| Composition |
Score attributes |
| Prophetiae Sibyllarum, LV 1048-1060 (Lassus, Orlande de) for 4 voices or mixed chorus |
— |
| Magnum opus musicum (Lassus, Orlande de) for mixed chorus or 2 voices or 3 voices or 4 voices or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices or 12 voices |
parts |
| Magnum opus musicum (Lassus, Orlande de) for mixed chorus or 2 voices or 3 voices or 4 voices or 5 voices or 6 voices or 7 voices or 8 voices or 9 voices or 10 voices or 12 voices |
parts |
| Cantiones Duum Vocum (Lassus, Orlande de) for 2 voices |
parts |
| Missa super Bella Amfitrit' altera, LV 1146 (Lassus, Orlande de) for 2 sopranos, 2 altos, 2 tenors and 2 basses or mixed chorus |
— |
| Missa ad imitationem moduli Vinum bonum, LV 627 (Lassus, Orlande de) for 8 voices or 2 mixed chorus |
— |
| Quid tibi quidnam, LV 243 (Lassus, Orlande de) for 5 voices |
— |
| Missa super Amor ecco colei, LV 1147 (Lassus, Orlande de) for 6 voices |
— |
| Missa super Certa fortiter, LV 1148 (Lassus, Orlande de) for 6 voices |
— |
| Missa super Ecce nunc benedicite, LV 1149 (Lassus, Orlande de) for 6 voices |
— |
| Missa super Deus in adiutorium, LV 1150 (Lassus, Orlande de) for 6 voices |
— |
| 100 Magnificat (Lassus, Orlande de) for 4 voices or 5 voices or 6 voices or 7 voices or 8 voices or 10 voices |
parts |
| Missae posthumae (Lassus, Orlande de) for 6 voices or 8 voices |
— |