Composition: Judith (Parry, Charles Hubert Hastings)
| Title | Judith |
| Alternative title | The Regeneration of Manasseh |
| Creators | Charles Hubert Hastings Parry (composer) |
| Opus | |
| Instrumentation | soprano, alto, tenor, bass, mixed chorus and orchestra |
| Number of movements | — |
| Keys | — |
| Composed | 1887 |
| First published | 1888 |
| Dedication | — |
| Tempo markings | — |
| Metronome markings | — |
| Time signatures | — |
| Average duration (sec) | — |
| Number of measures | — |
| Composition types | Sacred oratorios |
| Language | English |
| Period | Romantic |
| View on IMSLP |  |
| Code |  |
Sections
(No sections)
Arrangements
| Details | Section | Arranged for | Arranger |
|---|---|---|---|
| view | Aria: 'Long Since in Egypt's Pleasant Land' | flute and piano | Hideo Kamioka |
Scores
| Details | Section | Type | Publisher | Date | File |
|---|---|---|---|---|---|
| view | Complete | — | Manuscript | 1888 | Introduction · view Act I: Scene I - Moloch · view Act I: Scene II - The Children · view Act I: Scene III - The Sacrifice · view Act I: Finale - The Coming of the Assyrians · view Intermezzo, Babylon: The Repentance of Manasseh · view Act II: Scene I - The Return of Manasseh · view Act II: Scene II - The Message of Holofernes · view Act II: Scene III - The Exploit of Judith · view Act II: Finale · view |
| view | Complete | — | Manuscript | 1888 | Introduction · view Act I: Scene I - Moloch · view Act I: Scene II - The Children · view Act I: Finale - The Coming of the Assyrians · view Intermezzo, Babylon: The Repentance of Manasseh · view Act II: Scene I · view Act II: Scene II - The Message of Holofernes · view Act II: Scene III - The Exploit of Judith · view Act II: Finale · view |
| view | Complete | vocal score | Novello | — | Complete Score · view |
| view | Arioso: The Lord is Long-Suffering | vocal score | Novello | — | Complete Score · view |
| view | Aria: 'Long Since in Egypt's Pleasant Land' | Arrangement for flute and piano |
— | — | Complete Score · view |
Recordings/Performances
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