| Title click for details |
Creators | Key | Opus | Composed | Instrumentation | Period/style | Type | Listen | Code |
|---|---|---|---|---|---|---|---|---|---|
| Madrigals and Chansons | Orlande de Lassus, composer Francesco Petrarca, librettist Lodovico Ariosto, librettist Joachim Du Bellay, librettist François Villon, librettist Torquato Tasso, librettist |
4 voices 5 voices |
Renaissance | Madrigals, Chansons | |||||
| Sotto duo negri e sottilissimi archi | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 491 | Renaissance | Madrigals | |||||
| Questi ch’inditio fan del mio tormento | Orlande de Lassus, composer Lodovico Ariosto, librettist |
1557 | mixed chorus soprano, alto, 2 tenors and bass |
Renaissance | Madrigals | ||||
| Era il belviso suo (Era il bel viso suo qual esser suole ; His handsome face was...) | Giaches de Wert, composer Lodovico Ariosto, librettist |
W xv, 41 | soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | ||||
| Non rumor di tamburi | Alessandro Striggio, composer Lodovico Ariosto, librettist |
6 voices | Renaissance | Madrigals | |||||
| Era il bel viso suo | Cipriano de Rore, composer Lodovico Ariosto, librettist |
D dorian | 4 voices | Renaissance | Madrigals | ||||
| Gravi pene in amor | Alessandro Striggio, composer Lodovico Ariosto, librettist |
4 voices mixed chorus |
Renaissance | Madrigals | |||||
| Vaghi boschetti di soavi allori | Giaches de Wert, composer Lodovico Ariosto, librettist |
A minor | 5 voices | Renaissance | Madrigals | ||||
| Cantan fra rami gli augelleto vaghi | Giammateo Asola, composer Lodovico Ariosto, librettist |
F | 2 voices | Renaissance | Madrigals | ||||
| Questi ch’inditio fan (These that bee Certaine Signes) | Alfonso Ferrabosco Sr., composer Lodovico Ariosto, librettist |
Ch.193 | 6 voices | Renaissance | Madrigals | ||||
| Chi salira per me | Giaches de Wert, composer Lodovico Ariosto, librettist |
F major | 4 voices | Renaissance | Madrigals | ||||
| Scarpello si vedra di piombo | Perissone Cambio, composer Lodovico Ariosto, librettist |
C major | 5 voices mixed chorus |
Renaissance | Madrigals | ||||
| Gravi pene in amor | Jacob Arcadelt, composer Lodovico Ariosto, librettist |
3 voices mixed chorus |
Renaissance | Madrigals | |||||
| La Verginella | William Byrd, composer Lodovico Ariosto, librettist |
G minor | T 234 | voice 5 voices |
Renaissance | Songs | |||
| Or se mi mostra la mia carta il vero | Alessandro Striggio, composer Lodovico Ariosto, librettist |
C major | 6 voices mixed chorus |
Renaissance | Madrigals | ||||
| Liete piante, verdi erbe, limpide acque | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
F major | soprano, alto, 2 tenors and bass mixed chorus |
Renaissance | Madrigals | ||||
| La verginella e simile alla rosa | Giovanni Battista Mosto, composer Lodovico Ariosto, librettist |
F major | 5 voices mixed chorus |
Renaissance | Madrigals | ||||
| Questi ch'indizio fan del mio tormento | Alessandro Striggio, composer Lodovico Ariosto, librettist |
6 voices mixed chorus |
Renaissance | Madrigals | |||||
| La verginella e simile alla rosa | Giaches de Wert, composer Lodovico Ariosto, librettist |
D minor | 5 voices mixed chorus |
Renaissance | Madrigals | ||||
| Questi ch'indizio fan del mio tormento | Noë Faignient, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Dunque basciar si belle e dolce labbia | Giaches de Wert, composer Lodovico Ariosto, librettist |
4 voices mixed chorus |
Renaissance | Madrigals | |||||
| Et oltre al mio destino | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Crudel, di che peccato a doler t'hai | Hoste Da Reggia, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Le donne, i cavallier, l'arme, gli amori | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices mixed chorus |
Renaissance | Capriccios | |||||
| Dunque fia ver (haime) che mi convegna | Anonymous, composer Lodovico Ariosto, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| O messagi del cor, sospiri ardenti | Alessandro Striggio, composer Lodovico Ariosto, librettist |
6 voices mixed chorus |
Renaissance | Madrigals | |||||
| La verginella e simile alla rosa | Francesco Viola, composer Lodovico Ariosto, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Avorio e gemma ed ogni pietra dura | Giaches de Wert, composer Lodovico Ariosto, librettist |
soprano, alto, 2 tenors and bass | Renaissance | Madrigals | |||||
| Queste non son piu lagrime | Giaches de Wert, composer Lodovico Ariosto, librettist |
6 voices mixed chorus |
Renaissance | Madrigals | |||||
| O gran bonta de' cavallieri antiqui | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices mixed chorus |
Renaissance | Capriccios | |||||
| Non rumor di tamburi o suon di trombe | Giovanni Battista Conforti, composer Lodovico Ariosto, librettist |
F major | soprano, alto, 2 tenors and bass mixed chorus |
Renaissance | Madrigals | ||||
| Ma di che debbo lamentarmi | Giaches de Wert, composer Lodovico Ariosto, librettist |
soprano, alto, tenor and bass mixed chorus |
Renaissance | Madrigals | |||||
| Crudel, di che peccato a doler t'hai | Giulio Fiesco, composer Lodovico Ariosto, librettist |
soprano, alto, tenor and bass | Renaissance | Madrigals | |||||
| Ingiustissimo Amor, perche si raro | Jacob Arcadelt, composer Lodovico Ariosto, librettist |
soprano, alto and tenor mixed chorus |
Renaissance | Madrigals | |||||
| Francesca (Cantata No.9) | Liana Alexandra, composer Lodovico Ariosto, librettist |
1997 | mezzosoprano, flute, percussion, violin and cello | Modern | Secular cantatas | ||||
