| Composition |
Published |
| Agathe: Wenn die Schwalben heimwärts ziehn (No.1) from Arrangement of Agathe: Wenn die Schwalben heimwärts ziehn (No.1) from 7 Lieder aus dem Buche der Liebe, Op. 39 (Abt, Franz) for voice and piano |
1851 |
| Soirées musicales de Rossini, S.424 (Liszt, Franz) for piano |
|
| Wedding March (No.9) from Arrangement of Wedding March (No.9) from A Midsummer Night's Dream, incidental music, Op. 61 (Mendelssohn, Felix) for piano |
1850 |
| Arrangement of The Last Rose of Summer, Op. 159 (Herz, Henri) for piano 4 hands |
|
| Blätterrauschen, Op. 294 (Lange, Gustav) for piano |
1906 |
| Ah, non credea mirarti from Arrangement of Ah, non credea mirarti from La sonnambula (Bellini, Vincenzo) for piano |
|
| Overture from Arrangement of Overture from Jean de Paris (Boieldieu, François Adrien) for piano |
|
| Instructions for the Pedal Harp (Weipert, John Erhardt) for harp |
|
| Arrangement of I'm Saddest When I Sing (Bishop, Henry Rowley) for voice and guitar |
1842 |
| Marche funebre (Blessner, Gustav) for piano |
1842 |
| Cavatina brillante: Le Sultan Misapouf from L'ambassadrice (Auber, Daniel François Esprit) for voices, mixed chorus and orchestra |
1844 |
| A Collection of New Cotillons (Johnson, Francis) for keyboard |
1818 |
| Variations on Rule Britannia (Latour, Theodore) for piano |
|
6 Diverses pièces, Op. 1 (Schulz, Johann Abraham Peter) for harpsichord
piano
keyboard |
1877 |
| Students Serenade from Arrangement of Students Serenade from Donna Juanita (Suppé, Franz von) for voice and piano |
|
| Arrangement of The Hero of New Orleans (Laroque, Philippe) for piano |
|
| Union Quick Step (Hewitt, John Hill) for piano |
1851 |
| The Battle of Buena Vista, Op. 101 (Grobe, Charles) for piano |
1847 |
| No.2 in B flat major from 3 Sonatas, Op. 52 (Kuhlau, Friedrich) for piano |
1885 |
| Florida (Blessner, Gustav) for piano |
1842 |
| Open Thy Lattice Love (Foster, Stephen) for voice and piano |
|
| Betty (Lenschow, Charles) for piano |
1849 |
| Creator Alme Siderum (Lenschow, Charles) for voice and organ |
1885 |
| Brunhilda (Scheidler, C.A.) for piano |
1876 |
| Adelia Gallop (Rohbock, Henry) for piano |
1846 |
| Pauline (Blessner, Gustav) for piano |
1842 |
| Waltz in E-flat major (Strack, Louis) for piano |
1841 |
| Baltimore Museum (Müller, Julius E.) for piano |
1844 |
| Arrangement of Don't Be Angry Mother (Adams, J.) for voice and guitar |
1852 |
| The Rose, Op. 16 (Lenschow, Charles) for voice and piano |
1850 |
| The Gipsey's Serenade (Allan, Edward) for voice and piano |
1839 |
| Shockoe Hill Valse et Polka (Amici, Vincenzo) for piano |
|
| The Dream is Past (Glover, Stephen Ralph) for |
1841 |
| Arrangement of The Dream is Past (Glover, Stephen Ralph) for voice and guitar |
1841 |
| The Gipsey Girl (Glover, Stephen Ralph) for voice and piano |
|
| Betty Polka, with variations, Op. 147 (Grobe, Charles) for piano |
1850 |
| El Sinsonte del Camagüey (Grobe, Charles) for piano |
1842 |
| Charleston Waltz (Rohbock, Henry) for piano |
1845 |
| Governor Porter's March (Glover, Stephen Ralph) for piano |
1845 |
| La Marseillaise (Rouget de Lisle, Claude-Joseph) for voices |
|
6 Sonatas for Keyboard and Violin, Op. 3 (Nicolai, Valentino) for violin and harpsichord
violin and piano |
|
| Sunday Evening Hymn (Engelbrecht, J. C.) for harmonium |
1876 |
| 6 Waltzes, Anh.14 (Beethoven, Ludwig van) for piano |
|
| Arrangement of Why Do I Weep (Barnett, John) for voice and guitar |
|
The Victory of Salamanca (Gildon, John) for piano
violin and piano |
|
| Arrangement of Yesterday (Blockley, John) for voice and guitar |
1846 |
| The Oakland Waltzes (Schmitz, Adolph) for piano |
1847 |
| Arrangement of Lubly Fan Will You Cum Out To Night? (Hodges, John) for voice and guitar |
