view | Complete | — | Chappell | — | Complete Score · view |
| view | Complete | — | Dr. Phillip W. Serna | — | Complete Score · view Viol 1 (Treble Clef) · view Viol 2 (Alto Clef) · view Viol 2 (Treble Clef) · view Viol 2 (Octave Treble Clef) · view Viol 3 (Bass Clef) · view Viol 3 (Alto Clef) · view Viol 3 (Octave Treble Clef) · view |
| view | Complete | Arrangement for 3 guitars |
— | — | Complete Score · view |
Recordings/Performances
| Details | Type | Section | Performers | Arranged for | Files | |
|---|---|---|---|---|---|---|
| view | Synthesized | Complete | Phillip Serna (double bass) | For Treble Viol, Tenor Viol and Bass Viol (Serna) | Fantasia, VdGS No.1 · file Fantasia, VdGS No.2 · file Fantasia, VdGS No.3 · file Fantasia, VdGS No.4 · file Fantasia, VdGS No.5 · file Fantasia, VdGS No.6 · file Fantasia, VdGS No.7 · file Fantasia, VdGS No.8 · file Fantasia, VdGS No.9 · file |
|
| view | Synthesized | Synthesized | Selections | — | Fantasia, VdGS 1 · file Fantasia, VdGS 2 · file Fantasia, VdGS 3 · file Fantasia, VdGS 4 · file |
©2025 David P. Anderson