| Deh, dove senza me | Andrea Gabrieli, composer Lodovico Ariosto, librettist |
G minor | 3 voices | Renaissance | Madrigals | ||||
| La verginella e simile alla rosa | Andrea Gabrieli, composer Lodovico Ariosto, librettist |
G minor | soprano, alto and tenor | Renaissance | Madrigals | ||||
| E dove non potea la debil voce | Andrea Gabrieli, composer Lodovico Ariosto, librettist |
D minor | 3 voices | Renaissance | Madrigals | ||||
| Dunque baciar sì belle e dolce labbia | Andrea Gabrieli, composer Lodovico Ariosto, librettist |
A minor | 3 voices | Renaissance | Madrigals | ||||
| Dunque fia ver dicea | Andrea Gabrieli, composer Lodovico Ariosto, librettist |
A minor | 3 voices | Renaissance | Madrigals | ||||
| Il dolce sonno mi promise pace | Andrea Gabrieli, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Ella non sa, se non invan dolersi | Andrea Gabrieli, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Ricordati, pagan, quando uccidesti | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Dirò d’Orlando in un medesmo tratto | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
F major | 4 voices | Renaissance | Capriccios | ||||
| All’apparir che fece all’improviso | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Che debbo far, poi ch’io son giunto tardi | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Mentre costui così s’affligge e duole | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Pieno di dolce e d’amoroso affetto | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Sia vile agli altri, e da quel solo amata | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| La verginella è simile alla rosa | Marc'Antonio de Pordenon, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| La verginella e simile alla rosa | Baldassare Donato, composer Lodovico Ariosto, librettist |
F major | 4 voices | Renaissance | Madrigals | ||||
| La verginella è simile alla rosa | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Ingiustissimo Amor, perche si raro | Claudio Merulo, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Vaghi boschetti di soavi allori | Benedetto Pallavicino, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Era il bel viso suo, quale esser suole | Alessandro Striggio, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Ingiustissimo Amor, perche sì raro | Alfonso Dalla Viola, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Amor, io non potrei | Luca Marenzio, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Deh, dove senza me, dolce mia vita | Sessa d' Aranda, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Gravi pene in amor si provan molte | Cipriano de Rore, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Di furto ancor oltre ogni vizio rio | Giandominico La Martoretta, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Deh, dove senza me, dolce mia vita | Giandominico La Martoretta, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Ingiustissimo Amor, perché sì raro | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Alcun non può saper da chi sia amato | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Cantan fra i rami gli augelletti vaghi | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Il dolce sonno mi promise pace | Giaches de Wert, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Deh perchè voglio anco di me dolermi | Orlande de Lassus, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Seguita Angelica | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Dicea: Fortuna, che più a far ti resta (Seguita Angelica) | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Seguita Angelica | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
mixed chorus soprano, 2 altos and tenor |
Renaissance | Capriccios | |||||
| Lamento d'Angelica | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Era il bel viso suo | Giulio Schiavetti, composer Lodovico Ariosto, librettist |
mixed chorus soprano, alto, 2 tenors and bass |
Renaissance | Madrigals, Secular choruses | |||||
| Gravi pene in amor si provan molte | Gioseffo Guami, composer Lodovico Ariosto, librettist |
soprano, alto, 2 tenors and bass | Renaissance | Madrigals | |||||
| Tra le purpuree rose e i bianchi gigli | Benedetto Pallavicino, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Se ben non veggon gli occhi ciò che vede | Giovanni Pierluigi da Palestrina, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Alcun non può saper da chi sia amato | Cipriano de Rore, composer Lodovico Ariosto, librettist |
soprano, 3 tenors and bass alto, 3 tenors and bass |
Renaissance | Madrigals | |||||
| Come la notte ogni fiammella è viva | Cipriano de Rore, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Ch’aver può donna al mondo più di buono | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Se l’affogarmi in mar morte non era | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Oh troppo cara, oh troppo escelsa preda | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Chi narrerà l’angoscie, i pianti, i gridi | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| La notte Orlando alle noiose piume | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Chi mette il piè su l’amorosa pania | Perissone Cambio, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| La verginella e simile alla rosa | Marc Antonio Ingegneri, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Questi ch’indizio fan del mio tormento | Giaches de Wert, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Fu il vincer sempre mai laudabil cosa | Sessa d' Aranda, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Miser chi mal oprando si confida | Eliseo Ghibel, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Pensoso più d’un’ora a capo basso | Sessa d' Aranda, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| La donna sua, che gli ritorna a mente | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios | |||||