1846 |
| Girls Beware (Hewitt, John Hill) for voice and piano |
1832 |
| Our Native Land (Hewitt, John Hill) for voice and piano |
1833 |
| We're out upon the moonlit wave (Hewitt, John Hill) for voice and piano |
1845 |
| Arrangement of We're out upon the moonlit wave (Hewitt, John Hill) for voice and guitar |
1846 |
| The Sea Bird (Hewitt, John Hill) for voice and piano |
1834 |
| The Light Canoe (Hewitt, John Hill) for voice and piano |
|
| Fatherland! Dear Fatherland! (Hewitt, John Hill) for voice and piano |
1836 |
| Evening Hymn (Peters, William Cumming) for mixed chorus and piano |
1838 |
| Shall we meet again Mary (Peters, William Cumming) for |
|
| Our Hearts Are With Our Native Land (Hewitt, John Hill) for voice and piano |
1836 |
| Arrangement of Gie each a cup & fill it fu (Drake, James G.) for voice and piano |
1840 |
| The Bugle Horn (Hewitt, John Hill) for voice and piano |
|
| Oh! Mount Thy Bright and Gallant Steed (Hewitt, John Hill) for voice and piano |
1831 |
| The Lake Spirit's Song (Hewitt, John Hill) for voice and piano |
1836 |
| Village Belle (Hewitt, John Hill) for voice and piano |
1836 |
| The Oddfellow's March (Hewitt, John Hill) for piano |
1838 |
| O K Gallopade (Hewitt, John Hill) for piano |
1840 |
| The Betrothed (Hewitt, John Hill) for voice and piano |
1840 |
| Mr. & Mrs. Snibbs (Hewitt, John Hill) for 2 voices and piano |
1842 |
| The Whig Rally (Hewitt, John Hill) for voice and piano |
1844 |
| We're Afloat (Hewitt, John Hill) for voice and piano |
1844 |
| I'm Still Thine Own (Hewitt, John Hill) for voice and piano |
1844 |
| Oh! Give Me the Mountains (Hewitt, John Hill) for voice and piano |
1845 |
| Oh! Have I Not Been True to Thee (Hewitt, John Hill) for voice and piano |
|
| Leap O'er the Waves (Hewitt, John Hill) for voice and piano |
|
| Look from Thy Lattice, Gentle Lady (Hewitt, John Hill) for voice and piano |
|
| My Heart's with Thee (Hewitt, John Hill) for voice and piano |
|
| Sing, and Remember Me (Peters, William Cumming) for voice and piano |
|
| Sonate militaire (Vanhal, Johann Baptist) for piano |
|
| There's Love for You & Me (Hewitt, John Hill) for voice and piano |
|
Musette de Nina (Dalayrac, Nicolas) for harp
piano |
|
| Gaily the Troubadour (Herz, Henri) for piano |
|
| She Wept to Know She Lov'd (Peters, William Cumming) for voice and piano |
1850 |
| The Loved One (Hewitt, John Hill) for voice and piano |
1850 |
Variations on the Favorite Swiss Waltz (Moran, Peter K.) for harp
piano |
|
| Why Comes He Not? (Hewitt, John Hill) for voice and piano |
1836 |
| Lady Awaken (Hewitt, John Hill) for voice and piano |
1844 |
| The Old Elm Tree (Hewitt, John Hill) for voice and piano |
1842 |
| While the Evening Star Was Shining (Hewitt, John Hill) for voice and piano |
1839 |
| Cremona Waltz (Hewitt, John Hill) for piano |
1839 |
| The Knight from Palestine (Hewitt, John Hill) for voice and piano |
|
Grand Military Waltz (Hewitt, John Hill) for piano
wind ensemble, brass ensemble and percussion |
1836 |
| Far O'er the Deep Blue Sea (Hewitt, John Hill) for voice and piano |
1834 |
The Mountain Bugle (Hewitt, John Hill) for voice and piano
2 voices and piano |
1839 |
| Rosalie Clare (Hewitt, John Hill) for voice and piano |
1833 |
| Oh! Soon Return (Hewitt, John Hill) for voice and piano |
1829 |
| Magnolia Polka (Hewitt, John Hill) for piano |
1851 |
| The Fairy Bridal (Hewitt, John Hill) for soprano, alto, tenor, bass, mixed chorus and piano |
1851 |
| Sweet Kitty Neal (Hewitt, John Hill) for voice and piano |
1851 |
| The American Boy (Hewitt, John Hill) for voice and piano |
1851 |
| The Flag of Cuba (Hewitt, John Hill) for voice and piano |
1851 |
| Do I Not Love Thee (Hewitt, John Hill) for voice and piano |
1852 |
| El Dorado Polka (Hewitt, John Hill) for piano |
1852 |
| Happy Land Waltz (Hewitt, John Hill) for piano |
1852 |
| I Knew Thou Would'st Return (Hewitt, John Hill) for voice and piano |
1852 |
| I Would Not Die at All (Hewitt, John Hill) for voice and piano |
1852 |
| The Boarding School (Hewitt, John Hill) for piano |
1852 |
| The Fine Old Southern Lady (Hewitt, John Hill) for voice, mixed chorus and piano |
1852 |
| The Indian Polka (Hewitt, John Hill) for piano |
1852 |
| The Jackdaws (Hewitt, John Hill) for voice and piano |
1852 |
| Loely Anna (Hewitt, John Hill) for voice and piano |
1859 |
| Anna Maryè (Hewitt, John Hill) for voice and piano |
1860 |
| I Love My Native Land the Best (Hewitt, John Hill) for voice, mixed chorus and piano |
1860 |
| Eleanora Waltz (Hewitt, John Hill) for piano |
|
| Piney Point Waltz (Hewitt, John Hill) for piano |
|
| The Ladie's Man (Hewitt, John Hill) for voice and piano |
|
Nos.3-4 from 12 Bacchanales for Piano and Tambourine (Steibelt, Daniel) for percussion and piano
piano |
|
| The Saint of Erins Isle (Hewitt, John Hill) for voice and piano |
|
| Forget Me Not Waltz (Schreiner, Hermann L.) for piano |
|
| The Forget Me Not (Kleber, Henry) for voice and piano |
|
| Souvenir Gallop (Kleber, Henry) for piano |
|
| The Clifton Waltz (Knight, Joseph Philip) for piano |
1839 |
Military Divertimento (Holst, Matthias) for harp
piano |
|
The Smile of Contentment and Love (Monro, John) for voice and harp
voice and piano |
|
| Arrangement of Polka Militaire (Gungl, Joseph) for piano 4 hands |
1850 |
| Fleurs mélodiques d'Opéras favoris, Op. 170 (Krug, Diederich) for piano |
|
| A Summer Evening (Schaeffer, Julian K.) for piano |
|
| Moins que rien (Cramer, Johann Baptist) for piano |
|
Medley in C major (Moller, John Christopher) for harpsichord
piano |
|
| Die Fantasten, Op. 50 (Zikoff, Friedrich) for piano |
|
| Variations on The Queen of Prussia's Waltz (Gelinek, Joseph) for piano |
|
| The Blind Minstrel (Bishop, Henry Rowley) for voice and piano |
|
| I Wish I Was by That Dim Lake (Bishop, Henry Rowley) for voice and piano |
|
| Native Land (Bishop, Henry Rowley) for voices, mixed chorus and orchestra |
|
| Native Land (Bishop, Henry Rowley) for voices, mixed chorus and orchestra |
|
| Arrangement of Planxty Irwine (Carolan, Turlough) for voice and piano |
|
| Oh! Still Remember Me (Bishop, Henry Rowley) for voice and piano |
|
| Arrangement of Marie, Op. 162 (Gungl, Joseph) for piano |
|
| Pretty Sophy (Bishop, Henry Rowley) for voice and piano |
|
| See, the Dawn from Heaven (Bishop, Henry Rowley) for 2 sopranos, tenor and piano |
|
| Rondo on a Turkish March (Steibelt, Daniel) for piano |
|
| The Gazelle (Bishop, Henry Rowley) for 2 voices and piano |
|
| Yes! the Die is Cast, Op. 219 (Grobe, Charles) for piano |
|
| The Sword of Robert Lee (Ide, E. Louis) for voice and piano |
|
| Bird of Beauty Polka (Krummacher, Hans) for piano |
|
| President Pierce's March (Lignoski, B. R.) for piano |
|
| Southern Right's March (Lignoski, B. R.) for piano |
|
| Skippy Schottisch (Lopke, C. A.) for piano |
|
| Water Lily Polka (Magruder, James E.) for piano |
|
| Thou Art Gone from My Gaze, Op. 11 (Martellini, Charles de) for piano |
|
| 3 Mazurkas, Op. 12 (Martellini, Charles de) for piano |
|
| Confederacy March (Toulmin, Alfred F.) for piano |
|
| The Love Bird (Wilson, Louisiana) for voice and piano |
|
| My Sister Dear (Müller, Julius E.) for piano 4 hands |
|
| Arrangement of Come to the Mountain (Knight, Joseph Philip) |
|
| Flower Basket (Goneke, John F.) for piano 4 hands |
|
| La Capricieuse (Siegling, Marie Regina) for piano |
1845 |
| Valse populaire de 'Cagliostro', Op. 87 (Burgmüller, Friedrich) for piano |
1860 |
| Birth Day Polka (Zerrahn, Carl) for piano |
1850 |