| L'ineffabil bontà del Redentore | Cipriano de Rore, composer Lodovico Ariosto, librettist |
F major | 5 voices | Renaissance | Madrigals | ||||
| Pensier dicea che'l cor (I) (Pensier dicea) | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 372 | 1568 | 5 voices | Renaissance | Madrigals | |||
| Liete piante, verdi erbe, limpide acque | Giovanni Nasco, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| La verginella è simile alla rosa | Bartolomeo Spontone, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Songs | |||||
| Deh, dove senza me, dolce mia vita | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Di questo Orlando avea gran doglia | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Quando vostra beltà, vostro valore | Luca Marenzio, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Dove, speranza mia, dove ora sei | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios | |||||
| Deh torna a me mio sol | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Gravi pene in amor si provan molte | Gioan Paien, composer Lodovico Ariosto, librettist |
soprano and tenor | Renaissance | Madrigals | |||||
| Ingiustissimo Amor | Gioan Paien, composer Lodovico Ariosto, librettist |
soprano and tenor | Renaissance | Madrigals | |||||
| Che dolce più, che più giocondo stato | Gioan Paien, composer Lodovico Ariosto, librettist |
soprano and tenor | Renaissance | Madrigals | |||||
| Di persona era tanto ben formata | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 490 | 4 voices | Renaissance | Madrigals | ||||
| Sotto quel sta quasi fra due vallette | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 492 | 4 voices | Renaissance | Madrigals | ||||
| Bianca neve è il bel collo | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 493 | 4 voices | Renaissance | Madrigals | ||||
| Mostran le braccia sue misura giusta | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 494 | 4 voices | Renaissance | Madrigals | ||||
| Spesso in poveri alberghi e in picciol tetti | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 495 | 4 voices | Renaissance | Madrigals | ||||
| Dunque fia ver (dicea) che mi convegna | Claudio Merulo, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Vaghi boschetti di soavi allori | Marc Antonio Ingegneri, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Le donne, i cavallier, l'arme, gli amori | Hoste Da Reggia, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Ingiustissimo Amor, perché sì raro | Hoste Da Reggia, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Pensier dicea che'l cor (II) | Orlande de Lassus, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Deh, ferma, Amor, costui che così sciolto | Claudio Merulo, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| S'un medesimo ardor, s'un disir pare | Giovanni Nasco, composer Lodovico Ariosto, librettist |
5 voices | Renaissance | Madrigals | |||||
| Amor n’è causa, che nel cor m’ha impresso | Claudio Merulo, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Come la notte ogni fiammella è viva | Marc Antonio Ingegneri, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Deh torna a me mio sol (4 voices) | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Oh infelice! oh misero! che voglio | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios | |||||
| Di pianger mai, mai di gridar non resta | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Songs | |||||
| Queste non son più lacrime, che fuore | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios | |||||
| Sa questo altier ch'io l'amo e ch'io l'adoro | Claudio Merulo, composer Lodovico Ariosto, librettist |
3 voices | Renaissance | Madrigals | |||||
| Tagliò lo scritto e’l sasso, e sin al cielo (Mostra Orlando la sua possanza) | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
Renaissance | |||||||
| Pel bosco errò tutta la notte il conte (Principio della Pazzia d'Orlando) | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios | |||||
| Non son, non sono io quel che paio in viso (Orlando penso esser morto essendo vivo) | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals | |||||
| Questi ch'indizio fan del mio tormento | Vincenzo Ruffo, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Madrigals | |||||
| Cosi cor mio | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 901 | 4 voices | Renaissance | Madrigals | ||||
| Queste non son piu lagrime | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 25 | 4 voices | Renaissance | Madrigals | ||||
| Non vi vieto (Hoste da Reggio [?]) | Orlande de Lassus, composer Lodovico Ariosto, librettist |
LV 83 | 4 voices | Renaissance | Madrigals | ||||
| Queste non son più lacrime che fuore | Philippe Verdelot, composer Lodovico Ariosto, librettist |
6 voices | Renaissance | Madrigals | |||||
| Che rami e ceppi e tronchi e sassi e zolle (Orlando al fin perde il Senno) | Jacquet de Berchem, composer Lodovico Ariosto, librettist |
4 voices | Renaissance | Capriccios, Madrigals |
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